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Traffic - Welcome To The Canteen (1971) UK 2nd Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Traffic - Welcome To The Canteen (1971) UK 2nd Pressing - LP/FLAC In 24bit/96kHz

Traffic - Welcome To The Canteen
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Island Records/ILPS 9166 | Released: 1971 | Genre: Classic-Rock

A1 Medicated Goo 3:21
A2 Sad And Deep As You 3:23
A3 40,000 Headmen 5:52
A4 Shouldn't Have Took More Than You Gave 5:29
-
B1 Dear Mr. Fantasy 10:32
B2 Gimme Some Lovin' 8:46


Credits
Bass – Rick Grech
Drums – Jim Gordon
Percussion – Rebop Kwaku Baah
Saxophone, Flute, Piano, Organ – Chris Wood (2)
Vocals, Guitar – Dave Mason
Vocals, Organ, Piano, Guitar – Steve Winwood
Vocals, Percussion – Jim Capaldi
Notes
Recorded Live at Fairfield Hall, Croydon and the OZ Benefit Concert, London, July 1971.

2nd pressing with pink rim label without the round Island logo on the right side of the label
Barcode and Other Identifiers
Matrix / Runout (Runout Area Side A, Stamped): ILPS 9166 A-2U
Matrix / Runout (Runout Area Side B, Stamped): ILPS 9166 B-1U


Traffic - Welcome To The Canteen (1971) UK 2nd Pressing - LP/FLAC In 24bit/96kHz

Traffic - Welcome To The Canteen (1971) UK 2nd Pressing - LP/FLAC In 24bit/96kHz

Traffic - Welcome To The Canteen (1971) UK 2nd Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2013
This LP: With the gentle sponsorship of polux, merci beaucoup!
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: EX+
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

My entry to ”Traffic” was the single that was released from this live album. It was clearly labelled ”Traffic” and it was of course the great rendition from the Spencer Davis Group: ”Gimme Some Lovin”.
Mason was back for a few live appearances and two songs out of his first album are featured in this live testimonial (”Sad And Deep As You” and ”Shouldn’t Have Took More Than You Gave”). But even if the latter is particularly very much soul oriented, the final guitar part is so good, that I ended up by liking this one.

What was amazing with this band were the live performances. Their jamming abilities, the way that they re-invented studio tracks was quite an experience. Some of it could be experienced during the live side from their third album: ”Last Exit” ot the bonus tracks available on the CD edition for ”John Barleycorn?”.

There is unfortunately not too much of it here. The very good ”40,000 Headmen” remains a classic rensdition but the extended version of ”Dear Mr. Fantasy” is a highlight. The wild guitar is a great moment of rock music by all means and the crazy beat is superbly introducing the phenomenal version of ”Gimme?”. I recommend this song to all great guitar lovers (to which I do belong).

Some thirty years later (I bought the single in December ’71), my favourite tracks is by far the luminous ”Gimme Some Lovin”. An orgy of rhythm, keys, drums and extravaganza. A huge track indeed which definitely raises the level of this album.

It almost starts as the gorgeous ”Soul Sacrifice” version from Woodstock and I can only be thankful to this album version which allows me to listen to the whole of this song without having to turn the single record (but, in those times, I taped it on cassette to enjoy a full representation: but the fade alas out could not be avoided).

This album starts with the third track. It’s a pity that a song as ”Freedom Rider” or ”John Barleycorn?” was not integrated into this record instead of the first two songs which are weak.

I would have liked to rate this album with seven out of ten; but since the last four tracks are so good, I upgrade it to four stars.
Review by ZowieZiggy, progarchives.com
Welcome to the Dark Side of the Vinyl
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