Pianist John Taylor’s death in 2015 robbed British jazz of one of its most distinctive exponents, an improviser and compose who confidently blended folk and classical forms with a distinctive off-centre approach to swing. Taylor’s already substantial legacy of recordings is not static, however. Close To Mars is a trio recording made in Ludwigsburg in 2006, released now on CAM JAZZ, which was Taylor’s label of choice during the final, highly creative decade of his life.Joined by veteran bassist Palle Danielsson and the most musical of drummers Martin France–now, sadly, both no longer with us (another reminder of the passage of time) –Taylor performs eight original compositions (and one by his late friend Kenny Wheeler) that will delight long-term admirers but also introduce his work to a new generation who never had the chance to see him perform. Not yet a historical release, but an important and bittersweet one. Close To Marsis John Taylor at his mature best, familiar but adventurous… (Brian Morton)

The night of May 12, 2002, may go down as another important milestone on the timeline of legendary jazz trumpeter Miles Davis.

Through her unique voice and heart-wrenching songs, Sara K. has taken us down rocky roads and into smoky bars to create stunning portraits of life and love. Now you can fully experience the raw emotion and pure energy of Sara K. in concert on No Cover.

Saxophonist J. White is an internationally recognized Billboard artist, songwriter and producer who commands your attention with captivating performances and amazing, soulful sounds. He is a passionate, determined, and gifted artist.

A truly talented vocalist, Christy Baron brings us her third release entitled Take This Journey, again revealing an intriguing repertoire of modern classics delivered through her evocative voice.

This new recording by Accademia del Piacere focuses on the work of improvisation, ornamentation, embellishment on famous Baroque tunes of the Spanish baroque in accordance with 17th Century style and practice.

"Entre Amigos" ist ein musikalisches Juwel, das die zarte Eleganz brasilianischer Bossa Nova mit der tiefgründigen Präsenz des Jazz verbindet.

Inscribed to the memory of Grace Williams’s friend Nancy Elizabeth Jenkins, who died of cancer shortly before the work was completed, Grace Williams’s Missa Cambrensis is a full-scale setting of the Mass in Latin and Welsh, scored for soprano, alto, tenor and bass soloists, mixed chorus, boys’ choir, orchestra and speaker.

Goodness was an American rock band from Seattle, Washington, led by Carrie Akre, formerly of Hammerbox and now primarily a solo artist.

The American pianist David Korevaar, an outstanding artist known for his profound interpretations and extraordinary versatility, has presented his latest monumental work: a complete recording of Ludwig van Beethoven's 32 piano sonatas, which is to be published digitally in six volumes by autumn 2025.

Time is a Thief is Louisian-born Marc Broussard's first album of original material since 2017, referenced in the album's title.

The darkly alluring, deep ­toned voice that embraces these timeless melodies from the parlor song era and Tin Pan Alley days (roughly 1910 to the early 1920s) belongs to the wonderful Alexis Cole. Called “one of the great voices of today”, Alexis has been compared to classic jazz singers such as Sarah Vaughan and Anita O’Day. Cole is the recipient of a Swing Journal Gold Disc award, and has won the NY Jazzmobile and Montreux Jazz Festival vocal competitions.

McCoy Tyner is joined here by Ron Carter, Jon Henderson, and Al Foster for an instant classic jazz album from 1992. Pianist McCoy Tyner and tenor-saxophonist Joe Henderson had not recorded together in over two decades when they finally met up for this album.

During the 1970s the Boston Symphony Orchestra was an ensemble of significant refinement, having enjoyed a reputation as America’s primary “French” orchestra since the days of Serge Koussevitzky and Charles Munch.

Gillan is the debut studio album by British hard rock band Gillan, released in September 1978 only in Japan then later in Australia and New Zealand. Although not released domestically in the UK, the album sold well as an import, aided by positive press reviews. The sleeve notes of the original release credit Liam Genocky as playing drums and percussion, while the 1993 release "Gillan – The Japanese Album" instead credits Pete Barnacle.