Bill O’Connell’s pianism has always been known for its razor-sharp rhythmic sense, clean articulation and phrasing which is as affectionate as it is unfussy. And although the idiom often demands fire and verve one must never lose sight of O’Connell’s graceful dynamics which give his lines interesting twists and turns that dart and swerve with spontaneous freedom. With friends like Randy Brecker, Craig Handy, Conrad Herwig, Andrea Brachfeld and Dan Carillo on hand, Jazz Latin is more than a release, it is an event.

For his 90th birthday, 'Jubilation!' celebrates the genius of Cannonball Adderley. Beloved veterans Jim Snidero (Downbeat critics' poll) and Jeremy Pelt create a formidable front line while David Hazeltine, Nat Reeves and Billy Drummond form an incomparable rhythm section. It's an all-star lineup celebrating a true jazz giant.

Golden, Kylie's fourteenth studio album, is the result of an intensive working trip to the home of Country music, a city whose influence lingered on long after the pop legend and her team returned to London to finish the record: “We definitely brought a bit of Nashville back with us,” she states.

Referred to as the „French Beethoven“, George Onslow (1784-1853) lived through the First Empire and the Restoration, imposing himself by clearing the way, to a degree, for chamber music, which was little practiced in France at the time.

Is it chance or serendipity that Simon Rattle and the Berlin Philharmonic timed their new recording of Holst's The Planets to coincide with the current astronomical upheaval? Though Holst learned of the discovery of Pluto four years before he died, it probably did not occur to him to add another movement, especially since the work's last section, 'Neptune, the Mystic,' ends in an other-worldly, ethereal fade-out, enhanced by an off-stage wordless women's chorus.

This recording from French mezzo-soprano Karine Deshayes and Ensemble Contraste explores familiar tunes of French Romanticism. Featuring works from Berlioz, Fauré, Gounod, Massenet and more, this delicious program paints a picture of music and life in the Parisian salons.

The Debussy string quartet, French specialist in the Shostakovich quartet’s performance, is continuing the exploration of those master-pieces. With the “Opus” show, created with the Australian contemporary circus company CIRCA, the Debussy String Quartet musicians have taken another look on four of the quartet’s corpus of the Russian master:

This work - featuring unique, innovative, intense and poetic pieces - showcases young contemporary creation. This is the magical encounter between performer and composer. Purely innovative, this project is the first binaural and transaural versions of works for solo instrument and real-time electronic marketed worldwide. This is the finest way to recreate live music experience.

The encore, an end-of-concert ritual, is a moment apart, highly appreciated by the audience. What piece will the performer play? The curtain call offers this more relaxed moment when everyone awaits the chosen titles with great curiosity. Upon discovering the works played, often of short duration, the listener has the impression of getting to know the artist a little better, as these reveal his tastes and therefore a bit more of his personality.

Following three acclaimed revivals of Lully's tragédies lyriques - Bellérophon, Phaéton and Amadis - Christophe Rousset leads Les Talens Lyriques in a definitive performance of Jean-Philippe Rameau's ballet-héroïque Zaïs.

Music From Man of La Mancha is a 1964 musical with a book by Dale Wasserman, lyrics by Joe Darion, and music by Mitch Leigh. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century masterpiece Don Quixote.

Roxy - Tonight's The Night Live is one of the most sought-after recordings from his vast archives. This was the first public performance of many of the songs that would make up Young's seminal album Tonight's The Night, which would not be released until June 1975. The album's final track "Walk On" would not appear until the release of On The Beach, in July 1974. Young would be the first artist to christen the stage at what would become one of the world's great clubs, The Roxy Theater on the riotous Sunset Strip, right next door to the already infamous Rainbow Bar & Grille. The shows took place on September 20-22, 1973.