Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new CD/LP, Other Doors. Boasting new material and two numbers drawn from their extensive historical repertoire, Other Doors finds the band on their usual fiery form.

When people are affected by a disaster, they often seek comfort. There is a long tradition of disaster songs: by singing together people sought support from each other.

Peni Candra Rini (she/her), the Indonesian composer and performer whose musical practice encompasses a wide range of traditional and experimental Javanese styles, announces her new album Wulansih (July 12, 2024) via New Amsterdam Records. Kronos Quartet's David Harrington, a frequent collaborator of Rini, recently called her “one of the world's greatest singers”, and on Wulansih she places her voice in conversation with a wide array of experimental and traditional musicians, including Andy McGraw, Lester St. Louis, Shahzad Ismaily, John Priestley, Curt Sydnor, and many others. Produced by Ismaily at New York's Figure 8 Recording, Wulansih creates a world all its own.

The 16th-century composer, Cypriana Bazylik, was born in Sieradz, an important commercial and cultural center at that time. He composed only for a short period of his life, when he was employed in the court band of Prince Mikołaj Radziwiłł in Vilnius. Several of his songs and several psalms have survived and are included on this CD. The music, masterfully presented by the Ensemble Jericho vocal group, is largely an original adaptation of the musicologist and organist Bartosz Izbicki - voices, new harmonies, and sometimes changed rhythmic formulas have been added.

Jazz trumpeter, composer and winner of the 2024 Peter Whittingham Jazz Award, Olivia Cuttill, announces the release of her new album – …And Writing And Singing And Tunes To Be Swingin’. Influenced by the soul of New Orleans and the music of Louis Armstrong, Dr. John, Nina Simone and Randy Newman, Cuttill’s original compositions combine expressive trumpet improvisation with lyrical storytelling that explores themes of love, loss, stardom, hypochondria and gratitude.

Stripping away excess layers, Dispossessed lives up to its title. The band went into Causa Sui's Jonas Munk's studio on the last day of February 2025. In an a priori session, the first note played together since 2023's Dens - the conclusion of a trilogy and a live album all in less than a year. Has something shifted during the silence? Added aggression? Faster tempo? Darker ambiance? The feeling of losing time? Or is it simply the listener whose world has tilted? In a fast paced world, Edena Gardens shows us how to resist and tune to our own inner chord.

Amanda is now releasing her third album on the Ladybird label. Amanda once again invites the listener to her well-turned and swinging melodic jazz in Swedish, but the listener can also sense a sour self-distance in the middle of the warm and everyday considerations. Amanda Ginsburg sings about the simple in everyday life, the seemingly banal stories that make up a large part of all of our lives, and she does it with gusto.

Award-winning record producer, composer and tabla player, Kuljit Bhamra MBE, brings together celebrated Bollywood singers, lyricists and musicians for Namaste Bombay. With 38 original songs inspired by the origins and developments of 'Bollywood' music over the decades, it features lush instrumentations with traditional strings performed by the Bombay Gold Orchestra - An enthralling filmi journey designed to evoke your own imagined Bollywood fantasy!

Most likely belonging to the fourth generation of Flemish polyphonists — that of such musicians as Adrian Willaert, Nicolas Gombert, Clemens non Papa and Cipriano de Rore — Josquin (or Johannes?) Baston was one of the many mysterious figures in sixteenth-century music history. Nothing is known about when and where he was born or died, and much uncertainty exists even about his first name. Many of his compositions appeared in printed anthologies alongside those of some of the most important musicians of the first half of the sixteenth century, such as Josquin Desprez and Orlande de Lassus.

Space Age Playboys was a band formed by Johnny Jetson and former Warrior Soul lead singer Kory Clarke, named after that band's final album before their 1995 break up.

First shown in January 1984, Mr Kleks' Academy, directed by Krzysztof Gradowski, and its sequels have gained the status of cult films for many people who grew up in the gloomy 1980s and immediately after the political transformation. (…) The idea of enriching the film with songs significantly influenced the decision to create this motion picture. lts authors wove Jan Brzechwa's famous poems into his novel, creating something like a fairy-tale universe (same of the texts were written by Gradowski). The musical pieces are an integral and key part of the entire trilogy.

Irish folk songwriter Glen Hansard will return early next year with his third solo album, Between Two Shores.

Delving into the deepest recesses of raï, this compilation serves as a tribute to its roaring years, but also as a rejuvenation of the genre in its sulphurous, subterranean version. It seemed like a good idea to dig into nearly untraceable cassettes, thus confirming it’s in the oldest of Oranese pots that the very best of raï is to be found. Just 50 years ago, no one would have believed even a bit in a genre seemingly bound to forever turn round and round in its native Oran, laying low in one of its many coastal road clubs.

Schumann's Op. 15 is a collection of piano pieces titled "Kinderszenen" or "Scenes from Childhood." Composed in 1838, this set of 13 short pieces reflects Robert Schumann's deep connection to childhood memories and his imaginative, introspective nature. Each piece within Op. 15 captures a distinct mood or scene, providing a glimpse into the emotional landscape of a child's world.

Einojuhani Rautavaara and Kalevi Aho, teacher and pupil, are both key figures in the Finnish music of their respective generations. Rautavaara’s musical language evolved from neoclassicism through dodecaphony and the stylistic freedom of the 1960s before he eventually allowed himself to choose his expressive idiom according to the individual requirements of his works. Towards the end of his career, his works took on a very consistent, softtoned character. For his part, Aho also began his career using a freely applied neoclassical style before gradually progressing to a more varied, at times modernist expressive and incisive approach.