VIVACE!, that is, lively, lively, luminous. It is a tempo designation in music.

Living Blues Magazine describes Southside Chicago born Robbin Kapsalis’s voice as “filled with the passion and grit of a self-made woman”.

For most artists trying to break in the entertainment industry, authenticity is the ultimate goal.

Texas-based country artist Hayden Baker, whose sound blends classic honky-tonk with a contemporary edge, is set to release his 10-track album Alive & Well on Friday, October 10.

Hannah Gill is a jazz vocalist, songwriter, and performer based in Bushwick, Brooklyn in New York City. Currently signed with Turtle Bay Records, her debut jazz album “Everybody Loves A Lover” came out in September 2023.

QUIET BLUE (out 10 october 2025) reveals itself as a profoundly nuanced, delicate, and spontaneous jazz work, recorded in a single day.

Jazz and flamenco lovers, mark your calendars! Internationally acclaimed vocalist and performer Andy James is set to release her highly anticipated sixth studio album, Happy People.

Originally released on October 11, 2005 (October 5th in Japan), Dangerous and Moving is the follow-up album to t.A.T.u.’s multi-million selling smash debut album, 200 KM/H in the Wrong Lane.

Wewantsounds is delighted to reissue French pop icon Brigitte Fontaine’s landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. approved by the artist, this reissue features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of “Il Pleut” recorded for France Inter/ORTF.

TRIO IVOIRE celebrates 25 years of AfroEuroJazz and returns to its original trio format with the new album Resurrection.

Franco-Swiss violist Mathis Rochat presents British repertoire for viola and orchestra, pairing William Walton's well-known concerto with rarely recorded works by Herbert Howells and Arthur Benjamin. Featuring violinist Abigel Kralik, and the BBC National Orchestra of Wales under the direction of Howard Griffiths, the program highlights romantic styles and lesser-known voices within the first half of 20th-century British music.

This is the story of an artist in search of sound and breath: an artist who dares to question the rhythm of silence—an invitation to rethink music, sound, and musical collaboration. This is the story of a journey that, after opening countless paths, has finally found its vessel—and its messengers. Three artists of profound musical truth and radical freedom, merging into an exceptional trio that crosses genres and transcends words in a journey toward pure emotion.

Back in 2008, Motorpsycho MK3 was beginning to gel and settle.
Kenneth Kapstad’s entry into the band a year earlier had not only started to inspire a new and different writing, as shown in their first album, Little Lucid Moments, but also given the musicianship a solid kick up the behind. By summer 2008 the engine room was back to firing on all cylinders, ushering in a new era of intense and ambitious work for the band.

With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly. Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.

Drummer and composer Max Trabucco, a recognized figure in the Italian percussive arts, has led the “Convergence” quartet since 2023, joined by saxophonist Manuel Caliumi, trombonist Federico Pierantoni, and double bassist Federica Michisanti. The quartet is comprised exclusively of monodic instruments. The lack of a traditional harmonic instrument leaves the stage open, giving rise to truly original sonic canvases. The nine tracks are the fruit of over two years of research and experimentation. The project’s concept is based on the convergence of diverse melodies, sometimes composed extemporaneously, creating a dense network that is different each time. Listening to “Convergence” takes you on a journey from mainstream jazz to completely free improvisation, all united by a single common thread. Distinct originality and excellent sound.