Scattered notes seem to stretch time, their repetition and countless combinations evoking (or invoking?) the infinite iridescence of light that accompanies dawn—a ritual as inevitable as it is unpredictable. With his Musique pour le lever du jour, composed over two years and completed in 2017, Melaine Dalibert once described his aim as creating "an infinite piece," without beginning or end. Subtle, intangible, both complex and minimal, the variations forming this hour-long composition—dedicated to Belgian pianist Stéphane Ginsburgh—allowed silence and resonance to blossom into shades of color. Released on the American label Elsewhere Music, led by Yuko Zama, the album was ranked among France Musique's 100 best of 2018. Its abstract, colorful cover? The work of none other than David Sylvian.

Utilising the full potential of the electic violin, flute and field recordings of birds, October is Marigold is the haunting, Autumnal second album from David Cross (ex-King Crimson) and Andrew Keeling, and the third releases to appear on Noisy Records’ ‘Electric Chamber Music’ imprint (which aims to present music designed for an intimate setting that makes use of musical and electronic techniques used in Rock).

Hybrid Stereo SACD from Analogue Productions! Mastered by Kevin Gray from the original U.K. Island analog tape Gold-selling second album was an early turning point for the band! Jethro Tull's second album, Stand Up, marked an early turning point for the band with the addition of guitarist Martin Barre along with Ian Anderson's introduction of folk-rock influences to the group's blues-based sound. Released in the summer of 1969, Stand Up rose quickly to the top of the U.K. Albums Chart, and eventually earned gold certification in the U.S.

SONGHOY BLUES is a band whose experiences in Mali have opened their eyes to universal problems plaguing people everywhere. Using the pain and lessons learned from having to leave their hometowns in northern Mali, the band realizes that human rights is a concept that extends far beyond what they have seen with their own eyes and far beyond just the borders of Mali. In order for the band to see their homes restored, they understand the fight must be fought on all fronts, for everybody across the spectrum. They are no longer refugees or exiles or four people with instruments—they are SONGHOY BLUES, a musical voice for empowerment and equality.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history.

In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, “There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate—more blood, more gore.

2018 New Stereo Mix (High-resolution DSD). 2018 New 5.1 Surround Mix (High-resolution DSD). Recorded at Britannia Row Studios London 1976. Original UK release date: January 1977.

We are excited to present this soulful 30 year reunion between two stalwarts of Ambient-Electronic music in its entirety, exactly as it occurred. Steve and Robert answered the urge for unification after a very long orbit and 40 year friendship, reuniting and engaging their collective creative process, fueled with decades of individual innovations, genre defining releases and worldwide concerts.

Due July 10th, Workingman's Dead: 50th Anniversary Deluxe Edition will be available as a three-CD set and digital equivalents featuring the original album with newly remastered sound, plus an unreleased complete concert recorded on February 21, 1971 at the Capitol Theatre in Port Chester, NY.

Sam Shepherd aka Floating Points has announced his new album Cascade will be released on 13 September via Ninja Tune. Along with the announcement Shepherd has shared lead single 'Key103' which comes with visuals continuing his ongoing collaboration with Tokyo based artist Akiko Nakayama.

New collaborative album from electronic duo The Grid (aka Richard Norris and Dave Ball) and Robert Fripp. Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid.

The collaboration between Theo Travis and Robert Fripp has become something of a familiar musical pairing in recent years. Working in an area of music - improvised duets - normally associated with "difficult" or "austere" music, Travis & Fripp have neatly side-stepped such strictures to produce a body of work that is wholly approachable, frequently tuneful and always surprising in the depth and range of material that can be produced by two instrumentalists."

‘Discretion’ is the brand new album by pioneering guitar legend Robert Fripp and flautist/saxophonist Theo Travis made available for Bowers & Wilkins Society of Sound in stunning 24 bit high quality digital format. The music follows on from the duo’s previous album releases and combines almost telepathic interplay with a deep understanding of musical texture and space, the building of long slow melodies, and the creation of slowly shifting harmonic soundscapes.

The Piano Quintet in E-flat minor, Op.87, is a composition by the Austrian composer Johann Nepomuk Hummel. Composed in 1802, it was not published until around 1822 and might have served as an example cited by Sylvester Paumgartner who commissioned Hummel’s friend Schubert to write his own piano quintet.

he String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola (i.e., two violins, two violas, and cello). The mood of the piece is dark and melancholic, typical of Mozart's G minor works.