Born in Altadena, California, Scott got her start performing locally at age 15. She went to college in San Francisco, singing in both jazz and pop ensembles there. She was noticed by Emilio Castillo, a member of Tower of Power, who hired her to do backing vocals for the group. This led to further work as a session musician in Los Angeles, working with Spyro Gyra, The Yellowjackets, Hiroshima, Etta James, and Bobby Womack. She also appeared in a production of Selma, about the life of Martin Luther King Jr.

Helen Kate Shapiro (born 28 September 1946) is a British pop and jazz singer and actress. While still a teenager in the early 1960s, she was one of Britain's most successful female singers. With a voice described by AllMusic as possessing "the maturity and sensibilities of someone far beyond their teen years", Shapiro recorded two 1961 UK chart toppers, "You Don't Know" and "Walkin' Back to Happiness", when she was just 14 years old.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.

érgio Santos Mendes (11 February 1941 – 5 September 2024) was a Brazilian musician.

Austrian-born Lolita was a hugely successful singer, actress, and TV & radio presenter in Germany, between the mid 1950s and the late 1980s. This collection presents the Very Best of her singles between 1957 and 1962, which includes more than a dozen major hit records in Europe

"Midnight Horn, the Lee Morgan Sessions" is likely a misremembered or non-existent title for a compilation or reissue of Lee Morgan's work, possibly confusing or combining aspects of various sessions or albums.

Marking the 100th anniversary of Carl Nielsen’s Sixth – and last – Symphony, conductor Ryan Wigglesworth joins Royal Academy of Music’s outstanding young musicians to revisit the composer’s later period.

For the 13th volume in the ‘Next Generation Mozart Soloists’ series, Georgian pianist Giorgi Gigashvili, who has already released a highly acclaimed debut album (Alpha 930), has agreed to tackle the early piano concertos of the very young Mozart: "these works already reveal his brilliance in melody, elegance and charm. Paradoxically, the main difficulty for the performer lies in the transparency of these works: every single note is exposed, which requires absolute clarity and precision".

Arguably the first time the complete Beethoven Nine Symphonies has been recorded and presented in a boxed set by a female conductor.

Japanese flutist Eriko Oi, winner of the International Early Music Competition in Yamanashi (Japan), is joined by harpsichordist Tung-Han Hu in this production featuring the world premiere recording of works for flute and continuo by Italian composer Carlo Tessarini, born in Rimini in the late 17th century. A violin virtuoso active throughout Europe and a prolific composer, Tessarini - like many of his contemporaries - also ventured into writing for the flute, significantly enriching the instrument’s repertoire. The performance of the two collections presented in this CD demonstrates that Tessarini was undoubtedly a profound connoisseur of the flute’s unique qualities, fully exploiting its dynamic and expressive potential.

Though Belgium in the nineteenth and twentieth centuries was known above all for its "school" of violin-playing, represented by figures such as Henry Vieuxtemps and Eugene Ysaye, it was also home to a flourishing piano "school". After independence in 1830, the new nation's conservatoires opened numerous classes, method-books and anthologies proliferated, and piano-makers kept pace with new patents and instruments.

Victor Julien-laferriere and his Consuelo Orchestra continue their complete works of Beethoven's symphonies with a second volume devoted to the famous diptych premiered on 22 December 1808: the Fifth and Sixth Symphonies, so contrasting and yet so close. They have added the Eighth, premiered five years later and sometimes considered the little sister of the 'Pastoral', whose key is F major.

For her debut album, Arielle Beck chose to get back to the source of German Romanticism: a living gushing source, since the young pianist chose to couple 19th century masterpieces with her own variations on the theme of Schumann’s Bunte Blätter, which once inspired Brahms and Clara Schumann. This young musician is definitely the worthy heir of her illustrious elders.

After Saint Etienne's 35-year excursion through pop, International is their final album-length statement. A dreamlike drift with friends and collaborators, International features cameos from the higher echelons of pop — 80s chart heroes, electro, acid house and all points in-between — from Vince Clarke to Nick Heyward, Confidence Man to Erol Alkan, Chemical Brothers, Orbital, Doves and Xenomania, through to the lesser known, but equally exhilarating Augustin Bousfield and Flash Cassette.

Les Arts Florissants, one of the world’s most renowned Baroque ensembles, joins forces with legendary founder and artistic director William Christie for a landmark release: the first complete recording of André Campra’s Requiem, paired with his profoundly moving Miserere. These works, filled with clarity, grace, and emotional power, offer a deeply personal and spiritual listening experience. Campra’s music speaks straight to the soul, with harmonies that are subtle, expressive, and timeless. Performed on period instruments at original French pitch and shaped by authentic ensemble forces, this recording is a masterclass in historically informed performance, true to Campra’s era, and brought vividly to life by musicians at the top of their craft.