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    3. Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ

    Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ

    Posted By: arundhati
    Date: 12 Oct 2024 01:08:11
    Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ

    Katja Gvozdeva, "Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ"
    English | ISBN: 9004329757 | 2016 | 313 pages | PDF | 2 MB

    In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience – among both theatregoers and readers of drama – contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call 'public sphere(s)'? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the 'public' existed in a variety of forms, locations, and cultures across early modern Europe – and in Asia.
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