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    Mastering Music Theory - The Language Of Music

    Posted By: ELK1nG
    Mastering Music Theory - The Language Of Music

    Mastering Music Theory - The Language Of Music
    Published 3/2025
    MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
    Language: English | Size: 2.59 GB | Duration: 11h 6m

    A complete course from zero to advanced

    What you'll learn

    Get started with learning the basics of music theory

    Discover how music works

    Become a better performer, better listener and better composer!

    All theory topics are covered - rhythm, pitch, harmony, keys and much more

    Requirements

    No prerequisites for this course

    You might find it useful to have some manuscript paper (music paper) but it's not essential

    Description

    Learn music theory with Victoria Williams BA(Mus), AmusTCL LmusTCL. All music theory topics are broken down for you into easy-to-understand short lessons designed in a logical order to ensure that you learn as quickly and efficiently as possible. The course covers all aspects of music theory from the basics of rhythm and pitch notation (including all clefs), through to harmony and chords (including cadences and inversions), intervals, transposition, keys and scales and tips on writing music. We also look at useful facts about musical instruments such as the clefs they use, their transposition keys, and how they work within an orchestra or band.This course is ideal for anyone wanting to discover how music works. No previous knowledge is required.Learning music theory is invaluable for musicians of any level. It deepens understanding, allowing musicians to see patterns, structures, and relationships between notes and chords. This knowledge fosters creativity by offering new ways to experiment with sound, helping overcome creative blocks. It also speeds up learning, enabling quicker memorisation and interpretation of songs/pieces. Theory enhances collaboration, as musicians can communicate using a shared language. It’s beneficial across all genres, from classical to jazz to pop, and supports skills like improvisation and arrangement. Ultimately, music theory empowers musicians to be more versatile, confident, and expressive in our craft.

    Overview

    Section 1: Introduction

    Lecture 1 Introduction to the Course

    Section 2: Pitch 1

    Lecture 2 Pitch - Low and High

    Lecture 3 The Treble Clef

    Lecture 4 The Bass Clef

    Lecture 5 Ledger Lines and Middle C

    Lecture 6 Accidentals - Sharps, Flats and Naturals

    Section 3: Rhythm 1

    Lecture 7 What is Rhythm?

    Lecture 8 Time names of Notes

    Lecture 9 Time Names of Rests

    Lecture 10 Dotted Notes

    Lecture 11 2/4, 3/4 and 4/4

    Lecture 12 Beaming

    Lecture 13 Ties

    Section 4: Scales, Keys and Intervals 1

    Lecture 14 Tones and Semitones

    Lecture 15 Major Scales and C Major

    Lecture 16 G Major Scale

    Lecture 17 F Major Scale

    Lecture 18 Tonic Sol-Fa

    Lecture 19 Degrees of the Scale

    Lecture 20 Interval Numbers

    Section 5: Harmony 1

    Lecture 21 Tonic Triads

    Lecture 22 Arpeggios

    Section 6: Level 1 Quiz

    Section 7: Pitch 2

    Lecture 23 Ledger Lines - Extending the Stave

    Lecture 24 Transposing Between Clefs

    Lecture 25 Transposing at the Octave

    Section 8: Rhythm 2

    Lecture 26 Minim (Half Note) Beat Time Signatures

    Lecture 27 The Breve (Double Whole Note)

    Lecture 28 Simple Time

    Lecture 29 Triplets

    Lecture 30 Syncopation

    Section 9: Scales and Keys 2

    Lecture 31 D Major Scale

    Lecture 32 Bb Major Scale

    Lecture 33 Minor Scales (and A Minor)

    Lecture 34 E Minor Scale

    Lecture 35 D Minor Scale

    Lecture 36 Identifying the Key

    Section 10: Harmony 2

    Lecture 37 Minor Tonic Triads

    Lecture 38 Chord Symbols

    Lecture 39 Root Position and First Inversion Triads

    Lecture 40 Arpeggios and Broken Chords

    Section 11: Level 2 Quiz

    Section 12: Pitch 3

    Lecture 41 Enharmonic Equivalents

    Lecture 42 Transposition at the Octave and Between Clefs

    Section 13: Rhythm 3

    Lecture 43 Demisemiquavers (32nd Notes)

    Lecture 44 Compound Time - 6/8

    Lecture 45 Compound Time - 9/8 and 12/8

    Lecture 46 Compound Time Summary

    Lecture 47 Beaming in Compound Time

    Lecture 48 Anacrusis (Up-beat)

    Lecture 49 Rests in Compound Time

    Lecture 50 Anacrusis

    Section 14: Scales and Key 3

    Lecture 51 A Major Scale

    Lecture 52 Eb Major Scale

    Lecture 53 Melodic Minor Scales

    Lecture 54 B Minor Scales

    Lecture 55 G Minor Scales

    Lecture 56 F# Minor Scales

    Lecture 57 C Minor Scales

    Section 15: Intervals 3

    Lecture 58 Major and Minor 2nds

    Lecture 59 Major and Minor 3rds

    Lecture 60 Perfect 4ths, 5ths and Octaves

    Lecture 61 Major and Minor 6ths and 7ths

    Section 16: Harmony 3

    Lecture 62 The Tonic Chord (I)

    Lecture 63 The Dominant Chord (V)

    Lecture 64 The Subdominant Chord (IV)

    Lecture 65 Second Inversion Chords

    Lecture 66 SATB 4-Part Chords

    Lecture 67 Chord Progressions

    Lecture 68 The Perfect Cadence

    Section 17: Level 3 Quiz

    Section 18: Pitch 4

    Lecture 69 Double Flats and Double Sharps

    Lecture 70 Alto Clef

    Lecture 71 Alto Clef Transposition Between Clefs

    Section 19: Rhythm 4

    Lecture 72 Doubled Dotted Notes

    Lecture 73 3/8 Time Signature

    Lecture 74 Time Signatures 5/8, 7/8, 5/4 and 7/4

    Lecture 75 Regular and Irregular Time

    Lecture 76 Duplets

    Lecture 77 Swung Quavers (8th Notes)

    Section 20: Scales and Keys 4

    Lecture 78 Key Signatures in Alto Clef

    Lecture 79 E Major Scale

    Lecture 80 A♭ Major Scale

    Lecture 81 C# Minor Scale

    Lecture 82 F Minor Scale

    Lecture 83 Chromatic Scales

    Lecture 84 Technical Names of Notes

    Section 21: Intervals and Transposition 4

    Lecture 85 Augmented and Diminished Intervals

    Lecture 86 Compound Intervals

    Lecture 87 The Tritone

    Section 22: Harmony 4

    Lecture 88 The Supertonic Chord (II)

    Lecture 89 The Dominant 7th Chord (V7)

    Lecture 90 Chord Symbols and Inversions

    Lecture 91 Plagal Cadence

    Lecture 92 Harmonic Rhythm

    Lecture 93 Introduction to Voice Leading

    Lecture 94 Conjunct and Disjunct Motion

    Lecture 95 Voice Leading - Augmented and Diminished Melodic Intervals

    Lecture 96 Voice Leading - Augmented and Diminished Harmonic Intervals

    Lecture 97 Consecutives (Parallel) 5ths and Octaves

    Section 23: Ornaments

    Lecture 98 Introduction to Ornaments

    Lecture 99 Ornaments - Trill

    Lecture 100 Ornaments - Mordent

    Lecture 101 Ornaments - Turn

    Lecture 102 Ornaments - Acciaccatura

    Lecture 103 Ornaments - Appoggiatura

    Lecture 104 Ornaments - Grace Notes

    Section 24: Level 4 Quiz

    Section 25: Pitch 5

    Lecture 105 Tenor Clef

    Lecture 106 Tenor Clef Transposition

    Section 26: Rhythm 5

    Lecture 107 Compound /4 Time Signatures

    Lecture 108 Irregular Tuplets

    Section 27: Scales and Keys 5

    Lecture 109 Pentatonic Major Scales

    Lecture 110 B Major Scale

    Lecture 111 G# Minor Scale

    Lecture 112 Db Major Scale

    Lecture 113 Bb Minor Scale

    Lecture 114 Circle of 5ths

    Lecture 115 Relative Keys

    Section 28: Intervals and Transposition 5

    Lecture 116 Transposing Instruments

    Lecture 117 Transposing by a Perfect 4th or 5th

    Lecture 118 Working Out Any Interval

    Lecture 119 Transposition by Any Interval

    Section 29: Harmony 5

    Lecture 120 SATB Consecutives

    Lecture 121 SATB Doubling and Omissions

    Lecture 122 Voice Leading - Leading Notes

    Lecture 123 Voice-Leading - 7ths in Added 7th Chords

    Lecture 124 Chord VI

    Lecture 125 Chord iii

    Lecture 126 Chord vii°

    Lecture 127 Working Out Chord Inversions

    Lecture 128 Modulation

    Lecture 129 Pivot Chords

    Lecture 130 Imperfect Cadence

    Lecture 131 Pre-Cadence

    Section 30: Decoration 5

    Lecture 132 Introduction to Decoration

    Lecture 133 Unaccented Passing Notes

    Lecture 134 Accented Passing Notes

    Lecture 135 Auxiliary Notes

    Section 31: Level 5 Quiz

    Section 32: Pitch 6

    Lecture 136 Note Names in Other Languages

    Section 33: Rhythm 6

    Lecture 137 Compound /16 Time Signatures

    Lecture 138 Hemiola

    Section 34: Scales and Keys 6

    Lecture 139 F# Major Scale

    Lecture 140 D# Minor Scale

    Lecture 141 Gb Major Scale

    Lecture 142 Eb Minor Scale

    Lecture 143 C# Major Scale

    Lecture 144 A# Minor Scale

    Lecture 145 Cb Major Scale

    Lecture 146 Ab Minor Scale

    Lecture 147 Close Keys

    Lecture 148 Prevailing Key

    Lecture 149 Prevailing Key Identification

    Section 35: Intervals 6

    Lecture 150 Working Out Any Interval 2

    Lecture 151 Identifying Intervals in a Score

    Section 36: Harmony 6

    Lecture 152 Chord v Minor (from Melodic Minor)

    Lecture 153 Chord IV Major (from Melodic Minor)

    Lecture 154 Chord ii Minor (from Melodic Minor)

    Lecture 155 Chord III+ Augmented (from Harmonic Minor)

    Lecture 156 Chord III Major (from Melodic Minor)

    Lecture 157 Chord ♭VII Major (from Melodic Minor)

    Lecture 158 Tierce de Picardie (Picardy Third)

    Lecture 159 Using Chord Inversions

    Lecture 160 SATB Voice Leading by Part

    Section 37: Progression 6

    Lecture 161 Interrupted Cadence

    Lecture 162 Chord Progression "Rules"

    Lecture 163 The Progression of 5ths

    Lecture 164 Progressions and Inversions

    Lecture 165 Cadential 6/4

    Lecture 166 Passing Chords

    Lecture 167 Passing 6/4

    Section 38: Decoration 6

    Lecture 168 Chromatic Passing Notes

    Lecture 169 Chromatic Auxiliary Notes

    Lecture 170 Auxiliary Harmony Notes

    Lecture 171 Appoggiaturas

    Lecture 172 Anticipations

    Lecture 173 Changing Notes

    Lecture 174 Pedals

    Lecture 175 Simultaneous Decoration

    Lecture 176 Decoration Mistakes to Avoid

    Section 39: Figured Bass 6

    Lecture 177 Figured Bass Introduction

    Lecture 178 5/3 Root Position Chords

    Lecture 179 6/3 First Inversion Chords

    Lecture 180 6/4 Second Inversion Chords

    Lecture 181 Figured Bass Accidentals

    Lecture 182 Figured Bass Continuation Line

    Section 40: Level 6 Quiz

    Section 41: Scales and Keys 7

    Lecture 183 Identifying the Home Key (with Chromatic Notes)

    Lecture 184 Direct Modulation

    Lecture 185 Minor Pentatonic Scales

    Lecture 186 Aeolian Mode

    Lecture 187 Dorian Mode

    Lecture 188 Mixolydian Mode

    Lecture 189 Phrygian Mode

    Section 42: Rhythm 7

    Lecture 190 Simple /8 Time Signatures

    Section 43: Harmony 7

    Lecture 191 Chord ii7 (Supertonic 7th)

    Lecture 192 Chord vii°7 (Diminished 7th)

    Lecture 193 Secondary 7th Chords

    Lecture 194 The Neapolitan 6th Chord

    Lecture 195 Voice Leading Secondary 7ths

    Lecture 196 Voice Leading Exceptions

    Section 44: Progressions 7

    Lecture 197 Inverted Cadence

    Lecture 198 Phrygian Cadence

    Lecture 199 Auxiliary Chords

    Lecture 200 Auxiliary 6/4

    Lecture 201 Arpeggio 6/4

    Lecture 202 Harmonic Sequence

    Lecture 203 Single Part Implied Harmony

    Section 45: Decoration 7

    Lecture 204 Passing Notes 2

    Lecture 205 Auxiliary Notes 2

    Lecture 206 Auxiliary Harmony Notes 2

    Lecture 207 Appoggiaturas 2

    Lecture 208 Chromatic Appoggiaturas

    Lecture 209 Suspensions

    Lecture 210 Retardations

    Lecture 211 Analysing Harmony with Decoration Part 1

    Lecture 212 Analysing Harmony with Decoration Part 2

    Section 46: Figured Bass 7

    Lecture 213 Added 7th Chords

    Lecture 214 4-3 Suspensions

    Lecture 215 Figure 4

    Lecture 216 9-8 Suspension

    Lecture 217 7-6 Suspension

    Lecture 218 Figure 9

    Section 47: Level 7 Quiz

    Section 48: Rhythm 8

    Lecture 219 Compound and Simple /32 Time Signatures

    Section 49: Scales and Keys 8

    Lecture 220 Parallel Keys

    Lecture 221 The Blues Scale

    Lecture 222 The Whole Tone Scale

    Lecture 223 Serialism

    Lecture 224 Serialism - Sounding Atonal

    Lecture 225 Serialism - How to Compose

    Lecture 226 Distant Modulation

    Lecture 227 Prevailing Key Identification

    Section 50: Transposition 8

    Lecture 228 Transposing an Orchestral Score

    Section 51: Harmony 8

    Lecture 229 Extended Dominant Chords

    Lecture 230 Chromatic Chords

    Lecture 231 Augmented 6th Chords

    Lecture 232 Secondary Dominant Chords

    Lecture 233 Borrowed Chords

    Lecture 234 Chord iv Minor (Borrowed)

    Lecture 235 Chord ♭VI (Borrowed)

    Lecture 236 Chord ii° (Borrowed)

    Lecture 237 Other Chromatic Chords

    Lecture 238 False Relations

    Lecture 239 Analysing Harmony with Decoration 3

    Lecture 240 3-Part Harmony Voice Leading

    Section 52: Progressions 8

    Lecture 241 Pedal 6/4

    Lecture 242 Harmonic Sequence with Suspensions

    Section 53: Figured Bass 8

    Lecture 243 Figure 5

    Lecture 244 Figure 5/4

    Lecture 245 Figured Decoration

    Section 54: Level 8 Quiz

    Anyone keen to learn how much works and increase their understanding and enjoyment of music