Audible Traces: Gender, Identity, and Music
Audible Traces: Gender, Identity, and Music By Elaine Barkin; Lydia Hamessley (eds.)
1999 | 358 Pages | ISBN: 3905323001 | PDF | 17 MB
1999 | 358 Pages | ISBN: 3905323001 | PDF | 17 MB
"Forum: composing women: Elizabeth Hinkle-Turner, Mary Lee Roberts, Carla Scaletti, Anna Rubin, Vivian Adelberg Rudow, Susan Parenti, Mara Helmuth, Catherine Schieve -- On musical performances of gender and sex / Suzanne G. Cusick -- Lesbian skin and musical fascination / Martha Mockus -- On Rebecca Clarke's Sonata for viola and piano: feminine spaces and metaphors of reading / Marianne Kielian-Gilbert -- Voice, race, and sexuality in the music of Joan Armatrading / Ellie M. Hisama -- Singing for myself: Carmen and the rhetoric of musical resistance / Peter J. Rabinowitz -- Redefining yin and yang: transformation of gender/sexual politics in Chinese music / Su Zheng -- Watching our step: embodying research, telling stories / Susan C. Cook -- It's raining men: the Weather Girls, gay subjectivity, and the erotics of insatiability / Mitchell Morris -- Hearing ""Lulu"" / Judy Lochhead -- The insatiable banshee: voracious vocalizing-- riot grrrl-- and the blues / Renee T. Coulombe -- Rules of one's own / Elaine Barkin -- Music/consciousness/gender / Benjamin Boretz."