On October 27th, 1971, Lou Reed walked into the first recording session of his solo career.

This Compilation records in 2012 Decca, a division of Universal Music Operations Limited.

The third and final instalment in their award-winning series, the Calidore Quartet return with a three-disc release of Beethoven Early Quartets.

In the time-honored spirit of excavating gold from the unlikeliest dark corners, we bring you the shiniest of gems which is guaranteed to thrill lovers of classic Brazilian bossa and MPB.

Nominated 4 times as the best samba singer at the Brazilian Music Awards and elected Revelation at the Rival Petrobras Awards, Ana Costa is a talented singer, composer, guitarist and music producer who gained prominence for revitalizing samba in Rio de Janeiro.

“The Armenian National Musical Treasury” project started with choosing highly qualified specialists in the field of Armenian traditional music, selecting soloists of Armenian folk songs, and forming the male chorus “Zark”, consisting of 10 singers. Vocal and instrumental compositions: folk, spiritual, ashug, were recorded. In parallel to recording, processes began directed to the creation of armenianmusic.am online music portal, in which all the recordings were placed.

Tusmørke, arguably the most atavistically trollish, acid-drenched musical act ever to come out of the kingdom of Norway makes yet another eternal return, this time to take the fellow traveller on a subterranean expedition to the kingdom of the Fair Folk! Dawn of Oberon is the band’s 12th album, released 12 years after their debut “Underjordisk Tusmørke” (2012). 12-12-12 - That makes this album twice as occult as 666.

Richard Danielpour has collaborated frequently with soprano Hila Plitmann, and this album features three recent works, two of which were written specifically for her. The song cycles heard here are sung in three languages central to the composer’s life. Songs of Love and Loss is in Farsi and sets the poetry of Rumi; Canti della natura, in Italian, takes sonnets attributed to Vivaldi in The Four Seasons; while Songs of My Father is set to the English poems of Danielpour’s father. Each cycle features differing instrumentation and reflects Danielpour’s long-admired compositional subtlety and refinement.

Following their debut release 2021’s ‘Fragments’, the trio of bassist extraordinaire Nick Beggs (Kajagoogoo / Steven Wilson), gifted jazz keyboardist Adam Holzman (Grover Washington / Steven Wilson) & rhythmic powerhouse Craig Blundell, return to deliver their signature brand of instrumental Prog come Funk or Prunk / Frog if you were to be so bold. Aside from being immensely talented performers, the three have all at one point performed together as part of Steven Wilson’s band & all three appear on Wilson’s new album ‘The Harmony Codex’.

Ever since his brilliant first appearance in Munich with the Requiem, he is still a regular guest at the BR. Riccardo Muti is currently regarded as a mature representative of the great Italian tradition. This CD release therefore has to be seen as a “classically polished gem” – a gem that shines and flashes as beautifully and as brilliantly as ever!

In addition to his symphonies, Anton Bruckner is best known for his sacred works: his stirring masses and his deeply moving a cappella motets. On this new BR-KLASSIK CD, to mark the Bruckner Year 2024, the Bavarian Radio Chorus and the Münchner Rundfunkorchester conducted by Peter Dijkstra present his Mass No. 2 together with five well-known motets and the two short Aequali for three trombones from 1847.

In the Revelation of James, an apocryphal gospel that was not included in the Bible, events and details surrounding the birth of Christ are reported that do not appear in the better-known versions of the Christmas story from the gospels of Matthew and Luke. In particular, it portrays very real people, full of emotions and conflicting feelings. Mary, not Jesus, is the focus of the narrative.

'It would be difficult to find a simpler and more poignant subject', Massenet remarked during the composition of Ariane, a vast score in five acts premiered at the Paris Opera in October 1906. The libretto by Catulle Mendes is part ancient drama, part symbolist poem, and sets Phaedra and Ariadne, two sisters in love with Theseus, in violent conflict with each other. This epic work does not shrink from relating the combat against the Minotaur, from showing a ship tossed by the raging billows, nor even from transporting the audience to the Underworld where Persephone reigns.

The award-winning early music ensemble Capella de la Torre is releasing its new recording of musical treasures from the early Baroque period in collaboration with the Bavarian Radio Choir - one of Germany's top choirs - and conductor Florian Helgath.

"Swirling guitars… layers of noise… drugged out soft male and female vocals going back and forth… sounding like part love, part death, part hope, part sadness. It's as if they've turned their instruments into liquid and poured them into your ears."