The concept behind our present undertaking, the Mozart Piano Concertos CD trilogy, is to present a range of concertos from Mozart’s various compositional and performing periods, styles, techniques and instrumentations. Our endeavour is also linked with an encore-like single work on each CD, namely a Rondo. The additional connecting link between these six piano concertos is the Cadenzas & Lead-ins which Lazić has composed himself. Here he was inspired by the common practice of the composer’s day.

Few composers have stood the test of time as well as Pyotr Ilyich Tchaikovsky. Exemplary works such as Swan Lake, The Nutcracker, and 1812 Overture have surpassed the classical genre and become fixtures of popular culture, and his artistic influence cannot be understated. On TCHAIKOVSKY, a live recording, the Philharmonie Austin and conductor Mark Dupere embark on a breathtaking homage to the legend, performing Symphony No. 5 and Romeo and Juliet on period instruments, masterfully conveying the colorful orchestrations and vivid emotion that echoes throughout the legendary Russian composer’s oeuvre.

This powerful live recording from the Philharmonie Luxembourg brings together the choir of the renowned Gaechinger Cantorey and the Luxembourg Philharmonic under the musical direction of Hans-Christoph Rademann for an emotionally charged interpretation of Johannes Brahms’ Ein deutsches Requiem. Featuring acclaimed soloists Katharina Konradi (soprano) and Konstantin Krimmel (baritone), this performance offers a deeply human and musically refined experience of one of the most important choral works of the 19th century.

Pianist Rafał Blechacz announces his upcoming album, on which he performs a selection of Chopin’s Mazurkas. It is exactly 20 years after winning the prestigious International Chopin Competition in 2005 that he revives these works, which are part of the competition’s key repertoire. His brand-new interpretation of the Mazurkas opp. 6, 17, 24, 41, 50, 56 & 63 is the starting point of an overarching project to record the complete Mazurkas on DG.

Described by the brothers as “a rock album made without any electric guitars” All Systems Are Lying was built entirely from modular synths, live drums, tape machines and processed vocals. It’s a fractured mirror held up to modern society on the brink — where truth is distorted by filters, algorithms and noise.

To celebrate Jaws 50th anniversary, UMe introduces the Shark-Infested Water-Filled vinyl of John William’s legendary film soundtrack. The perfect collector’s item for film and vinyl buffs alike, this limited-edition run has real water sealed and pressed between two translucent vinyl discs, as well as new stereo mixes approved by Mr. Williams. Specifically numbered with only 1975 copies to memorialize the film’s original release year, be sure to grab this rarity before it sells out.

Yuhan Su's "OVER the MOONs" represents a quantum leap in both scale and ambition, doubling the size of her usual ensemble to create an octet album that prioritizes sonic layers over traditional storytelling.

David Price and the Choir of Portsmouth Cathedral present a selection of traditional and contemporary Christmas carols. They are joined by organists Sachin Gunga, Kim Chin and The Band of His Majesty's Royal Marines Collingwood.

“Cooperation, interdependence and kindness” are the qualities that Meredith Monk emphasizes in Cellular Songs, “as an antidote to the values that are being propagated right now.”

Get ready to turn up the volume - Foreigner's legendary live energy is finally hitting physical formats for the first time ever.

Tame Impala’s fifth full-length album, Deadbeat, available on CD. On it, Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date, recasting Tame Impala as a kind of future primitive rave act in the process.

The Last Dinner Party on the album: "This record is a collection of stories, and the concept of album-as-mythos binds them.

Sometimes in life, an unexpected detour leads you right where you belong. Boz Scaggs’ captivating new album is proof of that.

Picking up where 2024's "Stanco's Time" left off, trumpeter Anthony Stanco's 3rd album resides in the gritty, soulful world of hard bop. Captured live at Traverse City's The Alluvion-a space brimming with energy & history-the album channels the immediacy and fire of a great night on the bandstand, with the compositions drawing inspiration from the waters surrounding the town and echoing the spirit of the venue itself.

Named one of the 100 Greatest Albums of the 1980s by Rolling Stone. Featuring the anthem “I Love L.A.," that helped define his legacy as a voice in American music.