Kelby Training - The LAB Frontier (with Dan Margulis)
QuickTime | 2009 | MOV | 854 x 480 | 12 fps | MPEG Audio 128 kbps
Language: English | Runtime: 136 mins | 770 MB | Genre: elearning Photoshop
This course will focus on some of the more advanced techniques of LAB color correction. The course will cover a workflow that begins in RGB and ends in LAB for the purpose of color enhancement.
01 Introduction (8:28)
02 Real, Unprintable, and Imaginary Colors (8:58)
03 LAB and the Perfect Sunset (5:33)
04 Retouching Blown-Out Areas (4:36)
05 Painting in Color (3:01)
06 Using Blend If (2:17)
07 Low-Radius Sharpening (3:00)
08 Blurring Skies and Blend If (7:26)
09 Compare LAB to RGB Sharpening (1:39)
10 Sharpening the AB Channels (2:42)
11 Emphasize Color Transitions (5:17)
12 When to Avoid Sharpening the AB Channels (1:19)
13 Hiraloam Sharpening (10:24)
14 Multiply Mode (3:32)
15 Choosing the Proper Layer Mask (3:15)
16 Another Example (2:12)
17 LAB Is Not Rocket Science (3:13)
18 The M.P.P.S. (1:31)
19 Blending with the AB Channels (4:58)
20 Comparing Methods (4:45)
21 Overlaying the A and/or B Onto Itself (2:37)
22 The Man From Mars Method (6:04)
23 The Man from Mars Method for Fleshtones (6:38)
24 A Comprehensive RGB to LAB Workflow (12:36)
25 RGB Channel Blending (3:18)
26 More Practice with the RGB/LAB Workflow (5:57)
27 The Workflow with Wildlife Photography (6:58)
28 Conclusion (3:26)
Screen Shoots
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