Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    The Complete Guide to Compression with Ian Sutton

    Posted By: ParRus
    The Complete Guide to Compression with Ian Sutton

    The Complete Guide to Compression
    WEBRip | English | MP4 | 1280 x 720 | AVC ~545 kbps | 24 fps
    AAC | 160 Kbps | 48.0 KHz | 2 channels | 07:00:33 | 2.02 GB
    Genre: Video Tutorial / Sound Processing

    Compressors are the most mysterious of all studio processors, and yet they are one of the most important in today’s music production. Whether you’re into recording, mixing, mastering, live sound, broadcast, or podcasts you need to know how to use compressors. In this class you’ll learn everything about using compressors. We’ll take you from basic understanding of compression through the subtle differences between the most popular compressors.
    Learning these differences and knowing where to apply them can take an OK recording/mix and make it a great recording/mix. We’ll teach you a fool proof system to set up any compressor on any instrument – it’s all about setting up the controls in the correct order, knowing what’s possible and using your ears. We’ll also show you tried and true compressor/instrument combinations to get genre specific sounds. Because compressors are the most complex and abundant studio dynamics processors, that’s where we’ll spend most of our time. But because there are many ways to control dynamics, you’ll also learn how to use expanders, gates and limiters.

    In this class you’ll learn…

    Digital audio compression. Basic compressor controls. Advanced compressor controls. Different types of compressors. What compressors are commonly used for certain instruments. How to setup any compressor on any instrument.

    What to listen for when setting up a compressor on:
    Drums (Kick, Snare, Toms, Overheads, Room Mics). Drum Busses. Bass Guitars (clean and distorted). Synthesizers. Acoustic Guitars (rhythm and lead). Electric Guitars (rhythm and lead). Vocals (lead, backgrounds, harmonies). Voice Overs.

    Advanced techniques like:
    Sidechain compression. Serial compression. Parallel compression. Multiband compression. Mix bus compression. Mid-Side (MS) compression. Automating the controls.

    You’ll also learn how to…

    Use Expanders and Gates on:
    Live drums to reduce bleed. Drum samples to change their envelope. Bass and electric guitar to get rid of hiss and hum. Vocal tracks to reduce breath noise. Voiceover tracks to reduce room noise and AC hum.

    Advanced Expander/Gate techniques like:
    Sidechaining a synth pad with a percussion loop to add motion. Using gating and compression together in a channel strip. Use envelope modulators like SPL’s Transient, Waves’ TransX and Logic’s Enveloper.

    ├── 01 What are Dynamics Processors.mp4
    ├── 02 Compression Basics.mp4
    ├── 03 Compressor Controls.mp4
    ├── 04 Advanced Compressor Controls.mp4
    ├── 05 Types of Compressors.mp4
    ├── 06 Setting the Compressor.mp4
    ├── 07 Kick, Snare and Toms.mp4
    ├── 08 Overheads and Room Mics.mp4
    ├── 09 Drums Bus.mp4
    ├── 10 Clean Electric Bass.mp4
    ├── 11 Synth Bass.mp4
    ├── 12 Acoustic Guitar.mp4
    ├── 13a Vocals Part 1a (Easy).mp4
    ├── 13b Vocals Part 1b (Easy).mp4
    ├── 14 Vocals Part 2 (Aggressive).mp4
    ├── 15 Sidechain Compression Part 1 – EDM Pumping Synth Effect.mp4
    ├── 16 Sidechain Compression Part 2 – Making Room in the Mix.mp4
    ├── 17 Sidechain Compression Part 3 – Trailing Delay.mp4
    ├── 18 Serial Compression.mp4
    ├── 19 Parallel Compression.mp4
    ├── 20 Multiband Compression.mp4
    ├── 21 Mix Bus Compression.mp4
    ├── 22 Mid Side Compression.mp4
    ├── 23 Frequency Dependent Compression.mp4
    ├── 24 Limiters.mp4
    ├── 25 Gates and Expanders.mp4
    ├── 26 Gates and Expanders on a Multitrack Set of Drums.mp4
    ├── 27 Using a Gate to Change the Envelope of a Drum Sample.mp4
    ├── 28 Using a Gate to Get Rid of Unwanted Noise for a Distorted Bass.mp4
    ├── 32 Expanders and Gates on Vocals.mp4

    also You can look my other last: Sound Processing-posts

    General
    Complete name : 12 Acoustic Guitar.mp4
    Format : MPEG-4
    Format profile : Base Media / Version 2
    Codec ID : mp42 (mp42/mp41/isom/avc1)
    File size : 36.6 MiB
    Duration : 7mn 13s
    Overall bit rate mode : Variable
    Overall bit rate : 709 Kbps
    Encoded date : UTC 2016-03-01 06:33:00
    Tagged date : UTC 2016-03-01 06:33:00

    Video
    ID : 1
    Format : AVC
    Format/Info : Advanced Video Codec
    Format profile : High@L3.1
    Format settings, CABAC : Yes
    Format settings, ReFrames : 5 frames
    Codec ID : avc1
    Codec ID/Info : Advanced Video Coding
    Duration : 7mn 13s
    Bit rate : 545 Kbps
    Width : 1 280 pixels
    Height : 720 pixels
    Display aspect ratio : 16:9
    Frame rate mode : Constant
    Frame rate : 24.000 fps
    Color space : YUV
    Chroma subsampling : 4:2:0
    Bit depth : 8 bits
    Scan type : Progressive
    Bits/(Pixel*Frame) : 0.025
    Stream size : 28.1 MiB (77%)
    Writing library : x264 core 148 r11 a01e339
    Encoding settings : cabac=1 / ref=5 / deblock=1:0:0 / analyse=0x3:0x113 / me=umh / subme=8 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-2 / threads=22 / lookahead_threads=3 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / stitchable=1 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=infinite / keyint_min=24 / scenecut=40 / intra_refresh=0 / rc_lookahead=50 / rc=crf / mbtree=1 / crf=20.0 / qcomp=0.60 / qpmin=5 / qpmax=69 / qpstep=4 / vbv_maxrate=2750 / vbv_bufsize=7500 / crf_max=0.0 / nal_hrd=none / filler=0 / ip_ratio=1.40 / aq=1:1.00
    Encoded date : UTC 2016-03-01 06:33:00
    Tagged date : UTC 2016-03-01 06:33:00
    Color range : Limited
    Color primaries : BT.709
    Transfer characteristics : BT.709
    Matrix coefficients : BT.709

    Audio
    ID : 2
    Format : AAC
    Format/Info : Advanced Audio Codec
    Format profile : LC
    Codec ID : 40
    Duration : 7mn 13s
    Bit rate mode : Variable
    Bit rate : 160 Kbps
    Channel(s) : 2 channels
    Channel positions : Front: L R
    Sampling rate : 48.0 KHz
    Frame rate : 46.875 fps (1024 spf)
    Compression mode : Lossy
    Stream size : 8.26 MiB (23%)
    Encoded date : UTC 2016-03-01 06:33:00
    Tagged date : UTC 2016-03-01 06:33:00

    Screenshots

    The Complete Guide to Compression with Ian Sutton

    The Complete Guide to Compression with Ian Sutton

    The Complete Guide to Compression with Ian Sutton

    The Complete Guide to Compression with Ian Sutton

    The Complete Guide to Compression with Ian Sutton

    Exclusive eLearning Videos ParRus-blogadd to bookmarks

    The Complete Guide to Compression with Ian Sutton