Singer, dancer, ingenue, Lyn Stanley is a fully realized and mature talent exploding into her own. An award-winning ballroom dancer, Stanley melds that physical experience of movement with her performance of jazz standards, bringing the genre back to its dancing, kinetic roots. As executive producer on "Lost In Romance", Stanley brings a Midas touch to the proceedings, producing in wholly urbane and sophisticated collection of the best the Great American Songbook has to offer. It takes a certain fortitude to record one more collection of jazz standards, but then again, this is the most appropriate starting place for Stanley. Standards are the proving ground for Stanley's singing philosophy and that philosophy is a sound and entertaining one.

British folk duo Josienne Clarke & Ben Walker began their musical partnership in 2010. Expanding both their sound and approach, 2018's "Seedlings All" introduced light jazzy elements into the tonal mix and was the first of the duo's releases to be made up entirely of Clarke's original material. This is songwriter Clarke's most autobiographical work to date.

If he wanted to, trumpeter Itamar Borochov could awe the audiences by showing his virtuosity on his instrument. But at the age of 32, this Israeli-born but Brooklyn-based musician since 2007, a student of Junior Mance, Charles Tolliver or Cecil Bridgewater, has chosen to go further: telling a story that connects Lower Manhattan to North Africa, modern Israel and ancient Bukhara, a story we find in his album "Boomerang".

"Warrior" is the second studio album by American singer Kesha. Its music spans the electropop, technopop, pop rock, and hip hop genres; Kesha described the album as more personal than her previous material in addition to her attempt at reviving the rock genre, calling it a "cock pop" record. Its theme is said to be magic. Contributions to the album's production came from longtime collaborators Dr. Luke, Max Martin, Shellback, Ammo and Benny Blanco. It features guest vocals from American rock singer Iggy Pop, who has been cited as a major influence on the album, as well as writing contributions from Nate Ruess from American indie rock trio Fun, American rapper will.i.am, singer-songwriter Bonnie McKee, The Black Keys drummer Patrick Carney, American rock bands The Strokes and The Flaming Lips and Kesha's own mother, Pebe Sebert.

Aftermath, released in April 1966 by Decca, is the first masterpiece by The Rolling Stones. Composers of the tracks present on their albums since Out Of Our Heads (1965), the duo Jagger & Richards can still rely on the intact genius of Brian Jones for arrangements and to create unique atmospheres with each track. Lady Jane is one of the most romantic songs in the band's repertoire. Here again the medieval atmosphere is particularly well rendered.

The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest.

I'm Still in Love with You is the fifth studio album by the American gospel and soul singer Al Green, released on October 23, 1972, on Hi Records. Recording sessions took place during 1972.

Hymne a l'univers is an album on Opus 3 Records from acclaimed organist Mattias Wager, whose previous release on Opus 3 Records was the best-selling album entitled Organ Treasures. The Stockholm City Hall is known around the world for housing the Nobel prize banquet. It is also home to the largest organ in Scandinavia. On this spectacular instrument, with its 10,400 pipes, Mattias Wager plays French music from the Thirties. The music, by Alain, Jolivet, Bonnal and Duruflé shows the scope and sheer creativity of its time, and its feeling of boundless musical possibilities. With its wealth of sound, the Stockholm City Hall organ is one of the few instruments that make it possible to really bring out all the colors in this repertoire. Additionally this is the first real recording of this organ, even though it was built in 1926, 3 years after the Stockholm City Hall was opened to the public.

Undercurrent is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The two men collaborated again in 1966 on the album Intermodulation.

Ibrahim Maalouf, born in Beirut and now residing in Paris, is a virtuoso of the quarter-tone trumpet, which enables him to work with the maqam, or system of melodic modes, in traditional Arabic music. He and his carefully selected powerhouse band pay tribute to one of the greatest Arabic divas of all time, Oum Kalthoum.

Nathan East, America’s preeminent bassist, after four decades performing with some of the biggest names in music, releases his first-ever solo record. The album features appearances by many of Nathan’s friends and past collaborators including Sara Bareilles, Eric Clapton, Michael McDonald, and Stevie Wonder. The album epitomizes Nathan’s time as a go-to player in the funk, soul and jazz world. “Daft Funk,” Nathan’s ode to the Grammy-winning album he helped record with Daft Punk, is the album’s first single and has reached #3 on the Billboard smooth jazz charts.

"Not of This Earth" is the debut studio album by guitarist Joe Satriani. When Joe Satriani released this album, he stated that his goal was "to make a 'guitar-record- that would be enjoyed by all; not just a 'guitar-chops-record' but one with real music on it". Remastered by John Cuniberti, analog mixes are 30ips 1/2" tape, transferred and mastered to digital at 96/24.

Jonathan Butler's 22nd studio album, 2014's "Living My Dream", showcases the South African-born singer/guitarist/songwriter's distinctive smooth jazz and R&B sound. Joining Butler here are such musical luminaries as bassist Marcus Miller, saxophonist Elan Trotman, guitarist/songwriter Dennis Dodd, Jr., and Butler's daughter, vocalist Jodie Butler, who duets with her father on "Night to Remember".

Allmusic said "Collier's wonderfully diverse compositions are waiting to be discovered by a new generation, as his timeless, carefully crafted structures are charmingly alluring. Although this is not in any sense earth-shattering, or even groundbreaking, it is albums such as this one upon which Collier's reputation stands, and this satisfying release is a wonderful addition to his oeuvre". On All About Jazz Nic Jones noted "the quasi-impressionistic tones of Deep Dark Blue Centre echo the work of Gil Evans, albeit with a more rhythmically animated sense. Collier's composerly aims are aided in no small part by his sidemen, with Karl Jenkins's oboe topping things off in some of the ensembles and Dave Aaron's dry alto sax and the always deeply worthwhile trumpet of Harry Beckett outstanding in the solo stakes".