Jan Lisiecki was still only 23 when he released this, his fifth album for Deutsche Grammophon. It focuses on two of Mendelssohn’s concertos. Piano Concerto No. 1 was written for himself to play when he was about Lisiecki’s age. He must have been a fantastic pianist and Lisiecki proves a splendidly poetic, vibrant advocate. Piano Concerto No. 2, which drew praise from Schumann, has terrific power, and Lisiecki and the thrillingly energetic Orpheus Chamber Orchestra do it proud, treating it as chamber music on a big scale. Alongside the two concertos, Lisiecki gives us a pair of Mendelssohn’s finest solo works, which he plays with characteristic elegance and refinement.

Norwegian bassist Mats Eilertsen has been a distinctive presence on ECM recordings by, amongst others, Tord Gustavsen, Trygve Seim, Mathias Eick, Nils Økland, Wolfert Brederode and Jakob Young and has long maintained several projects of his own, including this trio, now in its 10th year of existence.

Trumpeter Ralph Alessis first two ECM albums as a leader Baida (2013) and Quiver (2016) justly earned him high praise. The New York Times lauded the elegant precision and power of Baida, while The Guardian extolled Quiver, pointing to the leaders flawless technique and ability to draw on jazz tradition while avoiding its clichés.

"Live In Hollywood" features amazing performances from a concert that Ronstadt recorded in 1980 for her acclaimed HBO television special. Recorded on April 24, 1980 at Television Center Studios in Hollywood, and produced by John Boylan, the concert captures Ronstadt at the peak of her reign as America’s most popular female rock singer. For "Live In Hollywood", Ronstadt selected 12 of her favorite performances from the original concert.

In a Silent Way is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Incorporating elements of classical sonata form, Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances. Upon its release, the album was met by controversy among music critics, particularly those of jazz and rock music, who were divided in their reaction to its experimental musical structure and Davis's electric approach. Since its initial reception, it has been regarded by fans and critics as one of Davis's greatest and most influential works.