The popular vinyl series of Steely Dan reissues continues with the 1980 masterpiece "Gaucho", their last album before a lengthy 20-year album hiatus. The album also marked the end of a number of truly unrivalled years in music with classic album after classic album from one of the most exquisite sounding bands in music history. Like all vinyl reissues in the series, the album has been remastered by Bernie Grundman from an analogue tape copy.

Emerging from the pandemic like a bubble of oxygen from the ocean depths, this recording project is built around two ideas that lie at the heart of the Chapelle Musicale Reine Elisabeth. On one hand it perfectly embodies the ideal of a continuing relationship between masters and artists in residence by bringing together three generations of musicians with Miguel da Silva, Lorenzo Gatto and the young artists currently in residence at the Chapel, providing an opportunity for the former to pass on their mastery and knowledge to the latter.

The pure polyphonic quality of J.S. Bach’s Inventions and Sinfonias cannot be overstated – simple yet bursting with ideas, they offer an agile introduction to late-baroque musical forms and imitative writing in general, while retaining a cantabile feel. These exquisite miniatures, transcendent of the didactic purpose to which they were relegated for too long, provide an orderly and at once concise and comprehensive survey of Bach’s soundscape. The purity and density of their musical substance, distilled in a sort of abstract and universal language, has naturally encouraged numerous arrangements from the 19th century onwards for vast array of other instruments.

Sophie Dervaux' new album "Vivaldi Bassoon Concertos" is part of her larger project to record all of 39 of Vivaldis bassoon concerts. This album presents the first 6 concertos of this journey; RV 474, RV 497, RV 481, RV 501, RV 484 and RV 473. Apart from the violin, Vivaldi wrote as many concertos for no other instrument than the bassoon, knowing expertly how to write for this instrument to highlight its unique qualities.

The Dudok Quartet Amsterdam embarks on a traversal of three String Quartets by Tchaikovsky. This is the first of two volumes containing String Quartet’s 1 & 2.

For an optimal and immersive experience, headphones are recommended. One can give a great number of explanations that might seem contradictory, according to whether one endeavors to present one facet rather than another. The difficulty is the choice of the facet, because they all are bound together by an overall organization. Overall I can say that this work was born from a juxtaposition of conditions having no other relation between them than the moment in which they were proposed; the friction of these so-called disparate conditions and of the shock of their heterogeneity. So I can also say that I believe in encounters and that I deny the chance that seems to instigate them. A certain number of problems were approached in this work – which does not mean that they were solved. The encounter between indefinite idea and schema, between schema and score, score and material, material and structure can only ever be a troublesome one. Or it instead explains the desire that one has to adjust things until they enter in relation with one another. I could almost say that there was a kind of expression born from these encounters that suggests the beginning of the undefined idea – and be content with this happy outcome.

The two long-form pieces presented as Portals and Spirals were created in 2025, inspired by over two years of live performances across the US. These studio-created pieces capture the current evolution of Steve’s passion, obsession, and dedication to the multidimensional sonic inner-weaves emanating from the Timehouse ridgetop studio. The phrase “judging a book (CD or LP) by its cover” applies here. The LP and long-box trifold CD with die-cut portal digipak (DVD size) is stunning—a testament to physical objects that hold energy within themselves. In this case, the music contained within these packages is honored by this magnificent presentation for your collection, reminding us why the physical medium is very much alive and remains a piece of beauty to behold while traveling through the Portals and Spirals.

The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group.

The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group.

Miles: The New Miles Davis Quintet, also reissued as The Original Quintet, is a studio album by the jazz musician Miles Davis which was released in April 1956 through Prestige Records. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.

This record is close purest Rock'n'Roll. The real rock'n'roll era was quite short and turn into rockabilly and much later Psychobilly..

We Wish You a Merry Christmas is a 1962 album by Ray Conniff. The album was one of two platinum albums over the course of Conniff's career and earned him the title of CBS Records Best Selling Artist for 1962.

Genius + Soul = Jazz is a 1961 album by American musician Ray Charles, featuring big band arrangements by Quincy Jones and Ralph Burns. Charles is accompanied by two groups drawn from members of the Count Basie Band and from the ranks of top New York session players. It was recorded at Van Gelder Studio in two sessions on December 26 and 27, 1960 and originally released on the Impulse! label as Impulse! A–2. Charles plays the Hammond B3 organ on all tracks.

Lonely and Blue is the debut studio album by Roy Orbison, released on Monument Records in January 1961. It entered the UK albums chart two years later, on June 30, 1963 and reached number 14 over the course of eight weeks.

Jean-Paul Dessy's music occupies a singular place in the contemporary landscape: it does not submit to any school or current, but traces a ridge, stretched between interiority and expansion, between spirituality and sound matter. Each work is a journey, a ritual of sound that calls on the listener to listen with the utmost acuity, where time seems suspended, as if returned to its original density.