The widespread positive response to “Lampedusa Lullaby”, KUU!’s 2018 label debut on ACT also gave rise to enthusiastic, imaginative and telling descriptions of the band’s music: “An alchemically complex jazz punk alloy. […] Really rather wonderful.”( PROG magazine). “A raw, thorny mixture of punk attitude, electro- dance elements, eccentric fusion, and free jazz outbursts.” (All About Jazz).

Like many of Janáček’s late masterpieces, the genesis of the ‘Diary’ is unseparable from its composer’s intense, obsessional love for Kamila Stösslová. A song-cycle like no other, here it’s the main work in a recital which showcases the extraordinary talents of Nicky Spence, Václava Housková and the vocal trio Voice.

Suddenly is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. Songs drop out and morph into something else entirely just as they’re hitting their stride, samples chopped up beyond all recognition burst out of nowhere. Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family—universal themes that catch you off guard and change your life in a heartbeat.

On February 15th, 2024, Sine Music will be releasing the new single "Dancemachine (feat. Nekane)" from the upcoming album "…&me" by KLANGSTEIN. The single will be available in all well-known download stores and streaming services. "Dancemachine (feat. Nekane)" is the opening track of KLANGSTEIN's new album "…&me" and the perfect song to get you dancing. Even if you're "one of the shy ones" as Nekane sings, it will work its magic on you. The track reminds of songs like "Smalltown Boy" by Bronski Beat and "Can't Get You Out Of My Head" by Kylie Minogue but it has its very own identity.

Following her compelling debut EP Mending, Frida Touray returns with Homebody, a work of raw emotional clarity, crafted during a time when her voice was literally fighting back. Diagnosed mid-process with a rare condition that forced her into silence and stillness, Touray chose not retreat, but rebuild. From the quiet corners of domestic life, she’s shaped a collection of songs that radiate warmth, vulnerability and quiet endurance.

Japanese musician Hakushi Hasegawa/長谷川白紙 proudly announces their new album Mahōgakkō/魔法学校 for LA-based Brainfeeder Records, out July 24th. As part of the announcement, Hasegawa shares a new single and video – “Boy’s Texture” – serving as the album’s second single after last year’s “Mouth Flash (Kuchinohanabi)”. The news arrives alongside Hasegawa’s grand gesture of revealing their face to fans for the very first time, unveiling a new side of the elusive and compelling artist.

The internationally acclaimed Berlin-based Ethno-jazz band LELÉKA, dedicated to reviving ancient Ukrainian folk songs since its inception in 2016, presents its new album Rizdvo at the end of November. Together with the famous Ukrainian flutist Maksym Berezhniuk, virtuoso and collector of traditional woodwind instruments, the ensemble creates an extraordinary hom-mage to the incredibly rich tradition of Ukrainian Christmas music, breathing new life into it with contemporary arrangements, interpretations and improvisations.

Hailing from Bergen, Norway, Troika has been serving up their melodic, progressive pop/rock with poignant lyrics in Norwegian for more than a decade. After the critically acclaimed “I speilvendthet” (2017) and “Tre ut” (2019), their long awaited third album “Strobemørke” is finally coming in August 2024.

Flee's new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture and post-Soviet society, and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronicesque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, and Ben Wheeler. Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. Ulyap Songs: Beyond Circassian Tradition represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

"Hanoi Masters: War is a Wound, Peace is Scar" is a haunting audio document recorded in the summer of 2014 by Grammy-award winning producer Ian Brennan (Tinariwen, Malawi Mouse Boys, The Good Ones). The sepia-tinged songs are sung and played live and direct by elderly Vietnamese musicians using half-forgotten traditional instruments. These musicians all have deep personal connections to the upheavals of the Vietnam War and the album's mesmerizing mood navigates the blurred line between raw beauty and muted sadness. 40 years after the end of the Vietnam War, a war these Hanoi musicians still call the "American War", the wounds and scars of that era are ever-present. "Hanoi Masters" is an album of cautious healing and an unforgettable meditation on conflict, resistance, collective memory, and the longing for what has been lost.

The Neapolitan Baroque, especially in the first half of the eighteenth century, was a vibrant and vital time for instrumental music, as Josetxu Obregón and La Ritirata now demonstrate with their new recording of six concertos from that era. The Neapolitan school – which owed so much in its formation to Francesco Provenzale – flourished in the hands of Francesco Mancini, Nicola Porpora, Nicola Fiorenza, Giovanni Battista Pergolesi and Alessandro Scarlatti, all represented with concertos on this new Glossa recording.

KUU!’s songs are so well honed, they have a way of emotionally hitting the spot, and also staying lodged in the mind. The reason why this band has been making such waves in Germany is the special chemistry between the artists, combined with a sixth sense and an urgency about the way they communicate. The band members – Kalle Kalima, Frank Möbus (both on guitars) with drummer Christian Lillinger – are never short of creative ideas, and they form a strong yet supple understructure for the phenomenally expressive singer Jelena Kuljić.

Astor Piazzolla’s “Four Seasons of Buenos Aires” reimagines Vivaldi’s masterpiece, “The Four Seasons,” within the context of the Argentine tango. Originally written as four separate pieces between 1965 and 1970, Piazzolla’s interpretation infuses Vivaldi’s Baroque elegance with the passionate and rhythmic essence of tango, creating a fusion of classical and contemporary musical styles. Each season, represented by a separate movement, vividly captures the changing moods and dynamics of Buenos Aires throughout the year. Piazzolla’s “Four Seasons” is a testament to his extraordinary talent for pushing the boundaries of traditional tango music and creating a modern, evocative work that remains a cherished gem in the world of classical and tango music.

Richard Galliano expresses himself in all musical fields, from classical to jazz. He is nowadays the only accordion player to record for the prestigious classical music label “Deutsche Grammophon”.

Soul artist Cicero Blake began his music career as the lead singer of the Kool Gents before recorded as a solo artist for various Chicago labels in the 60s.