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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait

    Posted By: insetes
    Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait

    Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait By David Alan Brown; Jane Van Nimmen
    2005 | 224 Pages | ISBN: 0300108249 | PDF | 66 MB


    Five centuries ago a stunningly beautiful young man with flowing blond locks sat for a portrait by Raphael. In the artist’s dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael’s portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait’s creation and of its unexpected trajectory through history.Focusing on viewers’ responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where first it was celebrated, then dismissed by skeptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo’s image has beguiled visitors ever since.