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    SpicyMags.xyz

    Music Production In Logic Pro X - The Complete Course!

    Posted By: ELK1nG
    Music Production In Logic Pro X - The Complete Course!

    Music Production In Logic Pro X - The Complete Course!
    Last updated 12/2022
    MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
    Language: English | Size: 43.98 GB | Duration: 51h 7m

    Join Successful Music Production + Logic Pro X students in Creating, Recording, Mixing Music + Mastering in Logic Pro X

    What you'll learn

    Learn how to set-up and navigate around Logic Pro X so you can learn to use this amazing piece of softare

    Import and search Apple Loops to easily help you create you own music

    Be able to record and edit MIDI Information easily and Quickly in Logic Pro X

    Record your own audio in Logic Pro X

    Avoid common pitfalls and mistakes in Music Production which other Logic Pro X users make

    Understand mixing and mastering to help you make your songs sound professional

    Learn how to build your own track from nothing

    Improve your general skills in Music Production

    Requirements

    Basic Music Skills

    A Working Mac or MacBook

    Logic Pro X Software

    Basic Music Production Skills is desirable, but not necessary

    Description

    Start Creating and Producing Music with Logic Pro X!This course is all about Music Production in Logic Pro X, which is software for music composition and production for OS XWith over 50-hours of video, this music course is JAM PACKED with information to help you learn Logic Pro X and help you improve at Music ProductionLogic Pro X is the leading Digital Audio Work Station for Apple Mac users and it's used across professional studios and bedrooms worldwide. Learning how to use your DAW correctly will dramatically improve the quality of your music and the speed you create itBROUGHT TO BY BEST-SELLING MUSIC PRODUCTION INSTRUCTOR TOMAS GEORGEIf you are looking for a course that will show you Music Production in Logic Pro X then this is the course for you!What makes me qualified to teach you?My name is Tomas and I have a MMus Masters Degree in Music Production and a BA(Hons) Degree in Music Composition. I’m also the creator of some of the world's most popular music production courses - with over 290,000 students and thousands of 5-star reviews like these ones:Quick efficient, to the point. Solid information fed fast. Good work! - Mark C.This is an amazing course that provided much-needed clarification on what production is all about. The instructions were clear and Tomas is very engaging. Thank you - Catherine P.Tomas was clear and concise, really useful information for me to write down before I buy Logic Pro X so now I feel a lot less intimidated when opening logic for the first time tomorrow - Simon B.Very clear and concise, exactly what I was looking for. I also appreciate that I can watch things being done while they're being explained. - Nikki G.My Promise to YouI am a full-time Music Producer and Educator. If you have any questions about the content or Music Production in general, then myself or a member of the Digital Music Masters team will get back to you as soon as possible.NOTE: This course is for Mac users only and you must have access to Logic Pro X and an Apple Mac to use it What is this Logic Pro X Course all about?In this course, you will gain a deep understanding of Logic Pro X and how to use it to create your own music. You'll learn the beauty and the power of this software that's used by professional producers todayThis course will cover such topics as: • Setting up Logic Pro X• Making music with Apple loops• Making music with Live Loops (Logic Pro 10.5 and above)• Making music with MIDI and software instruments• How to write your own Beats in Logic Pro X• How to use the Step Sequencer (Logic Pro 10.5 and above)• Learn how to use Different Synths and Samplers, such as Alchemy, Ultrabeat, Sculpture, Retro Synth, ES2 and the ESX24• Flex Time and Pitch• How to use the Drummer to help you quickly write drum parts• Recording audio• How to use the Sampler and Quick Sampler Instrument (Logic Pro 10.5 and above)• The Best Free 3rd Party Plugins and how to use them• Behind the Scenes Vocal Recording Workshops• Interviews with music industry professionals• and much more.We'll take a deep dive into mixing such as: Using Automation, Channel EQ, Compression, Space Designer Reverb, Using Aux Sends and Groups, Delay Designer, Echo, Amp Designer, Pedalboard, Modulation Plugins, Flex Time, Flex Pitch (new to Logic Pro X) and Bouncing. This course also includes new Logic Pro 10.5 update videos for anyone that's updated Logic Pro to 10.5Finally, you'll learn the foundations of how to master your own track.What you'll learn in this course will make you a better music producer, and improve your songwriting abilities in Logic Pro X and all other Digital Audio Workstations!Learn to love Logic Pro X and make music with it. Go ahead and click the enroll button, and I'll see you in lesson 1!Cheers,Tomas.

    Overview

    Section 1: Introduction

    Lecture 1 Introduction

    Lecture 2 Getting the Most from this Course

    Lecture 3 Before you Start, Enable the Complete Features!

    Lecture 4 Join the Official Student Group

    Section 2: A Brief Overview of Logic Pro X

    Lecture 5 Introduction to This Section

    Lecture 6 How to Create a New Project + Choosing a Track Type

    Lecture 7 A Brief Overview of the Interface in Logic Pro X

    Lecture 8 Part 1: Recording Software Instruments

    Lecture 9 Part 2: A Brief Overview of Recording and Editing Synths in Logic Pro X

    Lecture 10 Part 3: Recording Audio + a Brief Overview of Audio Preferences

    Lecture 11 Part 4: Apple Loops Brief Overview - Adding Drum Loops to our Song

    Lecture 12 Part 5: A Brief Overview of Saving and Bouncing

    Section 3: Setting Up and Getting Started

    Lecture 13 Introduction to This Section

    Lecture 14 How to Download the Sound Library in Logic Pro X

    Lecture 15 Preferences - Part 1: Essential Audio Preferences

    Lecture 16 Preferences - Part 2: Startup Action

    Lecture 17 Control Bar - Part 1: Views

    Lecture 18 Control Bar - Part 2: Transport + Modes and Functions

    Lecture 19 LCD Display

    Lecture 20 Saving and Opening

    Lecture 21 Templates

    Lecture 22 Tracks

    Lecture 23 Musical Typing

    Lecture 24 Keyboard shortcuts and Key Commands

    Lecture 25 Screensets

    Section 4: Making Music with Apple Loops

    Lecture 26 Introduction to This Section

    Lecture 27 Apple Loops - Part 1

    Lecture 28 Apple Loops - Part 2: Navigation

    Lecture 29 Apple Loops - Part 3: Importing

    Lecture 30 Apple Loops - Part 4: Create a Groove

    Section 5: Live Loops (Logic Pro 10.5 and Above Only)

    Lecture 31 Introduction to This Section

    Lecture 32 Introduction and Overview of Live Loops

    Lecture 33 Navigation and Playing Back a Loop

    Lecture 34 Triggering Scenes and Quantize Start

    Lecture 35 Queuing and Dequeuing

    Lecture 36 Importing Content into a Cell - Part 1

    Lecture 37 Importing Content into a Cell - Part 2

    Lecture 38 Cell Inspector - Cell Length + Loop Length

    Lecture 39 Play Modes

    Lecture 40 Cell Editor

    Lecture 41 Recording and Copying the Live Loops to the Tracks Area

    Section 6: Making Music with MIDI and Software instruments

    Lecture 42 Introduction to This Section

    Lecture 43 Software Instruments

    Lecture 44 Piano Roll Editor

    Lecture 45 Tool Bars for MIDI

    Lecture 46 Quantising

    Lecture 47 Making a beat - The Drums

    Lecture 48 Making a beat - The Bass

    Lecture 49 Making a beat - The keyboard or keys

    Lecture 50 ES2 Synth Overview

    Lecture 51 Ultrabeat Part 1

    Lecture 52 Ultrabeat Part 2

    Lecture 53 Drummer

    Lecture 54 Score Editor

    Section 7: Recording Audio

    Lecture 55 Introduction to This Section

    Lecture 56 Settings up Recording Audio Preferences

    Lecture 57 What type of microphone to use?

    Lecture 58 Recording performers to get the best out of them

    Lecture 59 Mulitrack Recording

    Lecture 60 Recording External Synths

    Section 8: Step Sequencer (Logic Pro 10.5 Only)

    Lecture 61 Introduction to This Section

    Lecture 62 Introduction and Brief Overview of the Step Sequencer

    Lecture 63 Drum, Bass and Melodic Pattern Presets

    Lecture 64 Velocity Subrow

    Lecture 65 Gate and Tie Subrow

    Lecture 66 Note Repeat Subrow

    Lecture 67 Chance Subrow

    Lecture 68 Loops Start/End and Start Offset Subrows

    Lecture 69 Playback Modes and Octave + Skip Subrows

    Lecture 70 Step Rate, Pattern Length and Triplets

    Lecture 71 Scale Quantize, Templates and Swing

    Lecture 72 Step Automation - Part 1

    Lecture 73 Step Automation - Part 2

    Section 9: Automation

    Lecture 74 Introduction to This Section

    Lecture 75 Automation

    Lecture 76 Multiple Automated Parameters

    Lecture 77 MIDI Draw and MIDI Automation

    Lecture 78 MIDI Sustain Pedal Automation

    Section 10: Mixing Essentials - Levels, Panning, and EQ

    Lecture 79 Basic Mixing

    Lecture 80 Channel EQ

    Lecture 81 Panning

    Section 11: Mixing Essentials - Compression and DeEsser

    Lecture 82 Compressor - Part 1: Main Interface

    Lecture 83 Compressor - Part 2: Different Circuit Types

    Lecture 84 De-Esser 2

    Lecture 85 Sidechain Compression

    Section 12: Mixing Essentials - Aux Sends and Reverb

    Lecture 86 Using Aux Sends

    Lecture 87 Using Aux Groups

    Lecture 88 Space Designer Reverb

    Lecture 89 Space Designer - Part 2: Create your own Impulse Response

    Lecture 90 ChromaVerb - Part 1: Main Window

    Lecture 91 ChromaVerb - Part 2: Room Types

    Lecture 92 ChromaVerb - Part 3: Details Window

    Section 13: More Mixing Essentials

    Lecture 93 Delay Designer

    Lecture 94 Echo

    Lecture 95 Amp Designer and Pedalboard

    Lecture 96 Modulation Plugins

    Lecture 97 Bouncing

    Lecture 98 Mastering

    Section 14: Flex Time + Flex Pitch

    Lecture 99 Flex Time

    Lecture 100 Flex Pitch

    Section 15: More Advanced Mastering Techniques

    Lecture 101 Introduction to This Section

    Lecture 102 Introduction to this Section

    Lecture 103 Reference Tracks

    Lecture 104 Loudness Normalization

    Lecture 105 Loudness Units (LUFS)

    Lecture 106 True Peak

    Section 16: Vintage EQ (Version 10.4 and Above Only)

    Lecture 107 Vintage Console EQ

    Lecture 108 Vintage Tube EQ

    Lecture 109 Vintage Graphic EQ

    Section 17: Studio Strings, Horns, Effects, and Smart Tempo

    Lecture 110 Studio Strings

    Lecture 111 Studio Horns

    Lecture 112 Vintage Mellotron

    Lecture 113 Phat FX

    Lecture 114 Step FX

    Lecture 115 Smart Tempo - Part 1: Overview

    Lecture 116 Smart Tempo - Part 2: The Editor and Recording Audio

    Section 18: Logic Pro 10.7.5 Update Videos

    Lecture 117 How to use the Gain Tool

    Lecture 118 How to Record MIDI Effects

    Lecture 119 Free Tempo Recording - MIDI

    Lecture 120 Free Tempo Recording - Audio

    Lecture 121 Nested Track Stacks

    Lecture 122 How to use Individual Stompbox Effects

    Lecture 123 Preferences is Now Called Settings

    Section 19: Logic Pro X Update Videos - Effects

    Lecture 124 Space Designer FX

    Lecture 125 Touch Bar

    Lecture 126 Arpeggiator

    Section 20: Logic Pro X Update Videos - Making a Beat

    Lecture 127 Apple Loops

    Lecture 128 Making a Beat - The Drums

    Lecture 129 Making a Beat - The Bass

    Lecture 130 Making a Beat - The Keyboards or Synths

    Lecture 131 Drummer

    Section 21: Sampler Instrument (Logic Pro 10.5 and Above Only)

    Lecture 132 Welcome to this Section

    Lecture 133 Sampler Introduction

    Lecture 134 Importing Audio into the Sampler

    Lecture 135 Mapping Window

    Lecture 136 Zone Tab

    Lecture 137 Synth Tab

    Lecture 138 Modulation - Part 1 : Amp Envelope

    Lecture 139 Modulation - Part 2 : Using Multiple Envelopes

    Lecture 140 Sampler LFO's

    Lecture 141 Modulation Matrix

    Section 22: Quick Sampler Instrument (Logic Pro 10.5 and Above Only)

    Lecture 142 Quick Sampler Introduction

    Lecture 143 Recorder Function

    Lecture 144 Classic + One Shot Modes

    Lecture 145 Slice Mode

    Lecture 146 Synth Controls and Envelopes

    Lecture 147 LFO's and Modulation Matrix

    Section 23: Logic Pro X Update Videos - Synths

    Lecture 148 Alchemy Part 1

    Lecture 149 Alchemy Part 2 - The Advanced Tab

    Lecture 150 Alchemy Part 3 - Envelopes, Modulation and Effects

    Lecture 151 Alchemy Part 4 - The MSEG Envelope

    Lecture 152 Alchemy Part 5 - Mod Map and Show Target

    Lecture 153 Alchemy Part 6 - The Arpeggiator

    Lecture 154 Alchemy Part 7 - Morph

    Lecture 155 Alchemy Part 8 - Sampling

    Lecture 156 Alchemy Part 9 - Custom Performance Controls

    Lecture 157 Alchemy Part 10 - Velocity Layers

    Lecture 158 Alchemy Part 11 - Round Robin

    Lecture 159 Sculpture Synth

    Section 24: How to use the Vintage B3 Organ in Logic Pro X

    Lecture 160 Vintage B3 Introduction

    Lecture 161 Brief Overview

    Lecture 162 Main Windows - Controls

    Lecture 163 Main Window - Presets

    Lecture 164 Main Window - Split

    Lecture 165 Rotor Cabinet Window

    Lecture 166 Options Window

    Lecture 167 Effects Window

    Lecture 168 Expert Window - Essentials

    Section 25: How to use the Vintage Electric Piano in Logic Pro X

    Lecture 169 Part 1 - Brief Overview

    Lecture 170 Part 2 - Effects

    Lecture 171 Part 3 - Details

    Section 26: How to use the Vintage Clav in Logic Pro X

    Lecture 172 Part 1 - Main Window

    Lecture 173 Part 2 - Effects Window

    Lecture 174 Part 3 - Details Window

    Section 27: Logic Pro X Update Videos - Recording Audio

    Lecture 175 Audio Interface

    Lecture 176 How to Mix a Voiceover Overview

    Section 28: Mixing Audio - EQ + Compression

    Lecture 177 Welcome to the EQ + Compression Section of the Course

    Lecture 178 EQ Introduction

    Lecture 179 Graphic EQ Overview

    Lecture 180 Parametric EQ Overview

    Lecture 181 Compression Introduction

    Lecture 182 Threshold and Ratio

    Lecture 183 Make up Gain

    Lecture 184 Attack and Release

    Lecture 185 Knee

    Lecture 186 Limiter, Distortion + Parallel Compression

    Lecture 187 Sidechain Compression

    Section 29: EQ + Compression Mixing Project

    Lecture 188 Introduction

    Lecture 189 EQ Introduction

    Lecture 190 EQing Vocals

    Lecture 191 EQ in More Detail

    Lecture 192 More EQ Examples

    Lecture 193 Compressing a Vocal

    Lecture 194 Guitar Compression and EQ

    Lecture 195 Attack and Release - Part 1

    Lecture 196 Attack and Release - Part 2

    Lecture 197 Ratio and Knee

    Lecture 198 Compressor Sidechain

    Section 30: Advanced EQ + Compression Techniques

    Lecture 199 Introduction

    Lecture 200 Part 1

    Lecture 201 Part 2 - Dynamic EQ

    Lecture 202 Part 3 - Mixbus EQ

    Lecture 203 Part 4 - Parallel Drum Bus Compression

    Section 31: Compression + EQ FAQs

    Lecture 204 EQ Before or After Compression

    Lecture 205 Parallel Compression and the Benefits of Using it

    Lecture 206 Additive or Subtractive EQ

    Section 32: Sound Design and Synthesis

    Lecture 207 Introduction and an Overview of this Mini Course

    Section 33: Retro Synth

    Lecture 208 Retro Synth - A Synth Primer

    Lecture 209 Retro Synth - Oscillator

    Lecture 210 Retro Synth - Vibrato

    Lecture 211 Retro Synth - LFO

    Lecture 212 Retro Synth - Filters

    Lecture 213 Retro Synth - Filter Modulation

    Lecture 214 Retro Synth - Envelopes

    Lecture 215 Retro Synth - Glide

    Lecture 216 Retro Synth - Amp Module

    Lecture 217 Retro Synth - Effects : Chorus and Flanger

    Lecture 218 Retro Synth - Global Settings

    Lecture 219 Retro Synth - Controller Parameters

    Lecture 220 Retro Synth - Sync

    Lecture 221 Retro Synth - Table

    Lecture 222 Retro Synth - Table (Create Your Own)

    Lecture 223 Retro Synth - FM

    Lecture 224 Retro Synth - Outro

    Section 34: ES2

    Lecture 225 ES2 - Introduction

    Lecture 226 ES2 - Part 1

    Lecture 227 ES2 - Oscillators 1 and 2

    Lecture 228 ES2 - Oscillator 3

    Lecture 229 ES2 - CBD

    Lecture 230 ES2 - Voicing

    Lecture 231 ES2 - Glide (Portamento)

    Lecture 232 ES2 - Filter

    Lecture 233 ES2 - Amp Stage

    Lecture 234 ES2 - Modulation 1 : LFO

    Lecture 235 ES2 - Modulation 2 : Envelopes

    Lecture 236 ES2 - Modulation : Vector Envelopes

    Lecture 237 ES2 - Macros

    Lecture 238 ES2 - MIDI Control

    Lecture 239 ES2 - Outro

    Section 35: Sound Design Theory and Terminology

    Lecture 240 Introduction

    Lecture 241 Waveform Analysis

    Lecture 242 Oscillator

    Lecture 243 Filter

    Lecture 244 Envelope

    Lecture 245 Modulation

    Lecture 246 Distortion

    Lecture 247 Voices

    Lecture 248 Glide

    Lecture 249 MIDI

    Section 36: ESM

    Lecture 250 ESM

    Section 37: Waves and Tones

    Lecture 251 Tones, Overtones and Harmonics

    Lecture 252 Complex Tones

    Lecture 253 Subtractive and Additive Synthesis

    Lecture 254 What is Sound?

    Section 38: FAQ (Frequently Asked Questions)

    Lecture 255 Welcome to This Section

    Lecture 256 FAQ Intro

    Lecture 257 FAQ Monitors

    Lecture 258 FAQ Drum Sample Packs

    Lecture 259 FAQ 3rd Party Synths

    Lecture 260 FAQ Should someone else master your music?

    Lecture 261 FAQ Which MIDI keyboard should I get?

    Lecture 262 FAQ Which Microphone should I get?

    Lecture 263 FAQ Download more Apple Loops

    Lecture 264 Which Headphones do you use and why?

    Section 39: EXS24 (Logic Pro 10.4 and Earlier Only)

    Lecture 265 Introduction

    Lecture 266 Creating a Multisample Instrument

    Lecture 267 Why Learn the EXS24?

    Lecture 268 Instrument Editor

    Lecture 269 Main Interface Overview

    Lecture 270 Pitch Section

    Lecture 271 Filter

    Lecture 272 Mod Matrix

    Lecture 273 LFOs

    Lecture 274 Amplifier

    Lecture 275 Envelopes

    Lecture 276 Global Settings

    Lecture 277 Instrument Editor - Zones and Groups

    Lecture 278 Zones

    Lecture 279 Group Settings

    Lecture 280 Multi-Outputs

    Lecture 281 Realism

    Lecture 282 EXS24 Outro

    Section 40: EVOC 20 PolySynth

    Lecture 283 Vocoder - Part 1 (Setup)

    Lecture 284 Vocoder - Formant Filter

    Lecture 285 Vocoder - Formant Stretch

    Lecture 286 Vocoder - Attack and Release

    Lecture 287 Vocoder - Freeze

    Lecture 288 Vocoder - Outro

    Section 41: MIDI Modulator

    Lecture 289 MIDI Modulator - Part 1

    Lecture 290 MIDI Modulator - Part 2

    Lecture 291 MIDI Modulator - Part 3

    Section 42: Subtractive Synth, Wavetable, and Sound Synthesis

    Lecture 292 Sound Synthesis Introduction

    Lecture 293 Why Learn Sound Synthesis

    Lecture 294 Subtractive Synth - Part 1

    Lecture 295 Subtractive Synth - Part 2

    Lecture 296 Subtractive Synth - ADSR

    Lecture 297 Subtractive Synth - LFO

    Lecture 298 Subtractive Synth - Voices

    Lecture 299 Wavetable

    Lecture 300 FM Synthesis

    Lecture 301 Sync Synthesis

    Lecture 302 Tones and Harmonics

    Section 43: Audio Mixing for Podcasts

    Lecture 303 Noise Gate

    Lecture 304 Equalizer

    Lecture 305 De-Esser

    Lecture 306 Compressor

    Lecture 307 Another De-Esser after the Compressor

    Lecture 308 Gain

    Lecture 309 Limiter and Loudness Meter

    Lecture 310 Automation

    Lecture 311 Export Settings

    Lecture 312 Before you Mix, you must have good Audio

    Lecture 313 The Plugins I'm using for my Voice right now (Stock + 3rd Party Plugins)

    Lecture 314 Outboard Gear - The DBX 286s

    Lecture 315 The Equipment I'm using for my Voice right now

    Section 44: Free 3rd Party Plugins

    Lecture 316 macOS Catalina Incompatibility with 32bit Plugins

    Lecture 317 Introduction to this Section

    Lecture 318 How to get these plugins

    Lecture 319 Vintage Style Saturator

    Lecture 320 Analog Style EQ

    Lecture 321 Delay

    Lecture 322 Basic Compressor

    Lecture 323 Basic Algorithmic Reverb

    Lecture 324 Basic Compressor 2

    Lecture 325 Algorithmic Reverb

    Lecture 326 Dynamic EQ

    Lecture 327 Basic Chorus

    Lecture 328 Panning Effect

    Lecture 329 Tube Pre Amp Saturation

    Lecture 330 Digital Compressor

    Lecture 331 Convolution Reverb

    Lecture 332 Basic Limiter

    Lecture 333 Limiter

    Lecture 334 Bitcrusher

    Lecture 335 Experimental Reverb

    Lecture 336 Advanced Chorus

    Lecture 337 Plugin Bundle - Brief Overview

    Section 45: Mixing fundamentals with these Free 3rd Party Plugins

    Lecture 338 REMINDER: macOS Catalina Incompatibility with 32bit Plugins

    Lecture 339 Compression

    Lecture 340 EQ Introduction

    Section 46: Mixing with Free 3rd Party Plugins - In-depth tutorials

    Lecture 341 Vocal Mixing - Basic EQ

    Lecture 342 Mixing Vocals - Dynamics

    Lecture 343 Mixing Vocals - De-Esser and Saturator

    Lecture 344 Mixing Vocals - Reverb and Delay Sends

    Lecture 345 Backing Vocals - Effects and Sends

    Lecture 346 Bass and Drum Processing

    Lecture 347 Guitar FX

    Lecture 348 Synth Lead FX

    Lecture 349 Guitar Mixing and Effects

    Lecture 350 Mixing Synths - Part 1

    Lecture 351 Mixing Synths - Part 2

    Section 47: The Mastering Chain - With Free 3rd Party Plugins

    Lecture 352 Mastering Free Plugins

    Section 48: Installing the Free 3rd Party Plugins

    Lecture 353 Installing the Plugins from their Official Sites

    Lecture 354 Loading the Plugins in Logic Pro X

    Lecture 355 Component Files and Folder

    Section 49: Recording Vocals at Home Workshop

    Lecture 356 Introduction to this Recording Vocals Section

    Lecture 357 Part 1 - Microphones and Audio Interface

    Lecture 358 Part 2 - Polar Patterns and Mic Cables

    Lecture 359 Part 3 - Microphone Position

    Lecture 360 Part 4 - Reflection Filter

    Section 50: Recording a Male Singer-Songwriter : James Cairns

    Lecture 361 Male Singer-Songwriter Introduction

    Lecture 362 Microphone Placement Techniques

    Lecture 363 Guitar and Vocal Levels

    Lecture 364 Take 1 and Challenges

    Lecture 365 Take 2 and Mic Positioning

    Lecture 366 Take 3 and Repositioning the Mic

    Lecture 367 Navigating Computer Fan Noise

    Lecture 368 Pitch Shifter for Singing Harmonies

    Lecture 369 Project Set Up : James Cairns - Out Of Mind

    Section 51: Male Singer-Songwriter Post Production

    Lecture 370 Reducing Hum and Noise

    Lecture 371 Parallel Compression

    Lecture 372 Project Deconstruct

    Section 52: Writing and Recording Vocals : Peter Darling

    Lecture 373 Peter Darling Introduction

    Lecture 374 Lyrical Themes

    Lecture 375 Microphones and Placement

    Lecture 376 Chorus Melody

    Lecture 377 Chorus Harmonies

    Lecture 378 Verse Melody

    Lecture 379 Writing and Recording Verse 1 and 2

    Lecture 380 Recording and Writing Verse 3 and 4 and Ad-libs

    Section 53: Recording Female Pop Vocals : Jess Rose

    Lecture 381 Pop Vocals Introduction

    Lecture 382 Setting up Levels

    Lecture 383 Mic Placement

    Lecture 384 Fixing Latency Issues (Freezing Tracks)

    Lecture 385 Fixing Latency Issues (Plugins)

    Lecture 386 Recording the First Take

    Lecture 387 Recording Takes

    Lecture 388 Recording the First Chorus

    Lecture 389 Recording the Bridge and Last Chorus

    Lecture 390 Song 2 - Recording an Acoustic Guitar

    Lecture 391 Song 2 - Recording Vocals

    Section 54: Female Pop Vocals Post Production

    Lecture 392 Flex Pitch Gain

    Lecture 393 Thickening Vocals

    Lecture 394 Project Deconstruct - Part 1

    Lecture 395 Project Deconstruct - Part 2

    Section 55: Recording Rap Vocals : No Fixed IDentity

    Lecture 396 Rap Vocals Introduction

    Lecture 397 Headphone Monitoring

    Lecture 398 Setting Up the Headphone Mix

    Lecture 399 Fixing Latency Issues

    Lecture 400 Mic Placement and Distance

    Lecture 401 Singer Preferences

    Lecture 402 Recording Takes

    Lecture 403 Recording Rap Ad-Libs

    Section 56: Rap Vocals Post Production

    Lecture 404 Flex Time - Vocal Timing Fixes

    Lecture 405 Bussed Mixing

    Lecture 406 Hiding Tracks

    Lecture 407 Varispeed

    Section 57: Creative Harmonizing

    Lecture 408 Creative Harmonizing - Part 1

    Lecture 409 Creative Harmonizing - Part 2

    Lecture 410 Creative Harmonizing - Part 3

    Section 58: Creative Harmonies and Choir

    Lecture 411 Creating Vocal Harmonies with Flex Pitch - Part 1

    Lecture 412 Creating Vocal Harmonies with Flex Pitch - Part 2

    Lecture 413 Choral Folk Vocals - Introduction

    Lecture 414 Choral Folk Vocals - Post Production

    Lecture 415 Choir Recording Introduction

    Lecture 416 Choir Mix Setup (Bussing)

    Lecture 417 Choir Bus Processing

    Section 59: Mixing with Paid 3rd Party Plugins

    Lecture 418 How to Start Mixing a Vocal with Waves NS1, Channel EQ, Waves Doubler and More

    Section 60: Audio Concepts + Engineering - Commonly used Terms

    Lecture 419 Introduction to the Audio Concepts + Engineering Sections

    Lecture 420 Commonly used Terms

    Lecture 421 Technology

    Lecture 422 Processes

    Lecture 423 Digital Audio Formats

    Section 61: Audio Concepts + Engineering - Technical Demonstration of Concepts in Action

    Lecture 424 Decibels

    Lecture 425 Peak vs RMS

    Lecture 426 Gain - Part 1

    Lecture 427 Gain - Part 2

    Lecture 428 Dynamics - Part 1

    Lecture 429 Dynamics - Part 2

    Lecture 430 Dynamics - Part 3

    Lecture 431 Frequencies - Part 1

    Lecture 432 Frequencies - Part 2 (Distortion)

    Lecture 433 Frequencies - Part 3 (Noise)

    Lecture 434 Phase

    Lecture 435 Stereo - Part 1

    Lecture 436 Stereo - Part 2 : Phase sum Difference

    Lecture 437 Stereo - Part 3 : Stereo vs Mono

    Lecture 438 Samples Rates

    Lecture 439 Bit Depths

    Section 62: Audio Concepts + Engineering - Frequently Asked Questions about Digital Audio

    Lecture 440 Introduction to FAQ

    Lecture 441 How Loud Should my Track be?

    Lecture 442 Should Frequencies be Flat?

    Lecture 443 Is it okay to Compress more than Once?

    Lecture 444 Outboard vs Plugins

    Lecture 445 What Sample Rates Should I Use?

    Lecture 446 What Bit Depth Should I Use?

    Lecture 447 What Formats Should I Export to?

    Lecture 448 When Should I Dither?

    Lecture 449 Do I Need To Treat My Room?

    Lecture 450 How Do I Get Wider Mixes?

    Section 63: Audio Concepts + Engineering - Paul Baily Q&A

    Lecture 451 Paul Baily Introduction

    Lecture 452 What’s the difference between Analogue and Digital?

    Lecture 453 Do you need Analogue Gear?

    Lecture 454 Common Misconceptions about Analogue Audio

    Lecture 455 Exciting Developments around Audio

    Lecture 456 Has the role of Engineer changed and top tips for getting hired

    Lecture 457 What are the Traits of a Good Audio Engineer?

    Lecture 458 Main Piece of Advice about Making a Career in Audio Engineering

    Section 64: Creating a Song Live in Logic Pro X

    Lecture 459 Creating a Song Live in Logic Pro X with Tomas George

    Section 65: Interview and Talks with Industry Professionals

    Lecture 460 Paul Baily Interview Part 1

    Lecture 461 Paul Baily Interview Part 2

    Lecture 462 Paul Baily Interview Part 3

    Lecture 463 Sean Genockey Interview Part 1

    Lecture 464 Sean Genockey Interview Part 2

    Lecture 465 Sean Genockey Interview Part 3

    Lecture 466 Charlie Barnes Interview Part 1

    Lecture 467 Charlie Barnes Interview Part 2

    Lecture 468 Paul Statham Interview Part 1

    Lecture 469 Paul Statham Interview Part 2

    Lecture 470 Peter Darling Talks to Tomas George Part 1

    Lecture 471 Peter Darling Talks to Tomas George Part 2

    Lecture 472 Tomas George Interview

    Lecture 473 Andrew Potterton Interview Part 1

    Lecture 474 Andrew Potterton Interview Part 2

    Lecture 475 Andrew Potterton Interview Part 3

    Section 66: Last Section

    Lecture 476 Thanks and Bye

    Lecture 477 Bonus Lecture: Learn More from Tomas + Digital Music Masters

    Those with basic music production skills who wish to improve,Experienced music performers who want to know how to record their ideas,New and experienced Logic users who want to deepen their knowledge,Those interested in creating their own music or being better at music production,You're a band member who wants to learn about Music Production in Logic Pro X,You've been writing a few songs, but now you want to learn more about music production,You want to learn how to mix the tracks you've been writing,You might be completely new to music (You've had no formal training in music)