Jazz Vocalist Hyoji Choi spent her teenage in U.S. with influences of various music like jazz, pop, gospel, classic, etc.

Why did you choose Wagner's music for your inaugural concert at the head of the Orchestre national d'Île-de-France and to start your musical adventure with the musicians?

One might hardly believe it, but Corinna Schreiter and Stefan Grasse are only now, after years of cooperation, presenting their first CD together.

The album came to be after the blossoming of a long-term friendship between James Yorkston and Karl-Jonas Winqvist, the Swedish music producer, leader and conductor of The Second Hand Orchestra.

Régisseur son depuis 2010, je suis compositeur pour plusieurs compagnies de théâtre comme Akselere ou La Cohue depuis 2012 et membre de Dustman Dilemma notamment. Je sors prochainement mon premier album en solitaire (ou presque !!!) appelé "Willows".

There are also clichés in diehard jazz circles, which are at the most disproved, but nevertheless persevere. One of them thinks that the woman in Jazz has at best a meaning as a singer or as a pianist, but not on a wind instrument.

With his third symphony, Beethoven offers his contemporaries the most developed and longest score ever composed in this genre in is time.

"Catch A Corner", by "Cinque" (pronounced "Cheen-kwe") features a who's who of jazz and R&B/funk musicians - Steve Gadd on drums, Joey DeFrancesco on Hammond B3 organ, Peter Cardinali on bass, Robi Botos on piano and Fender Rhodes, and Johnny Johnson on tenor, alto, soprano and baritone saxes.

My little wonder box” is what Viviane Chassot calls her patent black accordion. No wonder, because the Swiss artist plays Haydn, Mozart and Rameau on it and thus finally gets the Instrument out of the folk music drawer.

Swedish rockers Creye will return with their second studio album, “II” on January 22, 2021. The album sees the band’s songwriting and playing jumping by leaps and bounds to put them at the forefront of the Swedish melodic rock scene.

The 'Viennese Violinist' Johannes Fleischmann gives heartfelt and deeply insightful interpretations of the music of Erich Korngold and Eric Zeisl, Viennese composers who escaped the rise of Nazism by journeying to America shortly before the Second World War.

John Coltrane’s landmark 1965 album A Love Supreme is set to be reissued on vinyl this October as part of Verve/UMe’s ongoing Acoustic Sounds audiophile series. The four-part spiritual suite has been remastered from its original analog tapes, pressed on 180-gram vinyl, and packaged by Stoughton Printing Co. in high-quality tip-on gatefold jackets.

Richard Hell And The Voidoids’ second and final album remastered, repaired, remixed, and in demo form.

At its core, Lomelda is a project about shyness – that it’s okay to feel it, how to embrace it, and laying it all out to be examined in its primary elements. Over the last few years, Hannah Read has sang about introversion in simple terms, and her latest album continues to showcase her no-fuss, contemplative songwriting. Fittingly named after herself, Hannah is taken straight from the mind of a wallflower, apprehensive and always low-key.

Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.