No Borders focuses on classical pieces as a basis for improvisation, and, on the other hand, also contains a completely composed original composition by Beirach: "Steel Prayers", a piece for the victims of 9/11. To take classical pieces and open them for improvisation, without depriving them of their character, is also the basic principle in the cooperation with violinist Gregor Hübner.

Firefly is an album by American flautist Jeremy Steig recorded in 1977 and released on the CTI label. The Allmusic review stated "Jeremy Steig's jazz-funk throwdown, Firefly, is one of the great forgotten masterpieces of the genre… Firefly was designed for the purpose of being a hit in the dance clubs, and it should have been, because it kicks ass on that level as well as on the jazz-funk beam… This is burning".

This triple-album box set from jazz guitarist John Abercrombie and his classic quartet includes all three releases from the ensemble, recorded from 1978 to 1980, digitally remastered from the original analogue tapes.

The golden trio of Richie Beirach, George Mraz and Billy Hart returns to Venus Records with another superb album. This is an eagerly awaited release because their previous output, Manhattan Reverie, was not only selected as Swing Journal Gold Disc but also won the magazine's 2006 Jazz Disc "Silver" Award. The trio goes back more than 30 years, and, as Beirach lives and teaches in Germany now, they seem to especially enjoy these 'reunion' recording sessions. Their exuberance is felt throughout the program which is dominated by four Miles Davis compositions and augmented by four standards and two classical tunes. This is another strong album by Beirach, and should not be missed by his fans.

This classically-trained veteran pianist was marking his sixth decade on earth with a little help from his friends—trio band mates, bassist George Mraz and drummer Billy Hart, expert rhythm makers also featured on this highly effective Japanese import from Venus Records, Manhattan Reverie. They all appeared to have a certain twinkle in their eyes, suggesting that they are very comfortable playing with each other, wise to each other's ways and that they were having a good time. It was kind of a nice message: Age has nothing to do with vitality or musical ability, except maybe, in this case, it adds to both of those things.

Veteran pianist Richie Beirach distinguished himself as one of the most innovative and creative jazz pianists in the 1970s with his work with Stan Getz, Dave Liebman and his own recordings on ECM. His lyrical style and keen, advanced sense of harmony put him in the same league as his contemporaries Keith Jarrett and Chick Corea. Beirach has been recording for the Japanese Venus label for sometime now, and in previous works he has emphasized his swinging jazz roots in trio settings. For this release he chose to go solo, and play the beautiful classical melodies and jazz ballads.

Veteran pianist Richie Beirach distinguished himself as one of the most innovative and creative jazz pianists in the 1970s with his work with Stan Getz, Dave Liebman and his own recordings on ECM. His lyrical style and keen, advanced sense of harmony put him in the same league as his contemporaries Keith Jarrett and Chick Corea. This is the first of the two Ballads albums recorded in Japan in 1986-1987, performed in a contemporary manner with the Jazz standard repertoire.

Richie Beirach has mostly worked with two different trios. Recorded in 1999, this album contains pianist Richie Beirach's top-notch performances with a first-rate rhythm section of George Mraz and Billy Hart. The highlights include thrilling interpretations of "Nardis", "On Green Dolphon Street" and the title track.

Another compilation sampler from Venus Records archives. This time, a famous Japanese Jazz audio authority Takashi Yamaguchi selects ten ultimate sounded tracks from the label's extensive library. Artists includes Joe Beck Trio, Nikki Parrott, Bryan Lynch, Enrico Rava, New Your Trio, and more.

On the occasion of the 75th birthday of jazz legend Richie Beirach in May 2022, we are releasing a 3-CD box set that captures the musical work of siblings Gregor and Veit Hübner, who have been working together with the US jazz pianist for almost 25 years. It is a true gift to the growing musical partnership and friendship, which Dave Liebman describes as follows: “Truly a family affair with two brothers, Gregor, Veit and “Uncle” Richie! This music transverses 20th century and jazz. You can hear the brotherhood especially on the “free” pieces. Listening to the variety of idioms the performances are both intimate and soulful, performed by musicians who know the history.”

"Distant Song" (subtitled as "Fred Farell sings the music of Dave Liebman and Richie Beirach") is a contemporary jazz album consisting of jazz infused with gospel messaging. Featuring jazz singer Fred Farell, this album provides listeners with a compilation of easy-listening. Farell's passion can be heard in tracks like Sunday Song, Places, and Forgotten Fantasie.

When it comes to jazz musicians improving with age, pianist Richie Beirach is a perfect example. With the release of "Live at Birdland New York" in May 2017, the pianist and composer celebrates his 70th birthday, demonstrating that he’s still at the top of his game. His congenial partner of two decades, the Stuttgart-born, New York-based violinist Gregor Huebner reaches half-a-century on the exact same day as Beirach. This double birthday tribute to two talented artists features highlights recorded in August 2012 during their annual live residence at the illustrious Birdland in New York, joined by a powerful lineup of trumpeter Randy Brecker, bassist George Mraz and drummer Billy Hart.

Dave Liebman and Richie Beirach have known each other for forty years. They don’t need to talk to understand one another, notes suffice. They get along harmoniously. Their bond dates back to the sixties when they played together in the group “Lookout Farm” led by Dave Liebman…

Is Richie Beirach the best kept secret of piano jazz? Together wirth Dave Holland and Jack DeJohnette he played in the band of Stan Getz. He worked with Chet Baker and John Abercromby. And he shares a very special musical friendship with Dave Liebman.

As a teenager, when he first caught sight (and sound) of John Coltrane playing at New York’s famous Birdland Club, David Liebman fell instantly in love with jazz. A virtuoso on the soprano sax, and an innovative composer, Lieb’s attachment to jazz has always been something more than musical. The spirit behind the music and the community of musicians and listeners all figure into his life in jazz.