,Butcher Holler is named for the little Kentucky town where Loretta Lynn was raised. On the tribute album of the same name, acclaimed singer-songwriter Eilen Jewell pays homage to Lynn’s humble roots and timeless, hard-hitting writing and performance style. For the first time, Butcher Holler is now available on vinyl, remastered and expanded with three brand new tracks. Jewell writes, “And so, a toast: to the woman with more banned songs than anyone can count; to that voice that reaches the very grain of the theater walls around her; to our national treasure. Gratitude is not enough, so I sing these songs for any who will listen.” The Boston Globe praised, “There's an irresistible snap to these songs- they're tight, deliciously twangy and rendered without orchestrated frills… [a] deft tribute."

Lisa Gerrard, the renowned Australian vocalist and composer, presents the compilation 'Come Tenderness'. With the inspiration of the healing power of water at its core, the album has been personally curated by Lisa and features ten of her most exceptional works newly mastered alongside a brand-new song "Whispers". The hand-picked playlist forms a cohesive album showcasing each track in a new light alongside striking artwork by Nigel Grierson. In keeping with her collaborative nature, the album includes iconic pieces Lisa has created over the years with Daniel Johns, Astrid Williamson and Patrick Cassidy. At the forefront of every track is Lisa's ethereal and iconic vocals which, combined with her expressive and profound compositions, come together to form a truly emotional listening experience.

ESOTERIC proudly introduces a new series of re-master collection - A great Jazz collection. This newly remastered box set, titled as "Great 5" features the five albums recorded by Miles Davis for Columbia label. Includes the follow titles: 'Round About Midnight (Mono); Milestones (Mono); Porgy And Bess; Sketches Of Spain; Miles Smiles. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Safe at Home, Gram Parsons' first full-length album (and the only LP he would record with the International Submarine Band), today sounds like a dry run for the country-rock he would later perfect with the Byrds and the Flying Burrito Brothers; it's also a major changeup from the psychedelically shaded pop/rock of the ISB's hard to find debut singles. In many ways, the album sounds more purely "country" than Parsons' best-known work; the Burritos' crucially important R&B edge had yet to make its presence felt in Gram's music, and on these sessions the rock influence is often more felt than heard (probably due in part to the presence of Nashville session veterans who pitched in on piano and pedal steel).

In 2023, under the artistic direction of Daniel Yvinec and the arrangements by pianist Laurent Courthaliac, Pierrick Pédron ventured into a memorable project alongside the renowned Cuban pianist Gonzalo Rubalcaba. Building on the success of that collaboration, Yvinec and Courthaliac have now embarked on an even more ambitious and challenging project, inviting Pédron to reinterpret one of the most iconic albums of free jazz: Ornette Coleman’s The Shape of Jazz to Come, originally recorded in 1959.
Leading his established quartet—which includes bassist Thomas Bramerie, and two of France’s most promising young jazz talents, pianist Carl-Henri Morisset and drummer Elie Martin-Charrière—Pédron skillfully navigates the intricate demands of this historical piece. Guided by the insightful and scholarly framework set by his two “producers,” he deftly avoids the pitfalls of overly reverent or purely formalistic approaches, instead bringing an organic, poetic depth to the project.

The lute became the instrument of choice at European courts around 1500, the time of their greatest cultural and spiritual importance.

With their new album Parasomnia, PrismE immerse themselves in the world of dreams, offering a musical journey full of contrasts, navigating between contemplative states and explosive energy.

The Orchestre National de Lyon and its new musical director Nikolaj Szeps-Znaider have embarked on a collaboration with Channel Classics, which will involve several recordings combining the great works of the repertoire with lesser-known pieces.

Fathers, gods, philosophers, emperors, sorcerers … The bass voice is typically used on the opera stage to convey nobility and authority.

Thunder rattles through the ending of 070 Shake’s tormented album opening, ‘Sin’.

Native Dancer is the fifteenth album by Wayne Shorter. It is a collaboration with Brazilian musician Milton Nascimento, featuring some of his most acclaimed compositions, including "Ponta de Areia" and "Miracle of The Fishes". It is notable for including jazz rock and funk elements in addition to regional rhythms and Brazilian influence, in an attempt to create a "world" music accessible from many perspectives.

Jackie's Pal is a studio album by saxophonist Jackie McLean, his third issued recording for Prestige Records. It was recorded in 1956 and first released as PRLP 7068. In 1963, the album was reissued on the Prestige subsidiary label New Jazz Records, as NJ 8290, with a different cover and retitled "Steeplechase". The album features McLean in a quintet with trumpeter Bill Hardman, bassist Paul Chambers and drummer Philly Joe Jones.

Workout is an album by jazz tenor saxophonist Hank Mobley released on the Blue Note label in 1962. It features performances by Mobley, Wynton Kelly, Paul Chambers, Grant Green and Philly Joe Jones. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of 17 Essential Hard Bop Recordings.

New Soil is an album by American saxophonist Jackie McLean recorded in 1959 and released on the Blue Note label. It features McLean in a quintet with trumpeter Donald Byrd, pianist Walter Davis Jr., bassist Paul Chambers and drummer Pete La Roca.

"Everything's Beautiful" brings Miles Davis' sound into the 21st century, blending a diverse group of master takes and outtakes from across Miles' incredible tenure with Columbia Records (1955-1985) with original reinterpretations. Robert Glasper produced the collaboration. "I didn't want to do just a remix record", Glasper noted when discussing the 11-song set. "My idea was to show how Miles inspired people to make new art". Knowing that "Miles didn't have one audience", Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula; hip-hop producer Rashad Smith; Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/producer Illa J; jazz guitarist John Scofield, who collaborated with Davis; and the legendary Stevie Wonder.