Master Portrait Painting In Grisaille (Grey Monochrome)

Learn No 1# secrets of making painting like Old Master

What you'll learn

Develop Fundamental Skills: Grisaille portrait painting requires a strong understanding of light, shadow, and value.

you'll gain the versatility to express your creativity across different genres using the Grisaille technique.

you'll learn to observe and analyze the subtle nuances of form, texture, and composition

you'll gain expertise in controlling values, achieving realistic tonal transitions, and creating a strong visual impact with limited color range.

By understanding the techniques and principles behind Grisaille, you'll be able to create powerful, evocative artworks that stand the test of time.

Requirements

Anyone who is new to Drawing and Painting skills

Description

A grisaille provides solid modelling of the 3 dimensional forms in opaque paint. This is important because many beautiful colours are transparent to some degree.Grisaille can be a great way to create depth and volume in your paintings.Grisaille techniques can be used to create a range of different effects, from subtle to dramatic. With a little experimentation, you can find the right approach for your artwork.It makes you focus on the subject matter, composition, line and other elements of art while not being distracted by colour.Grisaille has been used by artists for centuries, and there are now many different books that can teach you how to use this style. Some of the most famous artists who have used grisaille include Rembrandt, Michelangelo, and Leonardo da Vinci through to Rene Magritte and Picasso.This course teaches from starting the drawing stage to finish Grisaille Painting.It can also be used to create a sense of depth or atmosphere in a painting.If you want to create a painting with a light and airy feel, you could use grisaille to paint bright highlights in the foreground.Grisaille is a versatile technique that can be used to create a wide range of effects. It’s also a relatively easy technique to learn, and it’s perfect for beginners who want to try their hand at painting.Picasso used grisaille (shades of grays) for Guernica. The belief is that he wanted us to be forced to look into the horrors of war.

Overview

Section 1: Introduction

Lecture 1 Introduction

Section 2: Instructor Introduction

Lecture 2 Instructor Introduction

Section 3: Materials and Medium

Lecture 3 Materials and Medium

Section 4: Making of value scale using Raw Umber

Lecture 4 Making of value scale using Raw Umber

Section 5: Making of value scale

Lecture 5 Making of value scale

Section 6: Sphere painting based on value scale

Lecture 6 Sphere painting based on value scale

Section 7: Rendering the Sphere

Lecture 7 Rendering the Sphere

Section 8: Toning of the Canvas

Lecture 8 Toning of the Canvas

Section 9: Drawing Stage/Block-In

Lecture 9 Drawing Stage/Block-In

Section 10: Dead Colouring

Lecture 10 Dead Colouring

Section 11: Variation of dark

Lecture 11 Variation of dark

Section 12: Variation of dark and light

Lecture 12 Variation of dark and light

Section 13: Painting the Hair

Lecture 13 Painting the Hair

Section 14: Painting the Hair continue

Lecture 14 Painting the Hair continue

Section 15: Variation of Dark/Face

Lecture 15 Variation of Dark/Face

Section 16: Variation of Darks of the Face

Lecture 16 Variation of Darks of the Face

Section 17: Variation of Light of the Face

Lecture 17 Variation of Light of the Face

Section 18: Variation of Light of the Face continue

Lecture 18 Variation of Light of the Face continue

Section 19: Variation of Light of the Face continue

Lecture 19 Variation of Light of the Face continue

Section 20: Painting the Eye

Lecture 20 Painting the Eye

Section 21: Painting the Forehead

Lecture 21 Painting the Forehead

Section 22: Painting the Eyes and the Nose

Lecture 22 Painting the Eyes and the Nose

Section 23: Painting around the Eyes

Lecture 23 Painting around the Eyes

Section 24: Painting the cheek bone area

Lecture 24 Painting the cheek bone area

Section 25: Painting the Forehead and the Nose

Lecture 25 Painting the Forehead and the Nose

Section 26: Painting the Nose and the Lips

Lecture 26 Painting the Nose and the Lips

Section 27: Painting the cheek area and areas around

Lecture 27 Painting the cheek area and areas around

Section 28: Painting the shadows of the Nose

Lecture 28 Painting the shadows of the Nose

Section 29: Painting the chin area

Lecture 29 Painting the chin area

Section 30: Final finishing of the Grisaille Portrait

Lecture 30 Final finishing of the Grisaille Portrait

Section 31: Final finishing and touches

Lecture 31 Final finishing and touches

For Beginners, Intermediate and Advance Learners