"Music and the Cognitive Sciences 1990" ed. by Nigal Osborne, Ian Cross and Irène Deliège

This issue comprises the twenty-five papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University


Contents
Introduction: Cognitive Science and Music—An Overview
Music in Culture
An Interactive Experimental Method for the Determination of Musical Scales in Oral Cultures
The Influence of the Taambura Drone on the Perception of Proximity Among Scale Types in North Indian Classical Music
Constraints on Music Cognition—PsychoacousticaI
Identification and Blend of Timbres as a Basis for Orchestration
What is the Octave of a Harmonically Rich Note?
Brighness and Octave Position: Are Changes in Spectral Envelope and in Tone Height Perceptually Equivalent?
Constraints on Music Cognition—Neural
Split-Brain Studies of Music Perception and Cognition
Music Structure in Cognition
Is the Perception of Melody Governed by Motivic Arguments or by Generative Rules or by Both?
Transformation, Migration and Restoration Shades of Illusion in te Perception of Music
Association ism and Musical Soundtrack Phenomena
Rhythm Perception: Interactions Between Time and Intensity
Mechanisms of Cue Extraction in Memory for Musical Time
Generativity, Mimesis and the Human Body in Music Performance
Representation of Musical Structure
Issues on the representation of time and structure in music
A Connectionist and a Traditional AI Quantizer, Symbolic Versus Sub-Symbolic Models of Rhythm Perception
Computer Perception of Phrase Structure
Critical Study of Sundberg's Rules for Experssion in the Performance of Melodies
Contribution to the Design of an Expert System for the Generation of Tonal Multiple Counterpoint
Computer-Aided Comparison of Syntax Systems in Three Piano Pieces by Debussy
General Issues in Cognitive Musicology
Psychological Analysis of Musical Composition
How do We Perceive Atonal Music? Suggestions for a Theoretical Approach?
Name Index
Subject Index
Notes For Contributors