![Dizzy Gillespie - Bebop Story, Vol 3, 1946-47 (2022) [Official Digital Download]](https://pixhost.icu/avaxhome/81/72/00947281_medium.jpg)
Dizzy Gillespie - Bebop Story, Vol 3, 1946-47 (2022) [Official Digital Download]
![Dizzy Gillespie - Bebop Story, Vol 3, 1946-47 (2022) [Official Digital Download]](https://pixhost.icu/avaxhome/81/72/00947281.jpg)
Dizzy Gillespie - Bebop Story, Vol 3, 1946-47 (2022) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 65:22 minutes | 637 MB
Jazz | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 65:22 minutes | 637 MB
Jazz | Studio Master, Official Digital Download
John Birks "Dizzy" Gillespie (/ɡɪˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols.
In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz.[4] He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, and Chuck Mangione, and balladeer Johnny Hartman.
He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated [….] Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time".
TRACKLIST
1. Dizzy Gillespie - One Bass Hit (Part.1)
2. Dizzy Gillespie - Oop Bop Sh'bam
3. Dizzy Gillespie - A Handfulla Gimme
4. Dizzy Gillespie - That's Earl, Brother
5. Dizzy Gillespie - Our Delight
6. Dizzy Gillespie - Good Dues Blues
7. Dizzy Gillespie - One Bass Hit (Part 2)
8. Dizzy Gillespie - Ray's Idea
9. Dizzy Gillespie - Things To Come
10. Dizzy Gillespie - He Beeped When He Shoulda Bopped (Take 1)
11. Dizzy Gillespie - He Beeped When He Shoulda Bopped (Take 2)
12. Dizzy Gillespie - For Hecklers Only
13. Dizzy Gillespie - Smokey Hollow Jump
14. Dizzy Gillespie - Boppin'The Blues
15. Dizzy Gillespie - Moody Speaks.mp3 H 16. Ow! (Take 1)
16. Dizzy Gillespie - Ow!
17. Dizzy Gillespie - I Waited For You
18. Dizzy Gillespie - Emanon
19. Dizzy Gillespie - Ow! (Take 2)
20. Dizzy Gillespie - Oop-Pop-A-Da
21. Dizzy Gillespie - Two Bass Hit
22. Dizzy Gillespie - Stay On It
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2022-09-03 19:33:12
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dizzy Gillespie / Bebop Story, Vol 3, 1946-47
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 0.00 dB -9.78 dB 2:54 01-One Bass Hit (Part.1)
DR9 0.00 dB -9.43 dB 2:59 02-Oop Bop Sh'bam
DR9 0.00 dB -10.56 dB 3:03 03-A Handfulla Gimme
DR9 0.00 dB -9.79 dB 2:43 04-That's Earl, Brother
DR9 0.00 dB -9.76 dB 2:31 05-Our Delight
DR8 0.00 dB -9.86 dB 3:01 06-Good Dues Blues
DR8 0.00 dB -9.52 dB 2:54 07-One Bass Hit (Part 2)
DR8 0.00 dB -9.33 dB 2:21 08-Ray's Idea
DR8 0.00 dB -9.19 dB 2:47 09-Things To Come
DR8 0.00 dB -9.30 dB 2:41 10-He Beeped When He Shoulda Bopped (Take 1)
DR9 0.00 dB -9.75 dB 2:42 11-He Beeped When He Shoulda Bopped (Take 2)
DR8 0.00 dB -9.72 dB 2:57 12-For Hecklers Only
DR8 0.00 dB -9.35 dB 3:00 13-Smokey Hollow Jump
DR9 0.00 dB -9.76 dB 3:07 14-Boppin'The Blues
DR8 0.00 dB -9.41 dB 2:32 15-Moody Speaks.mp3 H 16. Ow! (Take 1)
DR9 0.00 dB -10.67 dB 5:06 16-Ow!
DR8 0.00 dB -9.64 dB 3:05 17-I Waited For You
DR8 0.00 dB -9.94 dB 3:05 18-Emanon
DR8 0.00 dB -9.55 dB 2:55 19-Ow! (Take 2)
DR8 0.00 dB -9.27 dB 3:09 20-Oop-Pop-A-Da
DR8 0.00 dB -9.41 dB 2:45 21-Two Bass Hit
DR9 0.00 dB -9.51 dB 3:09 22-Stay On It
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR8
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1404 kbps
Codec: FLAC
================================================================================
log date: 2022-09-03 19:33:12
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dizzy Gillespie / Bebop Story, Vol 3, 1946-47
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 0.00 dB -9.78 dB 2:54 01-One Bass Hit (Part.1)
DR9 0.00 dB -9.43 dB 2:59 02-Oop Bop Sh'bam
DR9 0.00 dB -10.56 dB 3:03 03-A Handfulla Gimme
DR9 0.00 dB -9.79 dB 2:43 04-That's Earl, Brother
DR9 0.00 dB -9.76 dB 2:31 05-Our Delight
DR8 0.00 dB -9.86 dB 3:01 06-Good Dues Blues
DR8 0.00 dB -9.52 dB 2:54 07-One Bass Hit (Part 2)
DR8 0.00 dB -9.33 dB 2:21 08-Ray's Idea
DR8 0.00 dB -9.19 dB 2:47 09-Things To Come
DR8 0.00 dB -9.30 dB 2:41 10-He Beeped When He Shoulda Bopped (Take 1)
DR9 0.00 dB -9.75 dB 2:42 11-He Beeped When He Shoulda Bopped (Take 2)
DR8 0.00 dB -9.72 dB 2:57 12-For Hecklers Only
DR8 0.00 dB -9.35 dB 3:00 13-Smokey Hollow Jump
DR9 0.00 dB -9.76 dB 3:07 14-Boppin'The Blues
DR8 0.00 dB -9.41 dB 2:32 15-Moody Speaks.mp3 H 16. Ow! (Take 1)
DR9 0.00 dB -10.67 dB 5:06 16-Ow!
DR8 0.00 dB -9.64 dB 3:05 17-I Waited For You
DR8 0.00 dB -9.94 dB 3:05 18-Emanon
DR8 0.00 dB -9.55 dB 2:55 19-Ow! (Take 2)
DR8 0.00 dB -9.27 dB 3:09 20-Oop-Pop-A-Da
DR8 0.00 dB -9.41 dB 2:45 21-Two Bass Hit
DR9 0.00 dB -9.51 dB 3:09 22-Stay On It
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR8
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1404 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.