“Polymetric Spells” is Wabjie's cross-genre exploration between connection and transformation. From the ethereal journey of “Whoosh” to the contemplative essence of “Spell to Go”, the album invites listeners to embrace the magic of life's complexities. An enchanting interplay of sounds and ideas that redefine the boundaries of modern creative music, captivating experience of whimsical and cyclical dimensions of life. Unpredictable yet repetitive, a little French surprise awaits the listener on this second album.

“The most principall and chiefest kind of musicke which is made without a dittie is the fantasia, that is, when a musician taketh a point at his pleasure, and wresteth and turneth it as he list, making either much or little of it according as shall seeme best in his own conceit. In this may more art be showne then in any other musicke, because the composer is tide to nothing but that he may adde, deminish, and alter at his pleasure. And this kind will beare any allowances whatsoeuer tolerable in other musicke, except changing the ayre & leaving the key, which in fantasie may neuer be suffered. Other things you may use at your pleasure, as bindings with discordes, quicke motions, slow motions, proportions, and what you list. Likewise, this kind of musick is with them who practise instruments of part in greatest use, but for voices it is but sildome used.”

This quartet is characterized by its unique line-up of four very individual musicians who admire the respective artistic attitudes and approaches of their ensemble colleagues and place mutual listening at the center of their work. Conventional role allocations are abolished. Tasks are taken on alternately by different ensemble members. The music borrows from various styles, but never remains fixed in them, instead constantly expanding – from the familiar to the unknown, from density to transparency, from point to surface…

1611, an emblematic date in the history of the lute repertoire: in fact, in this year, Giovanni Girolamo Kapsberger's Primo libro d'intavolatura di Lauto and Robert Ballard's Premier livre de luth came out in print. Kapsberger as well as Ballard, could justifiably be regarded as the offspring initiators of a more modern form of Suite, if we consider the pre-existing Renaissance forms, namely Pavana - Saltarello - Piva or Pavana - Saltarello of the early composer-lyricists as the earliest precursors of the genre. In the above-mentioned tablatures, one constantly finds an improvisational form (Toccata in Kapsberger, Entrée de Luth in Ballard) coupled with two dance forms: Gagliarda and Corrente in Kapsberger, Ballet, Courante and una sola Volte in Ballard.

The title of the album is a combination of French and Italian and can be translated into Japanese as "The Gentle 20th Century. All of the pieces were composed in the 20th century and were selected from Caruso's personal favorites. The works are not avant-garde music, but are full of Italian songs, and all of them are fine pieces that elaborate on contemporary compositional techniques. Many world premiere recordings are also included, making this a disc that can be enjoyed for its planning and recording quality. Vincenzo Caruso studied piano, choral conducting, and composition at the Naples Conservatory. He has served as choral conductor at the Opera di San Carlo in Naples, where he has worked with Riccardo Muti, Zubin Mehta, Fabio Luisi, Juraj Valčuha, Nello Santi, Daniele Gatti, Dan Ettinger, and others. He is active as a choral conductor and choral pianist, but is also very active as a soloist and with artists of other genres.

La band che ha fatto scuola nel prog rock, stimata nel mondo, torna con un lavoro che è l’ideale completamento di una trilogia dedicata all’esistenza umana. Così come in “Transiberiana” (2019) veniva rappresentata la metafora del viaggio della vita, e in “Orlando: le forme dell’amore” (2022) si celebrava il sentimento umano più potente, in “Storie invisibili” il particolare diventa universale e contemporaneo attraverso il racconto di personaggi comuni che rappresentano tutti noi e costituiscono la storia vera dell’umanità.

This recording explores the late-Romantic flute repertoire through works by two Swiss composers: Joseph Lauber (1864–1952) and Othmar Schoeck (1886–1957). Lauber, born in Ruswil and trained in Zurich, Munich, and Paris, combined the influences of German Romanticism and French Impressionism, while remaining faithful to tonal music. A professor and conductor in Geneva, he composed several works for flute inspired by his friend, amateur flutist Paul Hagemann, known for his technical skill.

OMNI, comes from the Latin word omnis, meaning "all" or "universal." This perfectly reflects the spirit of the record—bringing together incredible guest musicians, blending genres, and creating a limitless musical experience.

To a session in the summer of 2019, Kalle brought a guitar arrangement of Witold Lutoslawski's "Melodie Ludowe" (Folk Melodies). Lutoslawski, one of the greatest European composers of the 20th century, wrote these songs shortly after World War II as "functional music" to support his family.

plop* – composers and musicians burst their social bubbles. Knowledge and experiences are exchanged, previously thought impossible collaborations emerge. Styles dissolve, authorship is collectivized, and the soul of the community remains.

The music that unites the Indra Trio is characterized by simplicity, the search for an encounter with nature and the profound connection of sounds, their non-rationality. With traces of what we sometimes associate with classical music and European jazz, in which improvisation is a constant presence, the trio finds a common ground represented by the voice of their instruments, creating original compositions that define their organic and natural relationship with the music they wish to present.

"This album, dedicated to Léon Boëllmann, is the result of the “love at first sight” I had for his cello sonata back in my early twenties. We also recorded many unedited pieces from his chamber repertoire as result of a research taken at the Bibliothèque Nationale de France archives in early 2024: some songs for voice and piano, an untitled piece for cello and piano and a trio for soprano, cello and piano. We hope that this album will help to fill the void in the recording panorama of the chamber compositions of this peculiar French composer."

A total of ten original music tracks are included in "Atypical Airship”. They present ten otherworldly destinations, mixed with different memories and atmospheres. It is a blueprint of Jun Xiao's fantasies, dreams, experiences and emotions consolidated from four years of music creation. Build from his vast jazz knowledge, he shifted the focus away from traditional Jazz music. Instead, he pays more attention on nature and logic behind music composition. Through this album, he hopes to explore beyond the familiar musical system and framework, just like riding on an Atypical Airship.

Two of Norway’s most exciting progressive artists, Jordsjø and Breidablik, come together to celebrate their 10th anniversary in the music industry with an innovative split album titled Kontraster. The album contains two 20 minutes long tracks showing different perspectives and expressions of “contrasts”. Both tracks represent bold exploration of progressive rock's diverse soundscapes, paying homage to the genre's pioneering artists while carving new paths for the future.

Jordsjø is a duo from Oslo, Norway inspired by Scandinavian folklore via jazz to early British prog. Following in the tradition of some of the best Nordic rock from the last century, Jordsjø manages to meld progressive rock with fantastic melodies and a folkish twist.