In the Year of Our Lord, 2019, while turmoil and chaos beset the world, a mighty force is about to be unleashed. As the spartan time of Lent unfolds, and society looks set to implode, it s time to put away your chocolate eggs, say goodbye to the festive bunny and prepare for the sonic apocalypse… for Darkness spreads across the land! In their inimitable style, as joyous warriors here to prick the pompous and kick the ar*es of those who seek to destroy us, four maestros embark upon their most ambitious quest to date.

Chie is a New York-trained international sensation, performing to dozens of packed houses a year. Her unique phrasing and soulful playing is adored by millions of fans. As this is the case with many international stars, Chie Ayado is not a household name in America. In her native Japan, she's a superstar jazz performer with tens of millions recordings sold. Her label, East House Records, is making a name for itself with Three Blind Mice-style analog recordings of unbelievable accuracy and dimension. Vocals are listening-room immediate and the piano is detailed, full and beautifully balanced. Very little processing is used, so you hear Ayado's unique vocal and piano playing without all the sonic distractions hiding many modern digital recordings.

Remember the Future is the fourth album from English progressive rock band Nektar. Much like their debut album Journey to the Centre of the Eye, it is a concept album which is formally divided into ten tracks but in fact consists of one continuous piece of music. Nektar's U.S. release, Remember the Future (1973), propelled the band briefly into mass popularity. A concept album revisiting Journey to the Centre of the Eye's theme of extraterrestrials granting a human enlightenment, but with a blind boy as the protagonist. It demonstrated a much more melodic sound than previous albums and shot into the Top 20 album charts in the U.S..

Stay on These Roads was the band's third studio album. The album's peak on the Billboard 200 was 148. The album was another big hit by A-ha internationally, selling over 4 million copies worldwide. Stay on These Roads achieved Platinum status in Brazil and Gold in the UK, Switzerland, the Netherlands and Germany and Double Platinum status in France.The album reached #2 in the European top-100 albums sales chart.

Terrific compilation of Mason's MCA years.
The third time around in constructing a Dave Mason compilation, Blue Thumb Records (which had been acquired by ABC Records, and which in turn would be swallowed by MCA Records) finally made a worthy selection of its cache of Dave Mason recordings from 1970-71.

Through relentless touring in the mid-1970s, Dave Mason built up a concert audience that didn't necessarily translate into a record-buying audience, and this double-live album, released at a time when double-live albums were all the rage (remember Frampton Comes Alive?), was intended to address that problem.

Using his touring band, which included keyboard player Mike Finnigan and guitarist Jim Krueger,

Excellent addition to any prog rock music collection
My entry to ”Traffic” was the single that was released from this live album. It was clearly labelled ”Traffic” and it was of course the great rendition from the Spencer Davis Group: ”Gimme Some Lovin”.

Excellent addition to any rock music collection
Since Traffic originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, “Medicated Goo”/”Shanghai Noodle Factory”). In January 1969, Steve Winwood announced the group’s breakup.

This is a 2 LP set from Japana, comes with a gatefold cover with amazing pictures inside, as well as an insert with lyrics in Japanese, a must for ABBA fans, it's value goes up with time, set is like new.

The album reached #25 on the R&B albums chart, White's first to miss the top ten, and peaked at #125 on the Billboard 200. The album yielded two singles, "Don't Make Me Wait Too Long" and "I'm Qualified to Satisfy You" which peaked at #20 and #25 on the Billboard R&B Singles chart respectively. This was his first album that failed to produce a top ten single on that chart. Both singles also charted on the UK Singles Chart, at #17 and #37 respectively.

The tenth album from North Mississippi Allstars was inspired by a forgotten roll of film. Shot by Texas photographer Wyatt McSpadden, the images documented a Sunday in 1996 when Luther and Cody Dickinson showed the photographer around their native north Mississippi - a month later, the Allstars made their Memphis debut, using their father Jim Dickinson's roots music concepts as a springboard for experimentation, and the rest is history.

Barry Eugene Carter (September 12, 1944 – July 4, 2003), better known by his stage name Barry White, was an American singer-songwriter, musician, record producer and composer. A three-time Grammy Award–winner known for his distinctive bass-baritone voice and romantic image, his greatest success came in the 1970s as a solo singer and with The Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits: "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe".

The Moody Blues are an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick. The group came to prominence playing rhythm and blues music. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward, and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s.

The Captain and Me is the third studio album by American rock band The Doobie Brothers. It features some of their most popular hits including "Long Train Runnin'", "China Grove" and "Without You". The album is certified 2× Platinum by the RIAA. The album was originally released in Quadraphonic sound on the CD-4 Quadradisc system and also on Quadraphonic 8-track tape. The album was also released in 2002 remixed into 5.1 multichannel DVD-Audio, and on 14 September 2011, on hybrid stereo-multichannel Super Audio CD by Warner Japan in their Warner Premium Sound series.