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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    The Evolution of Gay Imagery in Mexican Cinema: An Analysis of Thirty-Six Films, 1970-1999

    Posted By: insetes
    The Evolution of Gay Imagery in Mexican Cinema: An Analysis of Thirty-Six Films, 1970-1999

    The Evolution of Gay Imagery in Mexican Cinema: An Analysis of Thirty-Six Films, 1970-1999 By Bernard Schulz-cruz, Amanda Hoffman, Ken T. Perry, Pablo Restrepo-Gautier
    2010 | 215 Pages | ISBN: 0773414177 | PDF | 11 MB


    The existing studies surrounding homosexuality in Mexican cinema criticize the stereotypical representations of the gay personality. What has not been consciously analyzed is the cinematographic and aesthetic displacement that was gradually constructing the gay male imaginary between 1970 and 1999. This book explores the accommodations made by the eye of the camera in its search for a homosexual body and gay identity. An analysis of Mexican movies produced during the last third of the twentieth century reveals the emergence, the evolution, the articulation, the subversion and the liberation of a gay filmic body. The result is not only an indispensable study of gay images in Mexican cinema, but also a necessary addition for the full understanding those images in the context of changing Mexican society. This book publicly presents gay thematic material and recognizes the existence of the other, be it a representation of the virile, effeminate, or ostracized, and of a gay body that expresses itself and relates to the world differently.