"Celtic Woman: Destiny" is the tenth studio album by the group Celtic Woman. This is Celtic Woman's first album to feature their newest members Mairead Carlin and Éabha McMahon.

2015 release from the German pop/classical crossover violinist. David Garrett returns with an explosive combination of pop hits, classical greats and his own, unique compositions with 11 originals being included on the album. Contemporary pop hit covers include 'Dangerous' (David Guetta), 'Lose Yourself' (Eminem) and 'Thinking Out Loud' (Ed Sheeran). The album was recorded at Electric Lady Studios in New York which was previously used by AC/DC, Jimi Hendrix, Guns n' Roses and John Lennon and key words David uses to describe the album are "energetic, unusual, emotional and explosive".

"Goodbye Cruel World" was Elvis Costello's ninth album overall and the eighth with his backing band The Attractions. The album's production (by Clive Langer and Alan Winstanley, who also produced the previous record), was not in line with Costello's other works, relying heavily on electronics and an overall slick, trendy feel.

Tenor saxophonist Dexter Gordon's 1961 Blue Note debut marks the first in a string of classic jazz albums that established Gordon's reputation as a leader. He is joined by a young Freddie Hubbard on trumpet along with the rhythm section of Horace Parlan on piano, George Tucker on bass and Al Harewood on drums. Includes "You've Changed", a staple of Gordon's live shows over the decades and "Society Red" which would reappear in the film Round Midnight.

"Recent Songs" is the sixth studio album by Leonard Cohen, released in 1979. Produced by Leonard Cohen and Henry Lewy, it was a return to Cohen's acoustic folk music after the Phil Spector experimentation of Death of a Ladies' Man, but now with many Jazz and Oriental influences.

"Various Positions" is the seventh studio album by Leonard Cohen, released in December 1984. It marked not only his turn to the modern sound and use of synthesizers (particularly on the opening track), but also, after his work on harmonies and backing vocals on the previous "Recent Songs", an even greater contribution from Jennifer Warnes, who is credited equally to Cohen as vocalist on all of the tracks.

"I'm Your Man" is the eighth studio album by Leonard Cohen, released in 1988. The album marked Cohen's further move to a more modern sound, with many songs having a synthpop production.

First ECM recording of a quartet formed in 2003. Originally billed as the Ethan Iverson-Mark Turner Quartet, it soon became the Billy Hart Quartet, and under this name has played shows to packed houses each year in New York City. The group’s first album for hard-bop label High Note in 2005 figured on many critics’ best-of-the year list. Since then, the ensemble’s music has gotten more free and spacious, a sensibility that aligns perfectly with ECM. While drummer Hart’s swinging beat and delicate cymbal tracery have previously been heard on the label behind Charles Lloyd and Bennie Maupin, and tenorist Mark Turner has appeared on acclaimed recording with the Fly Trio and Enrico Rava, “All Our Reasons” is a label debut for Bad Plus pianist Ethan Iverson and bassist Ben Street. Hart, Iverson and Turner all contribute material, which includes modern blues, a Coltrane tribute and an Iverson-penned homage to Paul Bley, the wonderfully.

Heartplay is a subtle and sublime collaboration. Charlie and Antonio play a combination of compositions by each other, and a beautifully sparkling track called Child's Play by Fred Hersch. Charlie's bass sounds beautifully deep and rounded, an incredibly satisfying and symbiotic partner with Antonio's guitar. These elegant and eloquent duets are totally atmospheric and an absolute joy to listen to.

This is the second release by the Union trio of Laurence Hobgood, Brian Torff and Paul Wertico. Again it demonstrates how a traditional line-up of piano, bass and drums can explore harmonic boundaries yet remain accessible and engaging. This album includes an equal mix of originals and standards - even Where is Love from the 60's musical Oliver makes a surprise appearance - and all the tracks demonstrate the trio's intimate understanding of each other's playing.

Scott Walker was an American-born British singer-songwriter, composer and record producer. He is noted for his distinctive baritone voice and for the unorthodox career path which has taken him from 1960s pop icon to 21st century experimental musician. Originally coming to fame in the mid-1960s singing orchestral pop ballads as the frontman of The Walker Brothers, Walker went on to a solo career, with a series of acclaimed albums, balancing a light entertainment/MOR ballad approach with increasing artistic innovations in arrangement and writing perspective. This Hi-Res collection features his five albums: Scott, 2, 3, 4 and 'Til the Band Comes In.

"The Rhythm of the Saints" is the eighth studio album by American singer-songwriter Paul Simon, released on October 16, 1990 on Warner Bros. Like its predecessor, "Graceland" (1986), the album gained commercial success and received mostly favorable reviews from critics. In 1992, "The Rhythm of the Saints" earned two nominations for the 34th Grammy Awards — Album of the Year and Producer of the Year.

Somewhat of an oddity from Paul Simon's catalog, "Songs From The Capeman" is an interesting selection of songs from the Broadway production of "The Capeman", also by Simon. These selections are, however, performed by Simon along and not the original cast. This makes this album somewhat unusual and remarkable. There are traces of Doo-Wop and Latin music here making for a terrifically enjoyable experience.

The title of this 11-song collection says it all. "You're the One" is as understated as they come; this time out, Simon is a singer-songwriter, not a composer. As such, You're the One is more reminiscent of initial insular post-Simon & Garfunkel LPs like "There Goes Rhymin' Simon" and "Still Crazy After All These Years" than the expansive "Graceland". With no new lands to conquer, Simon has fashioned a collection whose appeal lies with its 11 crafty, catchy tunes, all of which are delivered with spirit and wit, particularly on the character-driven likes of "Pigs, Sheep and Wolves", "Darling Lorraine", and "Old".

Two years after “Restored, Returned” introduced this line-up and with extensive touring behind them, on “The Well” the four musicians of the Gustavsen Quartet really blossom as a band in a programme of new tunes by Tord. Sax player Tore Brunborg is given an important voice here, his melodic lines combining bluesy sonority and Nordic cry. Gently but effectively propelled by the subtle pulses of drummer Jarle Vespestad and bassist Mats Eilertsen, Gustavsen’s gospel-tinged, unhurried piano playing displays a characteristic warmth and tenderness.