The purpose of this album, La rondeña del siglo xix de El Murciano a Falla (The 19th-Century Rondeña, from El Murciano to Falla) is to illustrate the evolution of flamenco guitar and Spanish concert guitar styles, drawing on the recent discovery and subsequent analysis of transcriptions of variations on the rondeña (a cante or song-type, with associated guitar accompaniment style) as played by the “vernacular” guitarist of Albaycín (Granada), Francisco Rodríguez Murciano (“El Murciano,” 1795-1848).

Wayne Shorter was 15 when he first wrote and Illustrated his first comic book in blue ballpoint pen. That was in 1949, and Shorter has traveled great distances since, becoming an influential saxophonist, a 10-time Grammy winner and one of the most highly regarded composers in modern jazz. But as any fan of Shorter's can attest, he has held onto his teenage fixation with superheroes and sci-fi, as well as the comic book arts - so it's fitting that his highly anticipated next release, Emanon, released on Blue Note includes an original graphic novel — a cosmic-heroic odyssey written by Shorter with help from the screenwriter Monica Sly, and featuring art by Randy DuBurke — along with three albums of new music.

“Pure and penetrating” was the violin playing of Johann Sebastian Bach according to the tradition of his son Carl Philipp Emanuel: “He fully understood the possibilities of all violin instruments. This is testified by his soli for violin and cello without bass. One of the greatest violinists once told me that he had seen nothing more perfect to become a good violinist and he could advise nothing better than the violin soli without bass mentioned above.” When Carl Philipp Emanuel addressed these words in a letter to the musicologist and early Bach biographer Johann Nikolaus Forkel in 1774, Bach’s Sonatas and Partitas for Solo Violin were known to a still manageable, albeit growing circle of enthusiasts.

America’s greatest and most enduring chamber ensemble – the Grammyâ Award-winning Juilliard String Quartet – celebrates its eighth decade with the release of a new Sony Classical recording of music from three centuries by Ludwig van Beethoven, Béla Bartók and Argentinian-American composer Mario Davidovsky.

With the popularization of bossa nova in the early '60s, practically every recording artist had to have at least one bossa nova album. This effort by the Dave Brubeck Quartet is better than most due to the high quality of the compositions, of which the title cut is best-known. The date's two standards ("This Can't Be Love" and "Trolley Song") also fare well on this upbeat session.

Alpha begins a complete cycle of the symphonies by Sibelius (and of his symphonic poems) with the Gothenburg Symphony Orchestra and its new musical director, Finnish conductor Santtu-Matias Rouvali. Originally a percussionist, the 33-year-old trained at the famous Sibelius Academy. His career took off after he stepped in at the last minute to conduct the Finnish Radio Symphony Orchestra. In the great tradition of Finnish conductors, Santtu-Matias Rouvali is known for his extremely physical and organic interpretations: ‘Music unmistakeably flows from him,’ commented The Sunday Times.

A New Sound… A New Star… is the debut album by American jazz organist Jimmy Smith featuring performances recorded in 1956 and released on the Blue Note label. The album was rereleased on CD combined with Smith's following two LP's A New Sound A New Star: Jimmy Smith at the Organ Volume 2 and The Incredible Jimmy Smith at the Organ.

Africa/Brass is the eighth studio album by jazz musician John Coltrane, released in 1961 on Impulse! Records, catalogue A-6. The sixth release for the fledgling label and Coltrane's first for Impulse!, it features Coltrane's working quartet augmented by a larger ensemble to bring the total number of participating musicians to 21. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date.

Cal Tjader's era-defining mixture of Afro-Cuban rhythms and mainstream jazz solos undergoes a bit of a horizontal expansion in these 1956 sessions. The tracks are often longer than on previous albums, finally taking advantage of the logistics of the LP, and as a result, both the Latin and jazz elements benefit. Tenor saxophonist Brew Moore gets extended chances to blow in an easy-grooving Getz-like manner on several tracks, and on "I Love Paris," Luis Miranda (congas) and Bayardo Velarde (timbales) engage in some spirited percussion battles over the vamping of the brothers Duran (Manuel on piano and Carlos on bass). Everything cooks in a bright yet disciplined manner, and Tjader's elliptical, swinging vibes preside genially over the ensemble.

Norma Deloris Egstrom known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, composer, and actress, in a career spanning six decades. From her beginning as a vocalist on local radio to singing with Benny Goodman's big band, she forged a sophisticated persona, evolving into a multi-faceted artist and performer. During her career, she wrote music for films, acted, and recorded conceptual record albums that combined poetry and music.

Helen Merrill dates are always something special. This set for Metrojazz, which has been reissued as a Verve CD, matches the cool-toned yet inwardly heated singer with an all-star sextet arranged by Quincy Jones and featuring solos by trumpeter Kenny Dorham and either Frank Wess or Jerome Richardson on flute and tenor. The repertoire includes versions of "You Go to My Head" and "Just Squeeze Me" sung in French, a couple of numbers by producer Leonard Feather, Duke Ellington's "The Blues From Black, Brown and Beige," and a haunting rendition of "The Thrill Is Gone."

Well-known Argentinean musician and producer who settled in the U.S. Santaolalla's music career was consolidated while taking part in a 1970's folk-rock act called Arco Iris. In 1982, Gustavo Santaolalla recorded his first solo album along with keyboardist Alejandro Lerner, bassist Alfredo Toth, and drummer Willy Iturri. After living in Los Angeles, Santaolalla went back to Argentina to produce Leon Gieco's De Ushuaia a la Quiaca and also to work on the GIT second record. In 1995, Santaolalla released his second album, called Gas, getting the smash hit "Todo Vale" frequently rotated by MTV Latino.

BUYSOUNDTRAX Records presents LEGEND OF THE 7 GOLDEN VAMPIRES. The soundtrack features music composed by James Bernard for the 1974 horror film directed by Roy Ward Baker (THE VAMPIRE LOVERS, QUATERMASS AND THE PIT), starring Peter Cushing as Van Helsing, Julie Ege, David Chiang, Robin Stewart, Shen Chan and John Forbes-Robertson.

America’s greatest and most enduring chamber ensemble – the Grammyâ Award-winning Juilliard String Quartet – celebrates its eighth decade with the release of a new Sony Classical recording of music from three centuries by Ludwig van Beethoven, Béla Bartók and Argentinian-American composer Mario Davidovsky.

The Venetian singer and composer Barbara Strozzi (1619-1677) was probably the most remarkable, talented, famous and successful woman of her times in the field of music. In 2019 we will celebrate its 400th anniversary with a new program performed by soprano Emöke Baráth under the direction of Francesco Corti, our new principal guest conductor.