Recorded in Greece with an outstanding ensemble of Athenian jazz musicians, James Wylie makes his Rattle debut with an album of beautifully recorded and performed compositions that will delight fans of high-quality contemporary jazz.

Toyohiko Sato's new recording! A new recording by Toyohiko Sato, one of the world's leading lutenists and the pride of Japan, on his own label "Nostalgia".

Taking Karajan's unparalleled recorded legacy into the 21st century, Warner Classics paid tribute to the maestro on the 25th anniversary of his death July 16, with 20 of his most beloved albums remastered in high-definition quality for exclusive digital release.

Taking Karajan's unparalleled recorded legacy into the 21st century, Warner Classics paid tribute to the maestro on the 25th anniversary of his death July 16, with 20 of his most beloved albums remastered in high-definition quality for exclusive digital release.

On night two in Milan, Bruce and the E Street Band end the 2025 tour of Europe with a 28-song set. HIGHLIGHTS “Rockin’ All Over the World” (written by John Fogerty) returns to the set to close the show. “Prove It All Night,” “Darkness on the Edge of Town,” and “My Hometown” rotate in. 2025 additions “Rainmaker,” “House of a Thousand Guitars” (performed solo acoustic), and the cover of Bob Dylan's “Chimes of Freedom” all appear.

Hybrid Stereo SACD! First Genesis Album to Feature Phil Collins as Lead Vocalist! Featuring "Dance on a Volcano" & "Squonk!" Plays in All CD and SACD Players! Atlantic 75 Historic Reissue Series from Analogue Productions! Genesis' seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively. A Trick of the Tail was a landmark album for the band, and it still stands today as one of their best with classics such as "Dance on a Volcano" and "Squonk."

South African pianist Thandi Ntuli traveled to Los Angeles in 2019, where she recorded this album of bare, explorative piano and voice pieces at a Venice Beach studio with International Anthem artist Carlos Niño in the producer chair. An absolutely stunning, intimate listen, with Ntuli’s prowess as a pianist and singularity as a vocalist on vivid display as much as her fearlessness, vulnerability and adventurousness during occasional experiments with synthesizers and percussion. Niño colors open minimalist soundscapes with overdubbed percussion, cymbals and plants.

The beloved, historic & previously unreleased recording by the famous Guitar Trio: Al Di Meola, John McLaughlin & Paco De Lucia – ‘Saturday Night in San Francisco’ will be released on July 1st, 2022.

At its best, harmony duo singing can transform simple math into a magic trick. One plus one, instead of equaling two, suddenly yields an unexpected third thing. An upper-case ONE. A universal hum. A deep vibration that encompasses two different points of view. On their latest release, Every Time I Think About You, brothers Page Burkum and Jack Torrey, aka The Cactus Blossoms, once again prove themselves to be among the most adept - and instinctive – modern practitioners of the classic tradition.

Live Aid was a two-venue benefit concert and music-based fundraising initiative held on Saturday 13 July 1985. The event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London and John F. Kennedy Stadium in Philadelphia.

Internationally celebrated as both a soloist and conductor, Florian Krumpöck has more than proven his outstanding capability in the international concert scene. “Forget Lang Lang and Arcadi Volodos. There are highly virtuoso keyboard tigers in Austria too”, was the verdict of the daily newspaper “Die Presse” on the pianist’s solo debut at the Vienna Konzerthaus. On this album, Florian Krumpöck presents two of Robert Schumann’s seminal works—Fantasiestücke, Op. 12 and Symphonic Études, Op. 13—both deeply intertwined with his great love and future wife, Clara Wieck. The album’s title, “Between Eusebius and Florestan”, alludes to the alter egos Schumann frequently invoked during this period: opposing personas that profoundly influenced his work as both a music critic and a composer. This recording of the Symphonic Études includes five posthumously published variations, with the finale drawn from Schumann’s 1852 revised version.

Young big band pays tribute to the legendary Skymasters: The Dutch big band tradition holds a special place in the history of jazz. The Skymasters, founded in 1945, captivated audiences with their swinging big band music and Dutch vocal repertoire through their popular radio broadcasts. Now, the Paradox Jazz Orchestra (PJO), a newly formed ensemble, pays homage to this illustrious era with their new album, “Remembering the Skymasters – Legacy.” Led by saxophonist and arranger Jasper Staps and trumpeter Teus Nobel, the PJO aims to revive and reintroduce the rich Dutch and international big band heritage to both existing and new generations of music lovers. In this blog post, we delve into the origins of the PJO, its unique concept, and its mission to keep big band music alive.

This album was recorded, mixed and mastered live in one take, on the evening of November 6th 2020 at Welcome To 1979 studio in Nashville. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with it. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved!

Blue Engine Records proudly releases Freedom, Justice, and Hope, the live recording of Jazz at Lincoln Center’s multidisciplinary concert that contextualizes jazz within Black Americans’ pursuit of equality. Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis in creative collaboration with social justice activist and founder of The Equal Justice Initiative Bryan Stevenson, the recording features new arrangements of some of the most important protest songs in jazz history and new works by featured guest artists Endea Owens and Josh Evans.

‘Intense, emotional and pure’ is how Pavel Kolesnikov describes the experience of making this recording, the fruits of a collaboration between the pianist and choreographer Anne Teresa De Keersmaeker. The spirit of the dance, so fundamental to Bach, is never far away in this compelling new account.