"Clockwork Angels" has been a long time coming. Rush foreshadowed it in 2010 by releasing "BU2B", and "Caravan" to radio. The next single, "Headlong Flight," didn't appear until 2012. Co-produced with Nick Raskulinecz (who also worked on 2007's Snakes & Arrows), Clockwork Angels is a return to the concept album by the band that perfected it on 2112 in 1976. It centers on a loose narrative about a young man following his dreams. He struggles with inner and outer forces of order and chaos; he encounters an expansive world where colors, images, territories, and characters are embodied by pirates, strange carnivals, rabble-rousing anarchists, and lost cities.

"Test for Echo" is the sixteenth studio album by Canadian rock band Rush, released in 1996. It marks the final Rush work prior to the tragic events in Neil Peart's life that put the band on hiatus for several years. He recorded a majority of his drum tracks for the album using traditional grip, after receiving drum lessons from jazz instructor Freddie Gruber. The cover displays an inukshuk, native to the band's home country of Canada.

Following the recent R40 tour finale in Los Angeles, Rush announces the rollout of the vinyl versions of six studio albums the band recorded for Atlantic Records between 1989 and 2007. All of the albums will be pressed on audiophile-quality, 200-gram vinyl and each will come with a code to access a high-definition digital download. Records were half-speed mastered by Sean Magee at Abbey Road Studios.

Arguably the peak of Rush’s technical ambitions, 1978’s "Hemispheres" captures the iconic Canadian trio of Geddy Lee, Alex Lifeson, and Neil Peart drawing as much as they ever would on sheer musical ability and compositional chops. By May of 1978, a month before recording was set to begin on Rush’s sixth studio album, all three members of the band had achieved such a high level of mastery on their respective instruments, not to mention their collective playing that they saw fit, for the first time in their career, to begin working on an album without the benefit of having any material prepared. Unsurprisingly, making the album proved to be an arduous task, even for a band as diligent as Rush. The Blu-Ray from 40th Anniversary Edition of "Hemispheres" features the album newly mixed from the original multi-tracks in 5.1 Surround Sound along with the 2015 Stereo Remaster.

"Feedback" is a cover album by Canadian rock band Rush, released in 2004. It was their eighteenth studio album. The album features eight covers of songs that were influential for the band members during the 1960s. The album marked the 30th anniversary of the release of Rush's debut album.

"Presto" is Rush’s debut album on Atlantic Records. This 1989 masterpiece features the hit singles “Show Don’t Tell”, “Superconductor” and “The Pass”. “Show Don’t Tell” reached #1 on Billboard’s Top Rock Singles and the album reached the Billboard 200. It would be certified Gold in the U.S. and Platinum in Canada.

Rush's third live album, recorded during the band's 1986 and 1988 tours, "A Show Of Hands" is an excellent snapshot of the trio in concert during the mid to late 1980s. It was during this era of touring that the modern technology of sampling was fully embraced by the group, after Geddy Lee became convinced that the complexities of a Rush studio recording could be recreated live. Offstage, a technician set up samples for the songs, but Lee insisted on triggering them himself.

Released in 1985, "Power Windows" launched an era of new sonic directions for Rush as the band embraced an extensive use of synthesizers. Neil Peart’s lyrics focus primarily on various manifestations of power: Manhattan Project explores the origins and consequences of the US military’s development of the atomic bomb, while Territories is a statement on nationalism around the world. This is the 2015 remastered version of the album.

Rush's 1987 release "Hold Your Fire" blends the band's trademark progressive rock with more eclectic musical influences, drawn largely from traditional Chinese music. Although the songs on the album feature nearly as much synthesizer and keyboard as its predecessor, Power Windows, the guitar riffs and solos are considerably more prominent here. The single Time Stand Still, a US number three rock hit, includes guest vocals from Aimee Mann of 'Til Tuesday, marking Rush’s first collaboration with another singer. This is the 2015 remastered version of the album.

Presto is the thirteenth studio album by Canadian rock band Rush. It was originally released November 21, 1989 by Anthem Records and was the band's first album released internationally by Atlantic Records following the group's departure from Mercury. Presto reached gold certification by the Recording Industry Association of America for selling 500,000 copies.

Hemispheres is the sixth studio album by Canadian rock band Rush, originally released in October 1978 by Anthem Records. As with the band's previous studio album, Hemispheres was recorded at Rockfield Studios in Monmouthshire and Trident Studios in London with longtime engineer and arranger, Terry Brown. Rush continued its progressive rock sound with the side-long "Cygnus X-1 Book II: Hemispheres" and the nine-minute instrumental "La Villa Strangiato". Hemispheres received acclaim from music critics. It reached number 14 in Canada and the UK, and number 41 in the United States. In 1993, the album was certified platinum by the RIAA for selling one million copies.

Counterparts is the fifteenth studio album by Canadian rock band Rush. After they finished touring in mid-1992, the band took a break before they started work on a follow-up. Counterparts reached No. 2 in the US, one of their two highest-charting albums in the country, and No. 6 in Canada.

Largely considered one of Rush's darkest albums, the million-selling "Grace Under Pressure" was a response to growing tensions in the Cold War in the 1980s. The album’s running theme is “pressure” and how humans act under its influence. Despite the bleakness of the songs, the band balances elements of ska, funk and reggae and an increasing use of synthesizers and electronics with consistently strong songwriting and typical instrumental virtuosity.

"Moving Pictures" has become Rush's most successful studio album in the US with sales exceeding four million copies and a peak chart position of number three in Billboard. The band's complex songwriting and musical virtuosity reach new heights with this material despite the preponderance of shorter, more radio-friendly songs. Recorded and mixed at Le Studio north of Montréal, "Moving Pictures" includes the Rush signature tracks Tom Sawyer, Limelight, Red Barchetta and the band’s highly praised instrumental, YYZ, which earned Rush its first Grammy nomination. Rolling Stone named this album the third greatest progressive rock album of all time in a 2015 feature.

Released in 1982, the million-selling "Signals" from Rush was the follow-up to what would become the band's seminal "Moving Pictures". Stylistically, "Signals" continues Rush's exploration of technology through increased use of electronic instrumentation such as keyboards, sequencers and even the electric violin. Many of the songs are shorter and more radio friendly too. This is the 2015 remastered version.