Jasper Høiby releases his new solo project and album in March 2020 with a monumental ambition, vision and message and kick starts the release of an arc of four albums over the next five years. Each album focuses on four global topics of vital importance - Humanity, Climate Change, Artificial Intelligence and Monetary Reform. Planet B, the project title and title of the first album, is a mix of deep, evocative, thought-provoking voice samples, loops, held together with the open, majestic interplay of three deeply intuitive and creative musicians - Jasper Høiby, saxophonist Josh Arcoleo & drummer Marc Michel.

Rubycon is the sixth studio album by German electronic music group Tangerine Dream, released in 1975. It is widely regarded as one of their best albums. Rubycon further develops the Berlin School sequencer-based sound they ushered in with the title track from Phaedra.

Angel Clare is the debut solo studio album by Art Garfunkel, released on September 11, 1973. It is his highest charting solo album, peaking at number 5 and contains his only Top 10 hit in the US, "All I Know" which peaked at number 9. It also contained two other Top 40 hits, "Traveling Boy" (#102 Bubbling under the Hot 100, #38 Adult Contemporary) and "I Shall Sing" (#38 Hot 100, #4 Adult Contemporary). It was produced by long-time Simon & Garfunkel producer Roy Halee, alongside Art Garfunkel. The title, Angel Clare, comes from the name of a character in Thomas Hardy's novel, Tess of the d'Urbervilles.

Breakaway is the second solo studio album by Art Garfunkel. It was released in 1975 on Columbia Records. It was produced by Richard Perry who has produced albums for other artists such as Carly Simon. It includes three Top 40 singles: "I Only Have Eyes for You" (US #18, UK #1), "Break Away" (US #39) and the Simon And Garfunkel reunion duet, "My Little Town" which peaked at #9. "I Only Have Eyes For You" is noted also for being Garfunkel's first #1 single in the UK. Breakaway has proven to be Garfunkel's most successful solo album; although only peaking at number 9 in the United States, which was lower than his first album Angel Clare (US #5), it has been certified platinum by RIAA.

Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed.

Jonathan Biss concludes his nine-year, nine-volume exploration of Beethoven’s piano sonatas with a recording for our times, one that asks profound questions about mankind’s fragile existence. Considered the cornerstone of the pianist’s repertoire, the cycle comprises thirty-two sonatas in a range of emotional expressions.

Australia's legendary bad boys of vintage hard rock storm the shores of the States with this superb revisitation of their debut album along with previously unreleased tracks from the same era!Founding member and vocalist Angry Anderson leads the assault with his powerhouse voice on such beloved tracks as "Nice Boys," "Rock N' Roll Outlaw," "Bad Boy For Love" and many more!RT briefly flirted with US success when Guns N' Roses covered "Nice Boys" on their GN'R Lies album!Angry and the boys will be touring the US FOR THE FIRST TIME EVER in support of this release starting in May and more overseas dates scheduled!

"Heaven Forbid" is the thirteenth studio album by Blue Öyster Cult. It was originally released on March 24, 1998 in Europe and was the band's first full studio album containing original material since 1988's “Imaginos”. Science fiction author John Shirley contributed heavily to the album, writing lyrics for all except two original songs. A live version of the track "In Thee" was included as well. “Heaven Forbid” is one classy slab of hard rock featuring intricate arrangements, provocative lyrics, and spine-tingling guitar solos.

Johann Paul von Westhoff (1656-1705) was one of the most brilliant members of the significant school of violinists that flourished in seventeenth-century Dresden. This impressive virtuoso, who was even applauded by Louis XIV at Versailles, wrote the very first compositions for unaccompanied violin, which of course foreshadow the later masterpieces of Johann Sebastian Bach. The programme recorded here includes some suites from his collection published in Dresden in 1696, as well as the suite that was printed in the Mercure galant of Paris in 1683, following his visit to Versailles.