Don’t Waste Your Ancestors’ Time’ creates a new blend of Afro- and Afro-Brazilian grooves, improv and dub, and boasts an array of collaborators that push the music in new directions - spoken word artist…

There is an art to combining formal composition with the free grooving essence of jam band music.

Cover albums are a tricky business.

Argus is the third album by the rock band Wishbone Ash. It is their most commercially and critically successful album. The album is medieval-themed, featuring a blend of progressive rock, folk, and hard rock, and is considered a landmark album in the progression of twin-lead guitar harmonisation later adopted by bands such as Thin Lizzy and Iron Maiden. The sound engineer on Argus was Martin Birch, who also worked with Deep Purple, later with Black Sabbath, Iron Maiden and other hard rock bands. It was named "Album of the Year" in the 1972 year-end issue of Sounds magazine.

PentaTone’s third release from Rafael Kubelik’s acclaimed Beethoven cycle of symphonies in its Remastered Classics series is his commanding reading of the sixth, seventh and eighth symphonies performed by the Orchestre de Paris, the Vienna Philharmonic Orchestra, and the Cleveland Orchestra.

PentaTone’s fourth release from Rafael Kubelik’s acclaimed Beethoven cycle of symphonies in its Remastered Classics series is his commanding reading of the ninth symphony performed by the Symphonieorchester des Bayerischen Rundfunks, joined by the Chor des Bayerischen Rundfunks and a quartet of outstanding soloists in the famous choral finale with the “Ode to Joy”.

"Creation" features music selected by Keith Jarrett from his improvised solo concerts recorded in 2014 in Japan, Canada, and Europe. Where in the past the solo documentation has shown the improvisational process unfolding over the course of a single evening, this time Jarrett zeroes in on the most revelatory moments from six concerts in Tokyo, Toronto, Paris and Rome and shapes a new dramaturgy from the intuitive sequencing of the material. With this rewarding departure, Keith Jarrett gives us here the most up-to-the minute account of his spontaneously created music.

The Jazz Messengers was a group of young musicians organized by Art Blakey to both inspire and mentor young jazz players, as well as to keep Blakey inspired and full of new ideas. The group went on to serve as a training ground for such luminaries as Hank Mobley and Wynton Marsalis. Hard Drive was recorded in 1957 and was originally released on the Bethlehem label.

The New Orleans brass band continuum stretches from the 19th century through to the present in a tradition passed on from father to son through the generations. Hired to accompany funerals, ceremonies, and street festivals, the music these bands played “just touch your heart, they were so beautiful”, reminisced Louis Armstrong. This album has all the ‘live’ exuberance of a N.O. street parade and features a cross-section of classic brass band repertoire – the religious hymn Glory Land the upbeat the funeral dirges, Leave Me Lord Me and In the Upper Garden, the folksy Lilly of the Valley and the up-beat jazzy pieces We Shall Walk Through the Streets, Take Your Burden to the Lord, Shake It and Break It and Olympia Special. A classic of the genre.

The threesome released two albums together, "Trio" (1987) and "Trio II" (1999), which have combined to sell more than five million copies worldwide and win three Grammy Awards. Both of these classic albums have been newly remastered for a three-CD collection packed with rare and unreleased music produced by Harris. The bonus disc is loaded with 20 songs, including alternate takes and completely unreleased recordings from the trio spanning both album sessions.

Right On is Wilson Pickett’s stunning 1970 studio recording. Proclaimed by Rolling Stone as one of the “100 Greatest Singers of All Time,” Pickett howls on tunes including “You Keep Me Hangin’ On,” “Funky Way,” “It’s Still Good” and “Sugar Sugar”. Right On charted on both the Billboard 200 and Billboard’s Top R&B Albums.

With the music scene rapidly evolving, Wilson Pickett delivered a versatile outing with the release of "Hey Jude". Produced by the legendary Rick Hall, the work incorporates some of rock’s finest tunes including “Born To Be Wild” and the Lennon & McCartney classic, “Hey Jude”. Displayed with funky arrangements, Pickett is joined by one of Rolling Stone’s “100 Greatest Guitarists of All Time”, Duane Allman. Found here is material penned by greats including Bobby Womack, Raymond Moore, Isaac Hayes and David Porter. Hey Jude remains another accomplishment in an illustrious career.

Since his emergence in the 1980s as the driving creative force behind UK big band Loose Tubes, Django Bates has been cheerfully subverting expectations, slaughtering scared cows and generally making a euphonious nuisance of himself, but he’s really gone and done it this time.

Happy Jazz Appreciation month! To celebrate the occasion, we're looking back at one of our favorite releases of last year, CPM's 'After Hours' with Arnie Somogyi and Rob Townsend - the legendary composers behind the masterpiece.

in 1987 by Fruitbat and Jim Bob, Carter The Unstoppable Sex Machine burst onto the scene with their signature style of indie punk-rock pop infused with samples, drum machines, and social commentary.