Bernard Haitink was born and educated in Amsterdam. His conducting career began at the Netherlands Radio where in 1957 he became the Chief Conductor of the Radio Philharmonic Orchestra. The links between Bernard Haitink and the Radio Philharmonic Orchestra have withstood the test of time, even when his career was taking him all over the world. He returned on 15 June 2019, when he gave his very last concert in Amsterdam, with Bruckner Symphony no. 7, a work that has always been especially dear to him.

De Leeuw may have started out as a composer, but that aspect receded into the background in the 1970s. He became more and more a performer of music of the major composers our own era. In 1974, he seemed to give up composing altogether: the title of his compact, stormy orchestral work Abschied, from that year, says what needs to be said on that front.

How is it that music that is so precise and obviously well organised can at the same time move with unforced, almost improvisational fluidity? And how can it be that atonal music sounds so natural and accessible? It's because De Raaff's music is nature itself; geometrically and architecturally stylised music it may be, but no different to the way a tree puts out its branches or how a leaf forms its veins.

Karina Canellakis offers the first fruit of her exclusive Pentatone collaboration with a recording of Bartók’s 4 Orchestral Pieces and Concerto for Orchestra, together with the Netherlands Radio Philharmonic Orchestra, of which she is the Chief Conductor. The 4 Orchestral Pieces have a strong affinity with the stage works Duke Bluebeard’s Castle and The Wooden Prince, conceived in the same period.

American born conductor James Gaffigan is the Chief Conductor of the Lucerne Symphony Orchestra, and the Principal Guest Conductor of the ensemble featured here, the Netherlands Radio Philharmonic Orchestra. The natural ease of his conducting and his compelling insight have brought him attention internationally. This is the second release in James Gaffigan’s projected Prokofiev symphony cycle, a series that suddenly finds itself one among many. It has many fine qualities even if the poised, somewhat cautious music-making eschews Soviet-era rawness.

Jaap van Zweden, the recipient of Musical America's Conductor of the Year Award in 2012, is one of the most successful conductors of today. This disc from Challenge Classics is the next instalment in van Zweden's Bruckner Symphony cycle, which he began recording for Exton. The recording from Hilversum sounds splendid, nicely balanced with a secure and sensitive dynamic range. The climaxes make a wonderfully sonorous and powerful impression. These things are particularly important in this piece, since Bruckner shows so many deft orchestral touches, not least in the nocturnal scherzo, which is full of subtleties of rhythm and texture.

Fréderick Franssen: From among the enormous choice of horn repertoire available in the early stages of my study of the instrument, my interest was piqued by the very earliest horn music. The music from that era did and still does exert its magic on me due to the pure beauty of its clear and transparent sound world.

Bernard Haitink was born and educated in Amsterdam. His conducting career began at the Netherlands Radio where in 1957 he became the Chief Conductor of the Radio Philharmonic Orchestra. The links between Bernard Haitink and the Radio Philharmonic Orchestra have withstood the test of time, even when his career was taking him all over the world. One fine example of this was Berlioz’s Damnation of Faust in 1998, later issued on CD (CC 72517). He returned on 15 June 2019, when he gave his very last concert in Amsterdam, with Bruckner Symphony no. 7, a work that has always been especilly dear to him.

All recordings featured on this album are live studio recordings made in 1971 and 1972 for radio broadcast in Holland. Written for the great cellist Rostropovich and considered one of the most difficult cello concertos, Prokofiev's Cello Concerto, Op. 58 is not often recorded and thus this FHR album is a welcome issue.