A more-fitting sentiment we cannot conjure and is the perfect stage banter quote from Jack White to introduce the triple-LP live recording culling the best of the best from the Raconteurs recent three night stand at the legendary Cain’s Ballroom in Tulsa, Oklahoma from October 2019.

There‘s an incredible sense of occasion when Lindstrøm performs at home. Even when he’s merely parading through a slew of his definitive hits, Norwegian audiences, and especially those in Oslo, will gather in large numbers for the Space Disco pioneer and one of Oslo’s musical treasures.

Beethovens weltberühmte Klaviersonaten wie Waldstein, Appassionata und die zweisätzige F-Dur-Sonate op. 54 werden von Mathias Weber am modernen Paulello Flügel Opus 102 geboten. Der Pianist verbindet eine große Spanne der Dynamik und Expression mit reicher Farbgebung, brillanten Läufen, Akzentuierungen und trefflichem Rubato. In die Waldsteinsonate ist zudem das traumversunkene Andante favori eingewoben, während die Appassionta mit echtem Feuer à la Beethoven in ihren rollenden Läufen und Klangkaskaden glänzt.

“Singles Collection (2001 – 2021) ” c’est 27 singles re-mixés par Mick Guzauski (Daft Punk, Pharrell Williams, Talking Heads) + le single inédit spécialement enregistré pour l’occasion : « Nos célébrations ». CD 3 : inclus 7 titres « Les petits pianos sans voix » + 2 titres « Les pianos voix » inédits.

Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, United Nations goodwill ambassador, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.

Can we find a tactile ground, an animal surface upon which to calibrate our humanity? Skin telegraphs sensation from air, filtered from distant worlds. Language constricts our sense of self to an illusion of separation. The verb of living, flux and transmutation, expands outward from the middle, concentric ripples on a pond. We drop through the surface, pebbles tossed from the shore.

After humble lo-fi beginnings in the Australian art-pop underground, Donny Benét has expanded his cult-like following across the globe with a resonant array of danceable repertoire dealing with love and affection. His next album marks a new chapter informed by a wealth of musical and personal development.