"Visceral, musically cinematic, otherworldly but strangely familiar and a bit unsettling, welcome to Pixies' brand-new studio album, Beneath the Eyrie, where tales of witches, Daniel Boone, misfits and other characters fit utterly into the band's inherent weirdness. Boasting 12 new songs, the album will be released globally on Friday, September 13

Brand new 2019 Album by legendary Laid Back from Denmark marking the Bands 40th Anniversary. Follow up to the Highly Acclaimed "Uptimistic Music" (2013) their new Abum masterly blends John Guldberg´s and Tim Stahl´s signature styles, the "Healing Feeling" of, Reggae, Electronic, Folk and soothing Balearic Pop as Retro and Modern as it was. Laid Back are Back - like a best friend - that has never gone out, always been closely about.

The last album of the official Planxty's discography. There are a loss of that signature sound that made them famous : The traditional and rustic irish-folk music except of course, for Liam O'Flynn, that keeps his sound intact.

Essential: a masterpiece of Folk music.
The original lineup of Christy, Andy, Liam and Donal reformed Planxty in 1979. They recorded three further albums including After the Break and The Woman I Loved So Well.

The gravest danger in the resurrection of Planxty was always that, in attempting to recreate the extraordinary verve and majesty of their original incarnation, they neglected natural current instincts and succeeded only in becoming a parody of their former selves.

This is an excellent sampler that spans Irish legend Planxty's first (and best) four albums.

Essential: a masterpiece of Folk music.
Irish stalwarts Planxty begin Cold Blow and the Rainy Night -their third record for Polydor- with a rousing version of the Scottish battlefield classic "Johnnie Cope."

“Performing contemporary music had added immeasurably to the way I play Tchaikovsky’s Concerto,” writes violinist Anne-Sophie Mutter in the liner notes to her 2nd recording of the work in 20 years. To be more precise, what performing contemporary music has added to Mutter’s performance of Tchaikovsky’s concerto is an abrasive tone, an aggressive technique, & an interpretation that treats Tchaikovsky’s tender little concerto as if it were a lover who liked it rough & raw. Although there is no denying Mutter’s virtuosity, her performance is at best willful & at worst wrongful.