Christopher O’Riley’s THE WELL-TEMPERED CLAVIER BOOK II continues the pianist’s exploration of Bach’s masterpiece. A true expedition into the second set’s finest of details, O’Riley delves beyond the notes themselves and into the spaces between them, sifting through the silence for every last possibility of rhythmic flexibility and potential for expression. With preludes and fugues more intricate and complex than those of the first, the second book provides an even richer opportunity for the discovery of texture, articulation, and hidden meaning within the music.

This album features bass as a melodic instrument, sometimes with loopers, effects, minimal layering, occasional tabla and bansuri (Indian flutes). It is the result of self-exploration to achieve a dreamy escape from the realities of today's world, to a space of … hope?

Alexander Gadjiev’s album Legends takes listeners on a journey through the timeless legends and stories hidden within music, revealing its power to conjure entire worlds. In Debussy’s La cathédrale engloutie, ghostly bells rise from a submerged cathedral, bringing a Breton myth to life. Liszt’s Funérailles rages with thunderous chords, evoking a battle against mortality, whilst Musorgsky’s Pictures at an Exhibition unfolds a vivid tapestry of Slavic folklore and European scenes.

The Oklahoma City Philharmonic proudly announces the release of Veils of Justice: Trials, Tears, Transcendence, The Journey of Clara Luper, a sweeping orchestral and vocal tribute composed by the renowned Hannibal Lokumbe. This deeply moving album honors the legacy of Clara Luper: Oklahoma educator, activist, and civil rights trailblazer, whose courage transformed a nation. Also featured on the album are works honoring the civil rights movement and the work of Fannie Lou Hamer and John Brown.

Surrounded by the brilliant musical family who have centered his band for years—bassist Rodney Whitaker, pianist Rick Roe and drummer Quincy Davis—guitarist Randy Napoleon calls back four of his fleet-fingered, virtuoso former guitar students to share the stage and build up something new for this ambitious album, his 10th as a leader. Centered on compositions from the prolific Gregg Hill, along with several of his own, he arranged each for this 5-guitar choir of musicians, all connected through years of Napoleon's mentorship, each fully evolved in their own artistry. Whether adding other-worldly harmonic density, lush string-like backgrounds, subtle counter melodies or cascading rhythmic intrigue, Waking Dream comes across as a one-of-a-kind sonic experience, while still in the mainstream of modern jazz recordings.

Corner of My Dreams is an album of original music and orchestrations dedicated to my late mother exploring my journey from heavy grief to positive remembrance.

Songs for Nina and Johanna is the beautiful new album from James Yorkston, this time featuring not one but two of Sweden’s most recognisable female vocalists.

A Dream Album of People, Places, and Time: Marc Seales and Ernie Watts Deliver a Jazz Masterpiece for the Ages.

Jason Rigby breaks new ground with his latest duo recording MAYHEM, featuring Grammy-award winning drummer Mark Guiliana.

Rory Block is the standard bearer for early American roots blues- a celebrated, multi-award-winning artist and a songwriter whose originals ring with unadorned power and truth. Rory Block is a Gold-album selling and 7-time Blues Music Award winner, widely regarded as the top female performer of traditional country blues. Rory’s commitment as a blues preservationist with an ear for finding the soul of every song she performs has rewarded her with accolades from the blues and roots music community.

In February of 1974 Asleep at the Wheel made the move from the Bay Area to Austin, Texas. After playing the Armadillo World Headquarters with Commander Cody and his Lost Planet Airmen in 1973 – and receiving encouragement from Willie Nelson and Doug Sahm to relocate – the band settled in and made Austin their home, where they remain 50 years later. The band’s 32nd record, Riding High In Texas, marks AATW’s first new release since their 50th anniversary project Half A Hundred Years in 2021. “I have always wanted to do a ‘Texas’ record – a thank you and love letter to this state that has given me and the band so much,” says Ray Benson, the band’s leader and only original member. “This album is an introduction to the current and future of AATW. I hope everyone enjoys this eclectic collection of some of our favorite songs about Texas.” Album Features Billy Strings, Lyle Lovett, and Brennen Leigh.

Kaitlyn Aurelia Smith is a classically trained American composer, performer, and producer from the Pacific Northwest. Her music is a form of auditory interpretation, powered by curiosity and her toolkit of modular, analog, and rare synthesizers (including her signature Buchla), orchestral textures, and voice. Since her first self-releases in 2012 (Tides), she has explored the endless possibilities of electronic instruments and the relationship between sound, shape, color, body movement, and expression.

Recorded with Grammy-winning producer Paul Bryan (Aimee Mann), the collection is largely autobiographical, offering up a series of dreamy, cinematic snapshots from throughout Droge’s life as he reflects on the existential forces that mold and shape us. The songs are bittersweet, balancing longing and gratitude in equal measure, and the arrangements are warm and inviting to match, with a spotlight fixed firmly on Droge’s tender, comforting lyrics and understated delivery throughout. The result is an album a lifetime in the making, a rich, revelatory sonic memoir that faces down doubt and despair with love, resilience, and commitment at every turn.

Lainey Wilson, a multi-platinum, award-winning artist, is set to celebrate the one-year anniversary of her acclaimed album, Whirlwind, with a special deluxe edition. The expanded version of the album includes the original 14 tracks along with five new songs that highlight Wilson's unique storytelling and authentic country sound. Some of the new tracks featured are her latest single, "Somewhere Over Laredo," and the fan-favorite, "Bell Bottoms Up."

North African, LA-based singer-songwriter Ami Taf Ra announces her debut album, The Prophet and The Madman, arriving August 22 via Brainfeeder. A transcendent, sonic palate cleanser that draws from Moroccan gnawa, gospel, and spiritual jazz, the album is a personal and poetic meditation on duality, healing, and ancestral memory. Inspired by Khalil Gibran’s seminal work, The Prophet, Ami Taf Ra’s album was produced by legendary saxophonist composer and her frequent collaborator Kamasi Washington. Arriving alongside the announcement is Ami Taf Ra’s powerful new single “How I Became A Madman” featuring Kamasi Washington. With soaring arrangements and entrancing emotional arcs, the track captures the tension between inner chaos and clarity—a central theme of the forthcoming album.