The new recording captures the pianists’ special artistic relationship with Philip Glass – a follow-up to the Double Piano Concerto the composer dedicated to the sisters in 2015 Presenting the opera Les Enfants terribles arranged for piano duet, dedicated to Katia & Marielle Labèque, and Etudes No. 17 & 20

With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy.

Through his second full-length and first internationally promoted album, Inigo attempts to bring Original Pilipino Music (OPM) to the global stage with a refined collection of songs that he recorded with multiple producers and songwriters from Manila to California in a span of two years.

Lalo Schifrin (Spanish pronunciation: born Boris Claudio Schifrin; June 21, 1932 – June 26, 2025) was an Argentine-American pianist, composer, arranger and conductor.

Columbus Calvin "Duke" Pearson Jr. (August 17, 1932 – August 4, 1980) was an American jazz pianist and composer.

George Thomas Morgan (June 28, 1924 – July 7, 1975) was a mid-20th-century American country music singer.

Eddie Lang (born Salvatore Massaro; October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar.

Mary Jean Loutsenhizer, known professionally as Chris Connor (November 8, 1927 – August 29, 2009), was an American jazz singer.

Clarence Albert Poindexter (May 4, 1905 – January 28, 1984),known best as Al Dexter, was an American country musician and songwriter.

'Exit All The Lights' is the new studio album by UK-based producer Dennis Huddleston, better known as 36.

From years when I wrote music from an infinite number of dreams. Dreams of new beginnings. Long before this year. The beginning of the end.

"Stunning & breathtaking… I always fail to produce the proper vocabulary to the emotions and vibrations that Brock conjures in his music. Letting it all soak into my own heart. Favorite track: Never Let You Love This World."

The third and final LP in 36's synth trilogy is now available. Reality Engine continues the melodic, melancholy machine sound started with Wave Variations and Symmetry Systems, exploring the blossoming dynamics of artificial intelligence and the ever-changing definition of reality.

"Red Rock, Seal Skin" began as a university project relating the ecological writings of Terry Tempest Williams, Robin Wall Kimmerer, and Mary Oliver to personal meditations on their own transition out of organized religion. The result is an eleven-track cinematic dream sequence through Celtic and Scandinavian folkloric archetypes, familial memories, fables, and concealed histories of a colonized Utah. Occasionally confrontational, Red Rock, Seal Skin is a post-Mormon’s earnest inquiry into the nature of rootedness after rupture. Camilla’s sound is suspended between lilting orchestral folk, jazz, and jagged, 70’s-inspired progressive rock, joining a chorus of eclectic songwriters like Weyes Blood, Mitski, Anaïs Mitchell, Joanna Newsom, Tori Amos, and Fiona Apple.

"Every song is built around this one chord progression—every track is like a variation on a theme," Mackenzie continues. "But I don’t know if we had the musical vocabulary yet to complete the idea at that time. We recorded some of it then, including the version of 'Exploding Suns' that’s on the finished album. But when the sessions were over, it just never felt done. It was like this idea that was in our heads, but we just couldn’t reach. We just didn’t know yet how to do what we wanted to do." The frontman adds: "It’s not necessarily our most complex record, but every little piece and each sound you hear has been thought about a lot." — Under the Radar Magazine, Sep 07, 2022.