Don’t let the title fool you, this record can be played all year round! Spooky Jazz Vol 2 showcases a variety of haunted flavors all the way from enchanting blues and mesmerizing foxtrots, to songs that swing so hard they’ll wake the dead! Every song it’s guaranteed to put you in the spooky spirit no matter the time of year.

‘Returning Tides Vol 2′ charts the solo electronic music of David Wright from 2005 to 2022.

Discovering a virtuoso first album by Vincent Mussat.

Sol Gabetta's new "Mendelssohn" album with pianist Bertrand Chamayou will be released by Sony Classical on January 19th.

Don't Worry, It's Forever is an in-time description of love amidst loss, how it feels to straddle generations and contemplate the remains of identity as time moves on. Raw, direct and personal, this is Sister John at their finest.

Squeaky Feet is not your average jam band. Known for their complex compositions and improv-fueled live shows, the Denver-based quintet merges the raw power of progressive heavy metal with infectious dance grooves, a keen melodic sensibility, and virtuosic musicianship—a formula that finds full expression on their new album, Overview Effect.

Across the album, Talking Machine is a combination between huge pounding rockers fused with quieter moments of reflection. The band’s trademark brand of unrelenting riffs, slick surf, and finely tuned song craft are all still in place, but there’s an added refinement to the messaging in these tracks that expands on what has come before. Bell’s love of classic songwriting from Bob Dylan to Elliott Smith via Big Star’s Alex Chilton is well documented, and that education in, and homage to, the finer arts continues on the new record.

Most Western music—and a lot of non-Western music, too—is rhythmically organized into groups of two, three or four beats each. You get one strong beat and a couple of weaker ones to follow it and your body understands intuitively how to respond. Start messing with fives and sevens and elevens and so forth and you’re into trickier territory. The gravitational simplicity of the smaller numbers is so strong that five is easily pulled into three and two; seven into four and three. You’re constantly switching between two different possibilities for the way the music could feel, like a room whose color quietly shifts each time you walk in anew. It can be difficult to get into a flow, because it keeps getting interrupted as soon as it begins.

The Flemish Music Heritage series is a journey of discovery, reviving remarkable pieces of musical heritage. Forgotten scores are brought to light, and familiar compositions are given a fresh perspective. In close collaboration with the Study Centre for Flemish Music, the recordings are founded on intensive research in libraries and archives and meticulously prepared score editions.​

On his new double album, court organist Stéphane Mottoul juxtaposes Franz Liszt's most important organ works with transcriptions of famous works by Richard Wagner, thereby revealing exciting connections between the compositional work of both composers. The giant organ of the Hofkirche St. Leodegar, built by Friedrich Haas (1858-1862) at the same time that Aristide Cavaillé-Coll created his organ in St. Sulpice in Paris, then expanded by Goll and Kuhn, is one of the largest instruments in Switzerland with five manuals, Fernwerk and Echo sections, and 103 stops.

Niño De Elche and Raül Refree have just released a joint album. Niño De Elche combines flamenco, free improvisation, krautrock and electro-acoustic music with poetry, performance, dance and theatre. Raül Refree’s profile ranges from experimental musician to producer of pop stars and composer of award-winning soundtracks.

There are only nine songs, but with a total running time of around 38 minutes, and six tracks running at more than 4 minutes the songs are allowed to breathe and stretch, her voice to swoop, soar or rumble, and her (sometimes fierce) lyrics to resonate, packed full of very direct couplets, but with no strung-out solos. Nature plays a big part in the framing of the songs, whether it be the earth, the mountains, the sky or the sea, and they reappear throughout.

Pianist Carla Corsino launches on digital platforms on October 9, “Alma Brasileira", an album that is a sensitive immersion in the diversity of Brazilian concert music.

Franziska first heard the dulcimer at the age of four and immediately fell in love with its clear, ethereal sound.

Ahead of the 80th birthday of one of Britain’s most singular compositional voices, this double album presents the complete organ works of Michael Finnissy—a body of music as rich in intellectual depth as it is in imagination.