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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

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    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Traffic - Last Exit (1969) UK Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Traffic - Last Exit (1969) UK Pressing - LP/FLAC In 24bit/96kHz

    Traffic – Last Exit
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
    Label: Island Records/ILPS 9097 | Released: 1969 | This Issue: 1977 | Genre: Classic-Rock

    A1 Just For You 2:24
    A2 Shanghai Noodle Factory 5:04
    A3 Something’s Got A Hold Of My Toe 2:14
    A4 Withering Tree 3:10
    A5 Medicated Goo 3:36
    -
    Recorded Live At The Fillmore West
    B1 Feelin’ Good 10:50
    B2 Blind Man 7:10


    Companies, etc.
    Printed By – Ernest J. Day & Co. Ltd.
    Credits
    Art Direction – Guy Stevens (3), Mike Sida
    Photography By – Francine Winham, Ray Ross*, Richard Polak
    Producer – Jimmy Miller
    Notes
    Blue ISLAND label

    Printed in England by Robor Limited
    Barcode and Other Identifiers
    Matrix / Runout: ILPS 9097 A-3U
    Matrix / Runout: ILPS 9097 B-3U


    Traffic - Last Exit (1969) UK Pressing - LP/FLAC In 24bit/96kHz

    Traffic - Last Exit (1969) UK Pressing - LP/FLAC In 24bit/96kHz

    Traffic - Last Exit (1969) UK Pressing - LP/FLAC In 24bit/96kHz



    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: NM-
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    Since Traffic originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, “Medicated Goo”/”Shanghai Noodle Factory”). In January 1969, Steve Winwood announced the group’s breakup. That left Island Records, the band’s label, in the lurch, since Traffic had built up a considerable following. As far as Island was concerned, it was no time to stop, and the label quickly set about assembling a new album. The non-LP B-side “Withering Tree,” “Medicated Goo,” and “Shanghai Noodle Factory” were pressed into service, along with “Just for You,” the B-side of a solo single by on-again, off-again member Dave Mason that had been released originally in February 1968 and happened to feature the rest of the members of Traffic as sidemen; a short, previously unreleased instrumental; and two extended jams on cover songs from a 1968 live appearance at the Fillmore West. It all added up to more than half an hour of music, and that was enough to package it as the posthumous Traffic album Last Exit. Actually, Last Exit isn’t bad as profit-taking products go. “Just for You” is one of Mason’s elegant folk-pop songs, including attractive Indian percussion. “Medicated Goo” has proven to be one of Traffic’s more memorable jam tunes, despite its nonsense lyrics, and the equally appealing “Shanghai Noodle Factory” is hard not to interpret as Winwood’s explanation of the band’s split. And while the cover material seems unlikely, the songs are used as platforms for the band to jam cohesively. So, Traffic’s third album, thought at the time of its release to be the final one, has its isolated pleasures, even if it doesn’t measure up to its two predecessors.
    Review by William Ruhlmann, allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: