A few years ago I published my Dutch reissue of this LP,
this time the German reissue, enjoy!
Excellent addition to any prog rock music collection
Scottish 70’s proggers Beggar’s Opera signed to Vertigo label in the early 70’s and carried that expressive yet highly progressively exploratory prowess found in many of the Vertigo bands.

Essential: a masterpiece of progressive rock music
INVISIBLE are from Argentina and this is their second album. It is based on a concept story, but with lyrics in Spanish it's pretty much lost on me.

Essential: a masterpiece of progressive rock music.
This LP 'Durazno Sangrando (Bleeding Peach)' is a magnificent work of Invisible…

El Valle Interior is the third and last studio album of Argentine rock band Almendra and the thirteenth with decisive participation of Luis Alberto Spinetta.

Essential: a masterpiece of progressive rock music
Almendra's self-titled debut is not only one of the first Argentine rock albums, but one of its best.

Carly Pearce has shared some details about her upcoming self-titled sophomore album ahead of its Valentine’s Day 2020 release. Writers on the upcoming project include Luke Combs, Jonathan Singleton, Kelsea Ballerini, Thomas Rhett, Phillip Sweet, Jimi Westbrook, Laura Veltz and more, with Pearce co-writing four of the album’s 13 tracks.

It’s been said that you don’t see out the blues – it seeks out you. For guitar virtuoso Albert Cummings, no words could ring more true. Cummings' masterful guitar wizardry has drawn comparisons to iconic axe legends Albert King, Freddie King, Jimi Hendrix, and even his own musical inspiration, Stevie Ray Vaughan. He has graced the stage with such esteemed luminaries as Buddy Guy, Johnny Winter, Susan Tedeschi, Sheryl Crow, and B.B. King, who called Cummings “a great guitarist”. Freshly signed to Provogue Records, Cummings joins the elite ranks of such guitar legends as Joe Bonamassa, Walter Trout, and Eric Gales. Albert Cummings’ new album 'Believe' is available February 14th, 2020 via Provogue Records.

Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis' emergence in the 1970s that Dizzy's style was successfully recreated. Somehow, Gillespie could make any "wrong" note fit, and harmonically he was ahead of everyone in the 1940s, including Charlie Parker. Unlike Bird, Dizzy was an enthusiastic teacher who wrote down his musical innovations and was eager to explain them to the next generation, thereby insuring that bebop would eventually become the foundation of jazz.

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom.