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    The Eight Crafts Of Writing: The Map Of Storytelling

    Posted By: ELK1nG
    The Eight Crafts Of Writing: The Map Of Storytelling

    The Eight Crafts Of Writing: The Map Of Storytelling
    Published 8/2022
    MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
    Language: English | Size: 6.92 GB | Duration: 5h 58m

    The Eight Crafts of Writing course provides structured overview of the writing craft(s), the map of storytelling.

    What you'll learn
    The eight writing crafts (storytelling map): Big Idea, Genre, Narrative, Story Outline, Characterization, World Building, Scene & Chapter Structure, and Prose
    How to engagers readers with the eight crafts
    A fresh definition of story that keeps your writing focused
    How to use the psychology of storytelling to write immersive stories
    The adversity cycle and how to use it to streamline your story outline
    How to author stories before writing them
    How to differentiate between protagonistic and antagonistic genres, story outlines, and scenes and why that matters
    A new way of dealing with the (shapeshifting) writer’s block
    Requirements
    No writing skills or experiences required
    Description
    Jane is an aspiring writer, who, like everyone else before her, parachutes straight into the writing jungle. And, like everybody else, she find herself hung up on a tree with her parachute. The tree is the writing skill How to Write in Limited POV. She looks around and notices a hundred more trees from which other aspiring writers are dangling. She cuts the parachute lines, drops to the ground, makes a somersault forward, and jumps to her feet. Around her, writers of all ages are cutting paths through the jungle. Jane can see just ten meters into the thicket. She is desperate for a map and a navigation system.“Help,” she calls.Well-meant answers arrive from all directions. ”Create an interesting character and give her a great goal.”“Write what you want to read.”“Create a sense of wonder.”“The more conflict, the better.”“Don’t write to get published, grab the reader.”“Be captivating. Or memorable.”“Keep the reader turning pages.”“Be unpredictable and keep the reader curious.” Five years later, Jane is still cutting her way through the writing wilderness. She has hugged countless writing skill trees, sun-tanned at the romance beach, ascended the suspense mountain, and hiked the Hero’s Journey track. But the storytelling jungle remains unchartered land. What else is out there? She still hopes for a map and navigation system.

    Overview

    Section 1: Introduction to The Eight Crafts of Writing

    Lecture 1 Course Intro

    Lecture 2 The Writing Jungle

    Lecture 3 A Fresh Definition of Story

    Lecture 4 The Difference Between Art and Craft

    Lecture 5 The Storytelling Map

    Lecture 6 Reader Investment and Engagement

    Section 2: The Psychology of Storytelling

    Lecture 7 A Comparison of Life and Stories

    Lecture 8 Janus, The God With Two Faces

    Lecture 9 The Way We Respond to Life and Stories

    Lecture 10 The Eight Crafts Story Psychology

    Section 3: Big Idea

    Lecture 11 Big Idea Basics

    Lecture 12 Big Idea Types

    Lecture 13 The Story Promise

    Section 4: Narrative

    Lecture 14 Narrative Basics

    Lecture 15 Narrative Styles and Genres

    Lecture 16 The Author's Voice

    Lecture 17 The Narrative Frame

    Lecture 18 The Technicalities of Point of View

    Lecture 19 Narrative Information Management

    Lecture 20 Narrative Tone and Mood

    Lecture 21 The Difference Between Exposition and Backstory

    Lecture 22 Non-linear and Parallel Narratives

    Section 5: Genre

    Lecture 23 Genre Basics

    Lecture 24 Genre Proper

    Lecture 25 The Emotional Experiences and Stakes of Genres

    Lecture 26 External Genres and Their Stakes

    Lecture 27 Internal Genres and Their Stakes

    Lecture 28 How to Find New Genres

    Lecture 29 Genre Conventions

    Lecture 30 The Difference Between Genres and Amazon Categories

    Section 6: Story Outline

    Lecture 31 Story Outline Basics

    Lecture 32 Why Stories Can’t Have Enough Adversity

    Lecture 33 The Adversity Cycle: How we Deal with Adversity in Real Life

    Lecture 34 The Story Cycle: The Origin of Story Outline

    Lecture 35 The Benefits of the Adversity and Story Cycle

    Lecture 36 The Story Engine

    Lecture 37 Nanomine - A Story Engine Experiment

    Lecture 38 The Four Act Structure

    Lecture 39 Stake Thresholds and How to Raise Stakes

    Lecture 40 The Eight Crafts Scene Outline of Act 1

    Lecture 41 The Eight Crafts Scene Outline of Act 2

    Lecture 42 The Eight Crafts Midpoint Scene Outline

    Lecture 43 The Eight Crafts Scene Outline of Act 3

    Lecture 44 The Eight Crafts Scene Outline of Act 4

    Lecture 45 How to Add Genre Conventions to Your Scene Outline

    Lecture 46 Scene Types and Nests and How to Use Them

    Lecture 47 Motivations, Wants, Goals, Needs, and Objects of Desire

    Lecture 48 The Internal Story Engine

    Lecture 49 The Psychology of Story Outline

    Lecture 50 Story Outline Archetypes

    Lecture 51 Plots and How to Use Them

    Lecture 52 How to Align Your Internal and External Plots

    Lecture 53 Better Story Graphs

    Section 7: Characterization

    Lecture 54 Characterization Basics

    Lecture 55 The Difference Between Sympathy and Empathy

    Lecture 56 How to Weave Empathy

    Lecture 57 How to Weave Sympathy

    Lecture 58 The Protagonist, Sympathy, and Heroism

    Lecture 59 The Antagonist, Antipathy, and Villainy

    Lecture 60 How to Design Character Arcs

    Lecture 61 An Overview of Story Character Types

    Lecture 62 How to Use Story Character Templates

    Lecture 63 The Big Five Story Character Templates

    Lecture 64 The Twenty-Two Story Character Templates

    Lecture 65 How to Profile Story Characters

    Lecture 66 How to Design Character Conflict

    Lecture 67 How to Show, Hint at, And Reveal Character

    Lecture 68 How to Manage Backstory

    Section 8: World Building

    Lecture 69 World Building Basics

    Lecture 70 World Context

    Lecture 71 The World Power System

    Lecture 72 World Setting

    Lecture 73 World Context, Story Outline, & Characterization

    Lecture 74 World Moods

    Lecture 75 How to Manage Exposition

    Section 9: Scene & Chapter Structure

    Lecture 76 Scene & Chapter Structure Basics

    Lecture 77 Scene Elements

    Lecture 78 Scene Building Blocks

    Lecture 79 The Three Principle Scene Arcs

    Lecture 80 Scene Types and Templates

    Lecture 81 How to Structure Chapters

    Lecture 82 Connecting Scenes: The Scene Train Technique

    Section 10: Prose

    Lecture 83 Prose Basics

    Lecture 84 Vocabulary, Choice of Words, and Diction

    Lecture 85 How to Come Up With Fresh Expressions

    Lecture 86 How to Manage Pace and Rhythm

    Lecture 87 How to Use Poetic Devices in Fiction

    Lecture 88 How to Highlight Important Words

    Lecture 89 The Narrative Scene Building Block

    Lecture 90 The Description Scene Building Block

    Lecture 91 The Internalization Scene Building Block

    Lecture 92 The Action Beat Scene Building Block

    Lecture 93 The Dialogue Scene Building Block

    Lecture 94 The Dialogue Tag Scene Building Block

    Lecture 95 The Difference Between Subtext and Supratext

    Lecture 96 How to Balance & Spotlight Scene Building Blocks

    Lecture 97 How to Put Moods on the Page

    Section 11: How to Make Further Use of The Eight Crafts of Writing

    Lecture 98 How to Use the Eight Crafts of Writing to Design Your Book Exterior

    Lecture 99 Your Opening Sells Your Book

    Lecture 100 How to Integrate the Eight Writing Crafts

    Lecture 101 What Kind of Writer Are You?

    Lecture 102 Writers are Hybrids: Artists & Crafts(wo)men

    Lecture 103 How to Author a Story First and Then Write It

    Lecture 104 The Manuscript Turning Point

    Lecture 105 Use the Eight Crafts of Writing to Overcome Your (shapeshifting) Writer's Block

    Lecture 106 Closing Words

    The Eight Crafts of Writing course is great for aspiring writers and writers who are a few years into their writing journey but got lost in the weeds - as it happened to the author.