Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, was an American jazz saxophonist, clarinetist, pianist, composer and arranger.

Radio orchestra of the Southwest German public broadcaster SWF (Südwestfunk), founded in 1946 as Südwestfunkorchester Baden-Baden and renamed to Sinfonieorchester Des Südwestfunks (Baden-Baden) in 1966.

Mozart: The Violin Concertos, recorded with the Orchestre de Chambre de Lausanne (OCL), of which Capuçon is Artistic Director. Mozart has been at the heart of the OCL’s repertoire since its foundation in 1942, and the orchestra’s extensive discography already includes acclaimed recordings of the composer’s complete piano concertos and serenades and other works. Now Mozart: The Violin Concertos reflects the rapport that Renaud Capuçon and the OCL have developed since the former became the ensemble’s Artistic Director at the start of the 2021 22 season.

Renaud Capuçon’s exciting new Mozart project for Deutsche Grammophon comprises three albums and two STAGE+ performances, all to come before the end of the year. Together they encompass the artist’s multi-faceted career as concerto soloist, chamber musician, artistic director and mentor to outstanding young talent. Mozart: The Violin Concertos, recorded with the Orchestre de Chambre de Lausanne (OCL), of which Capuçon is Artistic Director, is scheduled for release on 29 September 2023. Recorded with three of the emerging artists mentored by Capuçon, Mozart: The Piano Quartets will follow on 10 November, and will inaugurate the Capuçon-DG Beau Soir imprint. The violinist’s trilogy of 2023 Mozart albums will be launched, meanwhile, with the release on 23 June of Mozart: Sonatas for piano and violin, made with American pianist Kit Armstrong.

The energy and the unassailable virtuosity with which Marius Neset burst onto the scene have not been forgotten. Back in 2004, as a nineteen-year old student recently moved to Copenhagen, he won the Talent Award at Norway’s Nattjazz Festival.

When I started work on Geyser last autumn I had decided I was done composing music that reflected the pain of the pandemic. This new piece was to be instead a celebration – of music, its welcome return and that unique atmosphere created by musicians when they meet to perform. Its mood was to be predominantly joyful and optimistic, while its title was a metaphor for the music’s underlying rhythmic energy, unleashed intermittently in ecstatic outbursts – like explosions of water and steam from a pressurised geothermal spring. (This idea of tension, boiling under the surface, is a theme I return to in a lot in my music.)

The Art in Music – Siggi Loch has had the clear objective to foster creative interaction between jazz and visual art ever since he founded ACT in 1992. As a producer who is also an art collector, he loves to bring not only topflight musicians together around him, but visual artists as well. Works by Philip Taaffe, Gerhard Richter, Martin Noël, Martin Assig and many more don’t just adorn album covers, they are also on display at the ACT Gallery in Berlin.

Swiss vocal acrobat Andreas Schaerer and Finnish guitarist Kalle Kalima have some things in common. As artists, each is essentially in a category completely of his own. Both are musicians who can always conjure something special from their chosen instruments.

The two Swedes Jan Lundgren and Hans Backenroth are musical storytellers, their playing is without any vanity and full of vivid stories. Qualities that Lundgren has already demonstrated with his own projects, the pan-European success trio "Mare Nostrum" and in duos with trombonist and singer Nils Landgren and bass icon Georg Riedel. Especially the latter finds a worthy continuation in the collaboration with Backenroth, an internationally sought-after European bassist.

[Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Together, the group re-arrange and re-imagine in real time the music of composer, bassist and oud player Ahmed Abdul-Malik (1927-1993).

Swedish bassist/cellist Lars Danielsson is a master improviser, who completely engages listeners by taking them on journeys of both pleasure and wonder, with themes which are always expressive and song-like. He is far too classy and refined a musician to indulge in superficial virtuosic display. Danielsson's well-honed, naturally lyrical improvisational lines remain at the service of the flow of the music, something particularly noticeable when he steps forward and takes on the role of soloist. These core traits are also there in his extensive and much-praised work as arranger, composer and bandleader.

The Iiro Rantala HEL Trio is capable of incredible contrasts, and therein lies its appeal. As a pianist, Rantala can take the breath away both with his lightness of touch and the grace of his melodic lines. But then he can transform himself into other, very different characters: there is one who inspires laughter with his rummaging in the piano, another whose pathos, openness and honesty touch every heart. He has a baroque demeanour, his playing is full of relish, so that it only takes a few notes and he already has the audience on his side.

Back in 1994 when Nils Landgren started up his Funk Unit, there were those who asked whether there was actually any need for Swedish funk. After seventeen years, ten albums and several hundreds of concerts, the question has basically answered itself: to find the most fired-up take on this music anywhere, a sound which is inextricably welded into soul, rhythm and blues and jazz, and in which all of the instruments – and the vocals too – have an irresistible rhythmic urgency about them, this is definitely the band to see and hear.

Once again the groove is catchy, the way of shaping melodies utterly distinctive; these aspects define the sound of Shalosh. And once again, the trio is incredibly tight – after all, the band’s name does mean “three” in Hebrew. On “Tales of Utopia”, Shalosh have taken their music, their way of telling stories through sound, and placed them in the bigger context. Drawing elements from the Old Testament and the Odyssey, they combine Christian and Greek mythology in a way which is individual… rhapsodic. The connecting of world cultures gives a common thread to the album: a young hero is travelling into the unknown. But what is unknown to him is not just the external world, but also the inner self.

"Life never goes in a straight line. Our world is full of surprises. Things we have known forever can change before our very eyes. So the challenge is to keep level-headed, to ensure that our lives stay in balance on the personal, the social and the political level.”