Foxtrot is the fourth studio album by the English progressive rock band Genesis, released in October 1972 on Charisma Records. It features their longest recorded song; the 23-minute epic "Supper's Ready". The album was recorded following the tour in support of their previous album, Nursery Cryme (1971), which saw them gain popularity, including a well-received slot at the Lincoln Great Western Festival. The album was written over the summer of 1972 and combined songs that had already been performed live with new material worked out in jam sessions.

The Catch is the fifteenth studio album by the Scottish hard rock band Nazareth, released in 1984. The album in a way was a return to the Nazareth sound and tradition of the albums, covering songs like "Ruby Tuesday" and "Road to Nowhere". All lyrics are written by Manny Charlton, Dan McCafferty, Pete Agnew, Darrell Sweet unless otherwise noted.

Dead & Company is a band consisting of former Grateful Dead members Bob Weir (guitar), Mickey Hart (drums), and Bill Kreutzmann (drums), along with John Mayer (guitar), Oteil Burbridge (bass/drums), and Jeff Chimenti (keyboards). The band continues the strong live tradition of the Grateful Dead, creating unforgettable experiences at their shows, no two performances being alike. To date, the band has released no studio recordings, but all of the concerts from their 2016, 2017 and 2018 tours have been (or are being) released as albums.

Voyager is 311's 13th studio album and features 13 new songs — four of which were recorded with Grammy-nominated producer John Feldmann (Blink-182, PANIC! At The Disco) and nine of which were recorded with longtime collaborator/live engineer Scotch Ralston, who produced 311 albums Transistor, Soundsystem and Stereolithic. The new album was mixed by Grammy winner Neal Avron (Weezer, Twenty One Pilots, Linkin Park) and 311 drummer Chad Sexton, who's done mix work on several previous 311 releases. This special edition features the instrumentals of the songs, showing the arrangements and details in perfect clarity.

Aycan Teztel reflects its half a century of experience with “After A Dream”. The musician skillfully used many different instruments such as trombone, piano, bass guitar and released his 11-track album under the Lin Records label. “After A Dream Caz, composed mostly of Teztel's compositions and arrangements, featured different styles and tastes of jazz music. Trompette Şenova Ülker, saxophone Batuhan Şallıel, drums Volkan Öktem, guitar Okan Ersan, Ercüment Ateş and Erdem Sökmen, percussion is Mehmet Akatay. Recorded and mixed by Ömer Göksel and mastered by George Whitty, the album is available on all digital platforms.

Like so many other artists, singer Ed Bruce got his start as a rockabilly act for Memphis' famed Sun Records; however, he was probably best known for his songwriting acumen. Born William Edwin Bruce Jr. in Arkansas in 1939, he cut his first sides for Sun at the age of 17. His career as a frenetic rockabilly performer was largely unsuccessful, however, and by 1964 Bruce had moved to Nashville to become a member of the Marijohn Wilkins Singers. He also entered into a lucrative career singing advertising jingles; his best-known campaign cast him as a character called the Tennessean.

The rock era saw a few white female singers, like Janis Joplin, show they could sing the blues. But one who could outshine them all Jo Ann Kelly seemed to slip through the cracks, mostly because she favored the acoustic, Delta style rather than rocking out with a heavy band behind her. But with a huge voice, and a strong guitar style influenced by Memphis Minnie and Charley Patton, she was the queen.

In his inner music world, he now returns to his own vocal roots, where soul, motown, blues and jazz are the defining style traits, all of this sound today. In 2018, Felysa began working on new projects with Árpád Tzumo, the first of which was the release of the single "Arrival" in November 2018, which was to be followed by a remix, followed by a new single in 2019.

Collection of field recordings originally recorded on New Year's Eve 1989 by Ko De Korte and Tom Haarsama. Additional overdubs produced by Bruce Watson at Delta Sonic Sound. Mississippi country blues that sound as real and raw as it gets.

Emily Jane White's new album juxtaposes a heavy melancholy with an intimate touching lightness through her singular alto voice backed by orchestral percussion, soaring strings, heavy guitars, a choir of voices, and an overall cinematic presentation of dynamic songwriting. Written over a two year period her sixth album "Immanent Fire" recognizes our moment at the precipice of species annihilation, as she guides her listener through the feeling of life on a planet at the brink of destruction: "I watched the wind make the roses bend/does X really mark the end?" White honours the sacred, the earthly, and all that is deemed feminine, even as these very elements are threatened with the violence of contemporary systems of power.

Run with the Pack, Bad Company’s third and best album, reiterates the raw, rowdy style of their debut, Bad Co., solidifies the loose ends that marred Straight Shooter and adds new directions of its own.

Bryan Adams has today unveiled his new Christmas EP, a festive five-track release via Polydor Records. It includes two brand new recordings by the Canadian rock star and photographer, plus three previously released holiday recordings. The lead track on the EP is ‘Joe and Mary,’ an original track from the Grammy-winning Adams, for which a video will be released soon. The other new recording is his version of ‘Must Be Santa’, the Bill Fredericks/Hal Moore song covered by Bob Dylan on his 2009 festive release Christmas In The Heart. These are accompanied by the previously released ‘Christmas Time’, ‘Reggae Christmas’ and ‘Merry Christmas’. “I’m excited to be releasing this Christmas EP,” says Adams. “It was fun to record some new tracks and make a video for ‘Joe and Mary.’ I can’t wait for everyone to hear them, alongside some of my classic Christmas songs.”

Cut straight on the heels of Bad Company’s 1974 debut — just a matter of three months later; not quite long enough to know how big a success the first LP would be — Straight Shooter is seemingly cut from the same cloth as its predecessor.

Originally considered a pet project of Led Zeppelin manager Peter Grant and his new label, Swan Song, it took no time for Bad Company to find their own niche in the rock pantheon.

''Everyone has another side to themselves which is expressed in different ways,'' says Helen Ganya Brown, aka Dog In The Snow. ''I think I'm quite shy in real life, which contrasts with my songwriting.'' The name Dog In The Snow comes from Frank Kafka's iconic and prescient novel The Trial. Her album debut for Bella Union is Vanishing Lands, an imposing, haunting and luminous collection of songs in the darker spaces between dream-pop, art-rock and electronica, lifted by euphoric melodies, ravishing vocals and absorbing lyrics.