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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Creolizing Contradance in the Caribbean (Studies In Latin America & Car)

    Posted By: insetes
    Creolizing Contradance in the Caribbean (Studies In Latin America & Car)

    Creolizing Contradance in the Caribbean (Studies In Latin America & Car) By Peter Manuel
    2009 | 288 Pages | ISBN: 1592137342 | PDF | 3 MB


    The contradance and the quadrille, in their diverse forms, were the most popular and important genres of creole Caribbean music and dance in the nineteenth century. Throughout the region, they were sites of interaction for musicians and musical elements of different racial, social, and ethnic origins, and they became crucibles for the evolution of genres like the Cuban danzon and son, the Dominican merengue, and the Haitian mereng. Creolizing Contradance in the Caribbean, the first book to explore this phenomenon in detail and with a pan-regional perspective, includes chapters on the Spanish-, French-, and English-speaking Caribbean. Each covers the musical and choreographic features, social dynamics, historical development, and significance of the genres and discusses them in relation to the broader Caribbean historical context.