Channeling new age and spiritual jazz, the multidisciplinary artist’s debut solo album creates its own thoughtful and potent world with the help of many guests and many flutes.

Equal Spirits brings together a genre-defying mix of South African spiritual jazz, ambient improvised introspection, bursts of old-school hip-hop and electronica, soaring melodies, synths, samples and gospel-infused grooves, woven together with sung and spoken languages from Zulu, Sotho, Yoruba and Xhosa to Arabic and English.

'Altera Vita' is the first studio album by World renowned multi-award winning artists Tony Kofi (tenor saxophone) and Alina Bzhezhinska (harp) as a duo. The album is saxophone and harp in perfect harmony with Tony and Alina also providing the bulk of the percussion to accompany their recordings. Tony Kofi is widely recognized as one of the leading Jazz saxophonists in the UK and his duties include regularly lending his skills to legendary group Cymande for their live performances. Alina has been heralded as the "New Sound of Europe'' and the duo’s innovative and refreshing approach to recording is apparent on this album. The namesake and inspiration for this album; ‘Altera Vita’ (2023) was named in Downbeat’s jazz albums of 2023, which is very rare for a single release!

Dwight Trible is a rarity. Few singing careers involve performing with the legendary likes of Pharaoh Sanders, Kenny Garrett and Charles Lloyd, whilst also producing and innovating music with today’s hippest artists, ranging from J Dilla to Kamasi Washington. 
His upcoming album, ‘Mothership’, is thus a true masterpiece. Trible’s voice, unrivalled in its passion and depth, is set against a background of spiritual riffs brought about by LA’s top jazz musicians, with Kamasi on saxophone no less. As arguably the world’s greatest living jazz vocalist, Dwight Trible is a legend in waiting - and it’s time he was heard.

Originally conceived as a tour only exclusive, Bright Sparkling Light was recorded alongside, 2023's expansive beguiling long-player An Ever Changing View and draws on the same trademark blend of jazz, electronica, global and spiritual jazz influences.

Zither Suite is the fifth OPE album. It was recorded in my apartment in Kortedala, just outside of Gothenburg. No neighbours were harmed in the recording process. The title track opens with a bitter sweet bass melody that I first recorded some 10 years ago, but it's been fermenting ever since and finally reached maturity. The zither that gave name to the record (and the first track) was a find from the local charity shop. While it's not featured on every track of the album it's a crucial part of the feel of the album as a whole. It's the rug that ties the room together.

Organic Pulse Ensemble approaches adventures in fields of sound as a one-man band. It is music recorded, composed and mixed by Gustav Horneij. But don’t let this fact mislead you, because the way the artist is binding together rhythm, melody and textures is highly inspirational. It is singular but with a spiritual kinship and debt owed to the torchbearers of 60s and 70s independent jazz. Intellectually unpretentious ‘Formative Stages’ takes the listener on a voyage into an organic and deep resonance. Pleasant melodies evoke a unifying and sensitive response. It shimmers with wonder.

This album fuses the intensity of free jazz , with the meditative and mystical feeling of the spiritual approach of the genre . The lengthier timing of the tracks provides the musician the chance to explore different paths in terms of composition , on many occasions focusing on the music progression on each track , containing his perfectionist zeal and accepting the value of leaving some of the mistakes and rough edges which we consider to be a very important addition in terms of personality and originality to the work. Gustav keeps pushing the boundaries of the form by incorporating influences from ethiojazz to eastern sounds , all of it in an amazing organic way that makes it hard to believe all the composition and performance come from a single artist.

Prism is a special collaboration for Cached between Jen Powers, Matthew Rolin, and Cole Pulice. Across four tracks, the trio soars through their own cosmic blend of Atomic Americana. Prior to this collaboration, Jen Powers and Matthew Rolin, based in rural Ohio, have created space across several intersections of DIY music communities with their American Pastoral trance music. Rolin is a deft guitar player with a sound as expressive as it is skillful; Powers’ dulcimer playing is transcendent and hypnotic. Between applying their craft to more experimental and borderline-free-jazz worlds, as well as with troubadours like Bonnie “Prince” Billy, Powers and Rolin work keeps an air of far-out approachability.

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie's band, including the incomparable tenor saxophonist Cedric 'I'm' Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I.

With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet – a tribute to the legend that is Yusef Lateef.

In our latest chapter of Spiritual Jazz, we return to the source – the Impulse! label, and the monumental influence of its most prominent artist, John Coltrane.

"I recorded 'Live Without Fear' on May 31 1979 with some of my friends. We drove up into Evanston from Chicago in 3 cars on a day that smelled good and spoke all day sunshine… to 'Live Without Fear' means to live in material reality with faith… Peace on you!" - Soji Ade' 2018

Many artists achieve greatness but very few produce work that is so moving it's considered sacred. Whether you choose to call them hymns, psalms or spirituals, their songs are a healing force for troubled times. We feel close to these prophets, in recognition of their uncommon labours. It is as if they have given all of themselves, body and soul, through music.

South African pianist Thandi Ntuli traveled to Los Angeles in 2019, where she recorded this album of bare, explorative piano and voice pieces at a Venice Beach studio with International Anthem artist Carlos Niño in the producer chair. An absolutely stunning, intimate listen, with Ntuli’s prowess as a pianist and singularity as a vocalist on vivid display as much as her fearlessness, vulnerability and adventurousness during occasional experiments with synthesizers and percussion. Niño colors open minimalist soundscapes with overdubbed percussion, cymbals and plants.