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Miles Davis - Bitches Brew (1970) [2x SACD, Japan 2018] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Posted By: HDAtall
Date: 21 Apr 2024 17:05:30
Miles Davis - Bitches Brew (1970) [2x SACD, Japan 2018] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Miles Davis - Bitches Brew (1970) [Japan 2018]
PS3 Rip | 2x SACD ISO | DSD64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | 92:41 min | Some Scans | 5,94 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | 94:10 min | Some Scans | 2,49 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | 94:10 min | Some Scans | 2,2 GB
Features Stereo and Quadrophonic Surround Sound | Sony Music Japan # SICJ-10008~9

Bitches Brew is called the monument of "Electric Miles", a popular work that became Miles's first gold disc. It was originally released in March 1970, which was popular not only for jazz fans since its launch. Recording is taking place in New York in August 1969 the day after Woodstock is over. This 2018 Limited Edition Japanese Multichannel Hybrid SACD release comes in a deluxe 7" packaging and features the first release of reviving the 1970s Quadraphonic mix in over 40 years. Stereo layer is also features the latest mastering from analog master.

Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later, Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, and Lenny White among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section. "Pharaoh's Dance" opens the set with its slippery trumpet lines, McLaughlin's snaky guitar figures skirting the edge of the rhythm section and Don Alias' conga slipping through the middle. Corea and Zawinul's keyboards create a haunted, riffing modal groove, echoed and accented by the basses of Harvey Brooks and Holland. The title cut was originally composed as a five-part suite, though only three were used. Here the keyboards punch through the mix and big chords ring up distorted harmonics for Davis to solo rhythmically over, outside the mode. McLaughlin's comping creates a vamp, and the bass and drums carry the rest. It's a small taste of the deep voodoo funk to appear on Davis' later records. Side three opens with McLaughlin and Davis trading fours and eights over a lockstep hypnotic vamp on "Spanish Key." Zawinul's lyric sensibility provides a near chorus for Corea to flit around in; the congas and drummers juxtapose themselves against the basslines. It nearly segues into the brief "John McLaughlin," featuring an organ playing modes below arpeggiated blues guitar runs. The end of Bitches Brew, signified by the stellar "Miles Runs the Voodoo Down," reflects the influence of Jimi Hendrix with its chunky, slipped chords and Davis playing a ghostly melody through the funkiness of the rhythm section. It seemingly dances, becoming increasingly more chaotic until it nearly disintegrates before shimmering into a loose foggy nadir. The disc closes with "Sanctuary," completely redone here as a moody electric ballad that was reworked for this band while keeping enough of its integrity to be recognizable. Bitches Brew is so forward-thinking that it retains its freshness and mystery in the 21st century.

Tracklist

DISC 1:
01. Pharaoh's Dance
02. Bitches Brew

DISC 2:
01. Spanish Key
02. John McLaughlin
03. Miles Runs the Voodoo Down
04. Sanctuary

"Bitches Brew"
"John McLaughlin"
"Sanctuary"
> Recorded Columbia Studio B, New York City August 19, 1969

Miles Davis – trumpet
Wayne Shorter – soprano saxophone
Bennie Maupin – bass clarinet
Joe Zawinul – electric piano – Left
Chick Corea – electric piano – Right
John McLaughlin – electric guitar
Dave Holland – bass
Harvey Brooks – electric bass
Lenny White – drum set – Left
Jack DeJohnette – drum set – Right
Don Alias – congas
Juma Santos (credited as "Jim Riley") – shaker, congas
On "John McLaughlin" omit Shorter and Davis
On "Sanctuary" omit Maupin, Brooks and White


"Miles Runs the Voodoo Down"
> Recorded Columbia Studio B, New York City August 20, 1969

Miles Davis – trumpet
Wayne Shorter – soprano saxophone
Bennie Maupin – bass clarinet
Joe Zawinul – electric piano – Left
Chick Corea – electric piano – Right
John McLaughlin – electric guitar
Dave Holland – electric bass
Harvey Brooks – electric bass
Don Alias – drum set – Left
Jack DeJohnette – drum set – Right
Juma Santos (credited as "Jim Riley") – percussion


"Spanish Key"
"Pharaoh's Dance"
> Recorded Columbia Studio B, New York City August 21, 1969

Miles Davis – trumpet
Wayne Shorter – soprano saxophone
Bennie Maupin – bass clarinet
Joe Zawinul – electric piano – Left
Larry Young – electric piano – Center
Chick Corea – electric piano – Right
John McLaughlin – electric guitar
Dave Holland – bass
Harvey Brooks – electric bass
Lenny White – drum set – Left
Jack DeJohnette – drum set – Right
Don Alias – congas
Juma Santos (credited as "Jim Riley") – shaker


Recorded on August 19–21, 1969 at Columbia Studio B, NYC.

foobar2000 1.4.1 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / Bitches Brew (Disc One)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -8.66 dB -25.12 dB 19:22 01-Pharaoh's Dance
DR10 -8.81 dB -26.05 dB 26:44 02-Bitches Brew
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 5
Bits per sample: 1
Bitrate: 14112 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / Bitches Brew (Disc One)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.76 dB -20.75 dB 20:10 01-Pharaoh's Dance
DR11 -6.60 dB -20.43 dB 27:03 02-Bitches Brew
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================


––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / Bitches Brew (Disc Two)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -6.70 dB -23.98 dB 17:23 01-Spanish Key
DR9 -8.57 dB -24.03 dB 4:24 02-John McLaughlin
DR9 -9.23 dB -24.65 dB 13:55 03-Miles Runs The Voodoo Down
DR10 -10.21 dB -28.45 dB 10:54 04-Sanctuary
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 4
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 5
Bits per sample: 1
Bitrate: 14112 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / Bitches Brew (Disc Two)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -6.73 dB -18.61 dB 17:30 01-Spanish Key
DR11 -6.81 dB -20.17 dB 4:26 02-John McLaughlin
DR11 -5.83 dB -19.15 dB 14:04 03-Miles Runs The Voodoo Down
DR10 -6.02 dB -21.23 dB 10:57 04-Sanctuary
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 4
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64


Thanks to KingCrim!
Uncompressed SACD ISO size > 3,36 + 3,43 GB
>
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