Two imposing piano sonatas—the upbeat D850 from 1825 and D958 composed in 1828 and very much a homage to Beethoven at whose funeral the previous year Schubert had been a pall-bearer—recorded during Llŷr Williams' Cardiff series in 2017/18.

Original Television Soundtrack for the series Vikings Season 6 (2019). The music was composed by Trevor Morris (Hunter Killer, Iron Fist, Shadowhunters). Vikings is a 2013-2019 historical drama television series created by Michael Hirst. The series stars Alexander Ludwig, Katheryn Winnick, Peter Franzen, Alex Hogh, Marco Ilso, Jordan Patrick Smith, Danila Kozlovsky, Georgia Hirst, Adam Copeland, Ferdia Walsh-Peelo, Ragga Ragnars, Steven Berkoff, Eric Johnson. The sixth and final season was premiered on December 4, 2019 on History channel.

Clark’s soundtrack for Adam Egypt Mortimer’s psychological horror thriller Daniel Isn’t Real is a darkly euphoric dreamscape that evokes both rapture and dread. The Brighton-based British musician’s mutated orchestra score, released by Deutsche Grammophon, plays its part in telling the tale of the mayhem unleashed after college freshman Luke is taken captive by his charismatic imaginary childhood friend, the increasingly malevolent Daniel.

Original Motion Picture Soundtrack (OST) from the film A Hidden Life (2019). The music was composed by James Newton Howard (Dreamcatcher, Fantastic Beasts and Where to Find Them, The Nutcracker and the Four Realms). A Hidden Life is a 2019 biographical war drama film written and directed by Terrence Malick. The film stars August Diehl, Valerie Pachner, Michael Nyqvist, Matthias Schoenaerts, Jürgen Prochnow, Bruno Ganz, Martin Wuttke, Alexander Fehling, Maria Simon, Franz Rogowski, Tobias Moretti, Ulrich Matthes, Max Mauff, Johan Leysen.

Original Television Soundtrack for the drama series Limetown Season 1 (2019). The music was composed by Ronit Kirchman. Limetown is a 2019 American science fiction drama web television series based on the podcast fiction series of the same name. The series is created by Zack Akers and Skip Bronkie, stars Jessica Biel, Stanley Tucci, Sherri Saum, Omar Elba, Alessandro Juliani, Louis Ferreira, Vera Frederickson, Janet Kidder, Kandyse McClure.

Original Soundtrack for the miniseries Finding Home (2018). The music was composed by Nicklas Schmidt (Becoming Astrid, Zombiehagen, The Arctic Giant). Finding Home (originally titled as Habet) is a 2018 adventure drama television series written by Ina Bruhn, directed by Christian E. Christiansen. The series stars Anine Lindvig, Albert Rudbeck Lindhardt, Lars Brygmann, Jon Lange, Molly Blixt Egelind, Ella Daisy Anthony-Collins, Nikolaj Dencker Schmidt, Bertil Smith.

Grammy award-winning Gregory Porter returns with Take Me to the Alley, the much-anticipated follow-up to his 2013 Platinum album Liquid Spirit. The coolest guy in music, the album features a reworked version of ‘Holding On’, the track Gregory co-wrote with electronic act Disclosure, as well as autobiographical songs including ‘Don’t Lose Your Steam’ and title track ‘Take Me To The Alley’, both written with his family in mind. In the Fall of 2015 Porter finally found the time to return to the studio in New York City to record Take Me To The Alley. As he's done on his previous three albums, Porter teamed with producer Kamau Kenyatta to craft a collection of stirring originals that juxtapose the personal and political.

The Miró Quartet, generally considered as one of the most established US classical ensembles, makes its PENTATONE debut with a complete recording of the Beethoven string quartets. Beethoven’s quartets truly stand at the centre of the repertoire, and present the summit for any quartet. Listening to Beethoven’s entire string quartet oeuvre – from the early op. 18 volume and Rasumovsky quartets to the otherworldly and modern-sounding pieces written during his final years – is a life-changing experience, and so is performing them integrally. This collection offers the results of 15 years of playing and recording Beethoven, and not only anticipates the 2020 commemoration of the composer’s 250th birthday, but also the 25th anniversary of the Miró Quartet itself.

A good sounding, 12-song collection of tracks, most of them – rather surprisingly – from 1964, and weighted a little more toward folk than pop.

The Seekers weren't really the kind of group from whom most people ever expected to see a concert album – their hits seemed to have a very "produced," studio-focused sound that made live performance more a matter of re-creation, or so it seemed.

The Seekers' fourth American album was nothing out of the ordinary, for either the group or pop music in general.

It was on this album that all of the Seekers' varied attributes – including Judith Durham's powerful vocals, the increasingly virtuoso-level playing (especially on the acoustic 12-string) and singing of Bruce Woodley, Athol Guy, and Keith Potger, and Woodley's burgeoning songwriting talent – kicked in at their peak at the same time.