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    Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

    Posted By: Free butterfly
    Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

    Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right by Gregg Kreutz
    ISBN: 0823040976 | 144 pages | PDF | April 1, 1997 | English | 30 Mb

    Finally - a book to help you solve all your painting problems!
    Inside you'll learn how to study a painting and correct problematic areas. Study topics include:
    Ideas
    - Is there a good abstract idea underlying the picture?
    - What details could be eliminated to strengthen the composition?
    - Does the painting have a focus?
    - Are the unessential parts subbordinated?
    - Does the painting "read"?
    - Could you finish any part of the painting?
    Shapes
    - Are the dominant shapes as strong and simple as possible?
    - Are the shapes too similiar?
    Value
    - Could the value range be increased?
    - Could the number of values be reduced?
    Light
    - Is the subject effectively lit?
    - Is the light area big enough?
    - Would the light look stronger with a suggestion of burnout?
    - Do the lights have a continuous flow?
    - Is the light gradiated?
    Shadows
    - Do the shadow shapes describe the form?
    - Are the shadows warm enough?
    Depth
    - Would the addition of foreground material deepen the space?
    - Does the background recede far enough?
    - Are the halftones properly related to the background?
    Solidity
    - Is the underlying form being communicated?
    - Is the symmetry in perspective?
    Color
    - Is there a color strategy?
    - Could a purer color be used?
    - Do the whites have enough color in them?
    - Are the colors overbended on the canvas?
    - would the color look brighter if it were saturated into its adjacent area?
    Paint
    - Is your palette efficiently organized?
    - Is the painting surface too absorbent?
    - Are you using the palette knife as much as you could?
    - Are you painting lines when you should be painting masses?
    - Are the edges dynamic enough?
    - Is there enough variation in the texture of the paint?

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